ABSTRACT:This article examines the "Berliner Phonogramm-Archiv," founded after 1900 as part of the Institute of Psychology, University of Berlin. The Phonogramm-Archiv was connected to the emergence of several new disciplines and research domains, including experimental phonetics, Gestalt theory, music psychology, and comparative musicology. Of the archive's 30,000 phonographic recordings, some 100 were made for experimental purposes. One of them in particular, containing a moment of near silence, serves as a point of departure for relating these disciplines to the sound archive as a new technology and research tool. The barely audible sounds on this cylinder challenge phonographic recording as a technical device, and recall Carl Stumpf's inquiry into cognitive predispositions in listeners. Whispered vowels delineate the limitations of that research and of the archive itself. The article investigates how new research methodologies emerged out of the gap between recorded items and their various interpretations in different disciplines.

中文翻译：

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聆听不仅仅是声音：卡尔·斯通普夫和柏林留声机档案馆的实验录音

摘要：本文考察了 1900 年后作为柏林大学心理学研究所的一部分而成立的“柏林录音笔档案”。Phonogramm-Archiv 与几个新学科和研究领域的出现有关，包括实验语音学、格式塔理论、音乐心理学和比较音乐学。在档案馆的 30,000 份录音中，约有 100 份用于实验目的。特别是其中一个，包含片刻的寂静，作为将这些学科与作为新技术和研究工具的声音档案联系起来的出发点。这个圆柱体上几乎听不见的声音挑战了录音作为一种技术设备，并回忆起 Carl Stumpf 对听众认知倾向的调查。耳语元音描绘了该研究和档案本身的局限性。这篇文章调查了新的研究方法是如何从记录的项目及其在不同学科中的各种解释之间的差距中出现的。