Human–computer interaction (HCI) has traditionally framed itself as a design-oriented discipline. This position, in turn, frames design as HCI’s primary tool for intervening or producing change in the world. By taking up two apparently contradictory suggestions—that there is less design in the world than there might seem, and that there is more of it around than ever before—this article examines the limits and rhetorics of design in HCI and in the broader cultural settings within which HCI is embedded.

中文翻译：

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设计的魅力与匮乏：设计文化与文化设计

人机交互（HCI）传统上将自己框架为面向设计的学科。反过来，这个位置将框架设计为HCI干预或产生世界变化的主要工具。通过提出两个明显矛盾的建议—世界上的设计数量少于看上去的数量，并且周围设计的数量比以往任何时候都多—本文研究了人机交互以及更广泛的文化环境中设计的局限性和修辞手法。 HCI嵌入其中。