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The Psychology of Music: Rhythm and Movement
Annual Review of Psychology ( IF 23.6 ) Pub Date : 2018-01-04 00:00:00 , DOI: 10.1146/annurev-psych-122216-011740
Daniel J. Levitin 1 , Jessica A. Grahn 2 , Justin London 3
Affiliation  

The urge to move to music is universal among humans. Unlike visual art, which is manifest across space, music is manifest across time. When listeners get carried away by the music, either through movement (such as dancing) or through reverie (such as trance), it is usually the temporal qualities of the music—its pulse, tempo, and rhythmic patterns—that put them in this state. In this article, we review studies addressing rhythm, meter, movement, synchronization, entrainment, the perception of groove, and other temporal factors that constitute a first step to understanding how and why music literally moves us. The experiments we review span a range of methodological techniques, including neuroimaging, psychophysics, and traditional behavioral experiments, and we also summarize the current studies of animal synchronization, engaging an evolutionary perspective on human rhythmic perception and cognition.

中文翻译:


音乐心理学:节奏与运动

走向音乐的冲动在人类中是普遍的。与视觉艺术跨越空间体现出来的音乐不同,音乐是跨越时间体现出来的。当听众通过移动(例如跳舞)或幻想(例如发呆)而被音乐带走时,通常是音乐的时间品质-脉搏,节奏和节奏模式-将其置于音乐中。状态。在本文中,我们回顾了有关节奏,测速,运动,同步,夹带,对凹槽的感知以及其他时间因素的研究,这些研究构成了理解音乐如何真正地以及如何使我们运动的第一步。我们回顾的实验涵盖了多种方法学技术,包括神经影像学,心理物理学和传统的行为实验,并且我们还总结了当前对动物同步化的研究,

更新日期:2018-01-04
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