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Exploring resonance theory and uncontrollability during co‐creative art making: A qualitative study among cancer patients
Cancer Medicine ( IF 4 ) Pub Date : 2024-03-28 , DOI: 10.1002/cam4.7044
Yvonne Weeseman 1, 2 , Michael Scherer‐Rath 3 , Nirav Christophe 4 , Henny Dörr 4 , Esther Helmich 5 , Mirjam A. G. Sprangers 6, 7 , Niels van Poecke 1, 2 , Hanneke W. M. van Laarhoven 1, 2
Affiliation  

PurposeCo‐creation, characterised by artists and patients creating a joint work of art, may support patients with the integration of life events, such as living with cancer, into their life story. In the process of co‐creation, resonance relationships between patients, artists and material may evolve that support such integration. Using the framework of resonance theory, we aim to investigate if and how patients move through the three phases of resonance during a process of co‐creation and explore the role of uncontrollability in this process.MethodsTen patients who received cancer treatment with palliative intent completed co‐creation processes, which were audio recorded. These recordings were imported in Atlas‐Ti and analysed by applying content analysis. We searched for the three phases of resonance, Being affected, touched and moved; Self‐efficacy and responding; Adaptive transformation. We additionally searched for signs of uncontrollability.ResultsPatients used 4–8 sessions (median 5 sessions) with a duration 90–240 min per session (median duration 120 min). We found that patients move through the three phases of resonance during co‐creation processes. Uncontrollability both presents a challenge and an invitation to integrate experiences of contingency into one's life narrative. Patients express self‐recognition and the experience of contingency in their work of art.ConclusionsIntegration of experiences of contingency into a life narrative can be supported by the process of co‐creation of art, which invites patients to relate to their illness, their environment and themselves. The phases of resonance in combination with uncontrollability as a continuously present factor, provide a means to both study and support the integration of experiences of contingency into the life narrative.

中文翻译:

探索共同创作艺术创作过程中的共振理论和不可控性:癌症患者的定性研究

目的共同创作的特点是艺术家和患者共同创作艺术作品,可以支持患者将生活事件(例如患有癌症)融入到他们的生活故事中。在共同创造的过程中,患者、艺术家和材料之间的共鸣关系可能会发展,以支持这种整合。利用共振理论的框架,我们旨在研究患者在共创过程中是否以及如何经历共振的三个阶段,并探讨不可控性在此过程中的作用。 方法 10 名接受姑息性癌症治疗的患者完成了共创‐创作过程,有录音。这些录音被导入 Atlas-Ti 并通过应用内容分析进行分析。我们寻找共振的三个阶段,受到影响,感动;自我效能感和回应;自适应变换。我们还寻找了以下迹象不可控性结果患者接受了 4-8 次疗程(中位 5 次疗程),每次疗程持续时间 90-240 分钟(中位持续时间 120 分钟)。我们发现患者在共同创造过程中经历了三个共振阶段。无法控制既是一种挑战,也是一种将偶然经历融入个人生活叙事的邀请。患者在他们的艺术作品中表达自我认知和偶然经历。结论艺术的共同创作过程可以支持将偶然经历融入生活叙事,艺术邀请患者将他们的疾病、环境和生活联系起来。他们自己。共振阶段与作为持续存在因素的不可控性相结合,提供了一种研究和支持将偶然经历整合到生活叙事中的手段。
更新日期:2024-03-28
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