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The Burrell Renaissance: Unpicking a Collection and Its Building
Studies in Conservation ( IF 0.8 ) Pub Date : 2020-05-19 , DOI: 10.1080/00393630.2020.1744880
Helen M. Hughes 1 , Stephanie de Roemer 2
Affiliation  

ABSTRACT The Burrell Collection, which opened in 1984, was built to display and house the fine and decorative art collection given to the City of Glasgow by the ship owner, politician and philanthropist Sir William Burrell. The building design was chosen via a competition in the 1970s, with the structure fully listed in the early twenty-first century. It is one of the best examples of late twentieth-century architecture in Scotland. Despite its relatively young age, the building now requires major refurbishment, and the collection has been removed ahead of a planned redisplay and re-installation in 2020–21. The Burrell Renaissance Project has provided the opportunity to examine the relationships between the objects, the building and the public. When the Burrell Collection first opened the important relationship was that between the objects and the building, with the structure including specific design solutions for the collection. During the Burrell Renaissance Project this has been broadened to emphasise the relationships of the public to the building as well as the collection. For conservation staff, this has meant an evaluation of how the building and collection had been related, the re-examining of the methods of display, treatment, installation and maintenance, development of new methods and an acknowledgement of conservators’ own emotional relationship with the objects in their care.

中文翻译:

伯勒尔文艺复兴:拆解一个收藏品及其建筑

摘要 Burrell Collection 于 1984 年开放,旨在展示和收藏船东、政治家和慈善家威廉·伯勒尔爵士赠送给格拉斯哥市的精美装饰艺术收藏品。建筑设计是通过 1970 年代的竞赛选择的,其结构在 21 世纪初完全上市。它是苏格兰 20 世纪后期建筑的最佳典范之一。尽管它的年龄相对较小,但该建筑现在需要进行重大翻新,并且在 2020-21 年计划的重新展示和重新安装之前,该藏品已被移除。伯勒尔文艺复兴项目提供了检查物体、建筑和公众之间关系的机会。当 Burrell Collection 首次打开时,重要的关系是物体和建筑之间的关系,结构包括该系列的特定设计解决方案。在伯勒尔文艺复兴项目期间,这已经扩大到强调公众与建筑和收藏的关系。对于保护人员来说,这意味着评估建筑物和收藏品之间的关系,重新检查展示、处理、安装和维护方法,开发新方法以及承认保护者自己与收藏品的情感关系。他们照顾的对象。在伯勒尔文艺复兴项目期间,这已经扩大到强调公众与建筑和收藏的关系。对于保护人员来说,这意味着评估建筑物和收藏品之间的关系,重新检查展示、处理、安装和维护方法,开发新方法以及承认保护者自己与收藏品的情感关系。他们照顾的对象。在伯勒尔文艺复兴项目期间,这已经扩大到强调公众与建筑和收藏的关系。对于保护人员来说,这意味着评估建筑物和收藏品之间的关系,重新检查展示、处理、安装和维护方法,开发新方法以及承认保护者自己与收藏品的情感关系。他们照顾的对象。
更新日期:2020-05-19
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