This article describes Picasso’s first visit to the French capital in 1900, and the events that led to his first major exhibition at the acclaimed Galerie Ambroise Vollard in Paris in 1901. The first section provides a narrative of his early experiences abroad as a young unknown artist, his influences, and the contacts he established with friends, artists and dealers during this important period of his career; the second section traces the histories of the sixty-five artworks that were exhibited, identifying the collections those items went through after they were exhibited, their current locations, as well as the exhibitions in which they have been featured since Vollard first displayed them in his gallery. The last section elaborates on some of the immediate repercussions of the exhibition. The reported findings are the result of extensive research on hundreds of books and catalogs published on Pablo Picasso from 1901 to the present. The new facts we have uncovered are published here for the first time. Readers of the article will learn that the works included in Picasso’s first exhibition in France have been part of the most prestigious art collections, such as those of Justin K. Thannhauser, Gertrude Stein, Chester Dale, Paul Guillaume, Walter P. Chrysler, Jr., Paul Mellon, Helena Rubinstein, Alfred Flechtheim, Walter C. Arensberg, among others. The works have also been featured in such important overviews of his career as “Picasso, 75th Anniversary” 1957–1958, and “Picasso: An American Tribute”, 1962. Thus, while Vollard claimed that the exhibition at his gallery had no major impact, the facts show that it not only played an important role in Picasso’s acceptance as a groundbreaking newcomer, but also left a significant mark on the rest of his career, as evidenced by the works’ inclusion in the retrospectives held in Paris and Zürich in 1932, and New York in 1980.

中文翻译：

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1901 年 Vollard 展览中的毕加索及其历史

本文描述了毕加索 1900 年首次访问法国首都，以及导致他于 1901 年在巴黎著名的 Galerie Ambroise Vollard 举办首次大型展览的事件。第一部分叙述了他作为年轻的无名艺术家在国外的早期经历，他的影响，以及在他职业生涯的这一重要时期与朋友、艺术家和经销商建立的联系；第二部分追溯了展出的 65 件艺术品的历史，确定了这些物品在展出后经历的收藏、它们目前的位置，以及自 Vollard 首次在他的作品中展示它们以来它们曾在哪些展览中展出画廊。最后一部分详细阐述了展览的一些直接影响。报告的发现是对 1901 年至今出版的关于毕加索的数百本书和目录进行广泛研究的结果。我们发现的新事实首次在这里公布。文章的读者将了解到，毕加索在法国的首次展览中展出的作品已成为最负盛名的艺术收藏品的一部分，例如贾斯汀·K·坦豪瑟 (Justin K. Thannhauser)、格特鲁德·斯坦 (Gertrude Stein)、切斯特·戴尔 (Chester Dale)、保罗·纪尧姆 (Paul Guillaume)、小沃尔特·克莱斯勒 (Walter P. Chrysler, Jr) 的作品., Paul Mellon, Helena Rubinstein, Alfred Flechtheim, Walter C. Arensberg 等。这些作品还出现在他职业生涯的重要概述中，如 1957 年至 1958 年的“毕加索，75 周年”和 1962 年的“毕加索：美国致敬”。因此，虽然 Vollard 声称他画廊的展览没有产生重大影响,