Mariette Monpierre's and Michel Reinette’s 2022 documentary, Les Derniers Blancs Matignon de Guadeloupe, and Estelle-Sarah Bulle’s 2018 novel, Là, où les chiens aboient par la queue emblematize the complexities involved in reimagining postcolonial identities in Guadeloupe, especially that of the Blancs-Matignon. They are a mostly White, endogamous, and isolated group who have had a discreet existence in the thickly forested inland region of Grands-Fonds du Moule since the late 1600s. Through an analysis of the documentary and parts of the novel, the article explores historical, cultural, and linguistic convergences between the Blancs-Matignon and the majority Black and mixed-race population of Guadeloupe. The identity politics of weaving the narratives of the Blancs-Matignon into the matrix of Guadeloupe's contemporary society will also be examined.

中文翻译：

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重新构想后殖民身份：瓜德罗普岛的布兰克-马蒂尼翁

Mariette Monpierre 和 Michel Reinette 的 2022 年纪录片《Les Derniers Blancs Matignon de Guadeloupe》和 Estelle-Sarah Bulle 2018 年的小说《Là, où les chiens aboient par la queue》象征着重新构想瓜德罗普岛后殖民身份的复杂性，尤其是 Blancs-Matinon 的身份。他们是一个以白人为主、同族通婚且孤立的群体，自 1600 年代末以来一直在 Grands-Fonds du Moule 森林茂密的内陆地区过着谨慎的生活。通过对纪录片和小说部分内容的分析，本文探讨了布兰克-马蒂尼翁人和瓜德罗普岛大多数黑人和混血人口之间的历史、文化和语言融合。将布兰克-马蒂尼翁的叙事编织到瓜德罗普岛当代社会矩阵中的身份政治也将受到审视。