Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.

Three issues of theJournal are published per annual volume, with one issue devoted exclusively to a single topic. The online edition of theJournal provides extended material in the form of sound files, applets, or similar electronic media. The Journal also welcomes the submission of book reviews.

Readership
Journal of Mathematics and Music is intended to serve the communities of music scholars, composers, mathematicians and computer scientists, particularly those with interdisciplinary interests. The Journal assumes a certain level of proficiency in these fields, appropriate to professionals and graduate students.

To join the SMCM, please visit http://www.smcm-net.info/.


Peer Review Policy

All submitted manuscripts are subject to initial appraisal by the Editor. If found suitable for further consideration, papers are subject to peer review by independent, anonymous expert referees. All peer review is double anonymized and submissions can be made online at http://mc.manuscriptcentral.com/tmam


Publishing Ethics
The Journal adheres to the highest standards of publishing ethics, with rigorous processes in place to ensure this is achieved. Taylor & Francis is a member of Committee of Publications Ethics (COPE) and utilises CrossCheck for all Journals. More information on our ethical standards and policies can be found here: http://authorservices.taylorandfrancis.com/ethics-for-authors/
The Journal has an appeals and complaints policy which can be viewed here: https://authorservices.taylorandfrancis.com/peer-review-appeals-and-complaints-from-authors/.

Co-Editors-in-Chief 
Emmanuel Amiot, Laboratoire de Mathématiques, Physique, et Informatique, Université de Perpignan Via Domitia, 52 Avenue Paul Alduy, Perpignan, 66860, France 
Jason Yust, College of Fine Arts, Boston University, 855 Commonwealth Avenue, Boston, MA, 02215, USA 

Reviews Editor 
Jonathan Wild, Department of Music Research, Schulich School of Music, McGill University, 555 Sherbrooke Street West, Montreal, QC, H3A 1E3, Canada 

Advisory Board 
Jean-Paul Allouche, CNRS and Université P. et M. Curie, France 
Milton Babbitt †, Princeton University and Julliard School of Music, USA 
Pierre Boulez †, Honorary Director of Ircam, France 
Jean-Pierre Bourguignon, Institut des hautes études scientifiques, France 
Richard Cohn, Yale University, USA 
Noam Elkies, Harvard University, USA 
Yves Hellegouarch, Université de Caen, France 
Peter Johnstone, University of Cambridge, UK 
Robert D. Morris, University of Rochester, USA 
John Rahn, University of Washington, USA 
Jean-Claude Risset, Laboratoire de Mécanique et d’Acoustique (CNRS), France 
José-Francisco Rodrigues, University of Lisbon, Portugal 
Benedetto Scimemi, University of Padova, Italy 
Rudolf Wille, Technical University of Darmstadt, Germany 

Editorial Board 
Moreno Andreatta, Ircam/CNRS, France 
Gérard Assayag, Ircam/CNRS, France 
Jan Beran, University of Konstanz, Germany 
Clifton Callender, Florida State University, USA 
Norman Carey, City University, New York, USA 
Marc Chemillier, Centre d’Analyse et de Mathématiques Sociales, Ecole des Hauts Etudes en Science Sociales, France 
Elaine Chew, University of Southern California, USA 
Adrian P. Childs, University of Georgia, USA 
David Clampitt, Ohio State University, USA 
Darrell Conklin, University of the Basque Country UPV/EHU & Basque Foundation for Science, Spain 
Johanna Devaney, City University of New York, USA 
Jack Douthett, Albuquerque, USA 
Thomas M. Fiore, University of Michigan-Dearborn, USA 
Harald Fripertinger, University of Graz, Austria 
Lawrence Fritts, University of Iowa, USA 
Edward Gollin, Williams College, USA 
Emilia Gómez, Universitat Pompeu Fabra, Spain 
Rachel Hall, Saint Joseph’s University, USA 
Julian Hook, Indiana University, USA 
Franck Jedrzejewski, Commissariat à l’Energie Atomique, France 
Henry Klumpenhouwer, University of Alberta, Canada 
Guerino Mazzola, University of Minnesota, USA & University of Zurich, Switzerland 
Thomas Noll, Escola Superior de Música de Catalunya, Spain 
Robert Peck, Louisiana State University, USA 
Ian Quinn, Yale University, USA 
Ramon Satyendra, University of Michigan, USA 
William Sethares, University of Wisconsin-Madison, USA 
Stephen Soderberg, Lorton, USA 
Dmitri Tymoczko, Princeton University, USA 
Jonathan Wild, McGill University, Canada 
Marek Žabka, Comenius University, Slovakia 

Former Editors-in-Chief 
Clifton Callender, College of Music, Florida State University, 122 North Copeland Street, Tallahassee, FL 32306, USA 
Thomas M. Fiore, Department of Mathematics and Statistics, University of Michigan-Dearborn, 4901 Evergreen Road, Dearborn, MI 48128, USA 
Thomas Noll, Department of Theory and Composition, Escola Superior de Música de Catalunya, C/Padilla, 155, Edifici L’Auditori, 08013 Barcelona, Spain 
Robert Peck, School of Music, Louisiana State University, Baton Rouge, LA 70803-2504, USA 
Marek Žabka, Comenius University, Department of Musicology, Gondova 2, Bratislava, 81801, Slovakia