The drawing analysed in this article, conserved at the MNAC in Barcelona and attributed to the Spanish architect Diego Siloe (ca. 1490–1563), has never previously been studied in depth. It is a relatively rapidly executed sketch depicting a Renaissance urban setting, in which the authors not only demonstrate the sound use of one-point perspective, an extraordinary feat in Spain at that time, but also reconstruct it geometrically. Raking light photography provides a tool for identifying numerous incised lines, the true geometric support for the drawing, while a comparative analysis reveals a significant connection between the drawing and Siloe’s works, giving rise to new suppositions. The authors also detect a strong connection with Italy, consistent with existing hypotheses about the extent of the young Siloe’s Italian sojourn. The research conducted reinforces the attribution of the drawing to Siloe and opens up new channels for interpreting his life and work.

中文翻译：

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论迭戈·西洛 (Diego Siloé) 绘画中透视的使用

本文中分析的这幅画保存在巴塞罗那的 MNAC 中，出自西班牙建筑师 Diego Siloe（约 1490-1563 年）之手，此前从未对其进行过深入研究。这是一幅描绘文艺复兴时期城市环境的相对快速的草图，其中作者不仅展示了单点透视的合理使用，这是当时西班牙的一项非凡壮举，而且还对其进行了几何重建。斜光摄影提供了识别众多切割线的工具，为绘画提供了真正的几何支撑，而对比分析则揭示了绘画与西洛的作品之间的重要联系，从而产生了新的假设。作者还发现与意大利有很强的联系，这与关于年轻西洛伊在意大利逗留的范围的现有假设一致。