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Portrayal of progressive supranuclear palsy in the 16th century
The Lancet Neurology ( IF 46.5 ) Pub Date : 2017-12-01 , DOI: 10.1016/s1474-4422(17)30366-6
Peter LeWitt

A stolid face stares outwards from an oak panel, painted five centuries ago by Cornelis Anthonisz (figure). Skin creases in his neck suggest that the man in this portrait was middle-aged or older. The portrait's most intriguing element, however, is what the artist has captured in his patron's face. Unlike an expressive mien that Dutch artists of this period were so skilled at portraying, this man's face seems oddly lacking in emotion. My impression is that this portrait speaks across the centuries to convey something wrong with the health of the sitter.

中文翻译:

描绘16世纪进行性核上性麻痹

从五个世纪前的Cornelis Anthonisz(图)绘制的橡木面板向外张望着一张笨拙的脸。脖子上的皮肤皱纹表明该肖像中的男人是中年或更年长的。然而,肖像最吸引人的元素是艺术家从其顾客脸上捕捉到的东西。与那个时期的荷兰艺术家擅长刻画的表现力面相不同,这个人的脸似乎奇怪地缺乏情感。我的印象是,这幅肖像画跨越了几个世纪,传达着保姆健康方面的某些错误。
更新日期:2017-11-15
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