ABSTRACT

This article presents results from a project on dance and music with 16 dancers at different levels of experience who worked with a choreographer for an upcoming performance. The focus was on the participating dancers’ perceptions of how they, through improvisational models, created movement in small groups, communicated these dance sequences to each other and how they perceived these instructions. The research methods were observations and semi-structured interviews where categories emerged during the study process. The results showed that the strategies that the dancers used most considered visualisation, auditory, tactile/kinesthetic senses.

中文翻译：

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“聆听是通过使用所有感官完成的”一项关于舞者如何创作、交流和感知编排舞蹈的研究

摘要

本文展示了一个关于舞蹈和音乐的项目的结果，该项目有 16 名不同经验水平的舞者与编舞一起为即将到来的表演工作。重点是参与舞者对他们如何通过即兴模型在小组中创造动作、将这些舞蹈序列相互交流以及他们如何理解这些指令的看法。研究方法是观察和半结构式访谈，其中类别在研究过程中出现。结果显示，舞者使用最多的策略是视觉、听觉、触觉/动觉。