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Jenna Ng (2021). The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Shaopeng Chen
Film-Philosophy, Volume 29, Issue 1, Page 296-299, February, 2025.
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Victor Fan (2022). Cinema Illuminating Reality: Media Philosophy through Buddhism Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 William Brown
Film-Philosophy, Volume 29, Issue 1, Page 292-295, February, 2025.
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Jean Ma (2022). At the Edges of Sleep: Moving Images and Somnolent Spectators Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Juan Camilo Velásquez
Film-Philosophy, Volume 29, Issue 1, Page 288-291, February, 2025.
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Julian Hanich & Martin P. Rossouw (Eds.) (2023). What Is Film Good For? On the Values of Spectatorship Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Francesco Sticchi
Film-Philosophy, Volume 29, Issue 1, Page 283-287, February, 2025.
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Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Greg Hainge
Film-Philosophy, Volume 29, Issue 1, Page 264-282, February, 2025.
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From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Yonghwa Lee, Kyoung-Min Han
Film-Philosophy, Volume 29, Issue 1, Page 244-263, February, 2025.
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Eternity Descending into Time: Badiou and the Cinematic Temporality of Love Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Lu Zeng
Film-Philosophy, Volume 29, Issue 1, Page 221-243, February, 2025.
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Speculative Transitions: Hegel, John Huston’s Moby Dick and the Dissolve Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Joshua Harold Wiebe
Film-Philosophy, Volume 29, Issue 1, Page 199-220, February, 2025.
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The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Conall Cash
Film-Philosophy, Volume 29, Issue 1, Page 169-198, February, 2025.
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Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Haotian Wu
Film-Philosophy, Volume 29, Issue 1, Page 144-168, February, 2025.
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The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Jonah Jeng
Film-Philosophy, Volume 29, Issue 1, Page 119-143, February, 2025.
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Louis Samuel Mealing
Film-Philosophy, Volume 29, Issue 1, Page 94-118, February, 2025.
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The Ethics of Refusal in Terrence Malick’s A Hidden Life Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Marguerite La Caze, Magdalena Zolkos
Film-Philosophy, Volume 29, Issue 1, Page 72-93, February, 2025.
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Daniel Sullivan
Film-Philosophy, Volume 29, Issue 1, Page 46-71, February, 2025.
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Existential and Phenomenological Horror in Les Diaboliques Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 Daniel Tilsley
Film-Philosophy, Volume 29, Issue 1, Page 23-45, February, 2025.
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Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood Film-Philosophy (IF 0.4) Pub Date : 2025-01-20 John Michael Corrigan, Justin Prystash
Film-Philosophy, Volume 29, Issue 1, Page 1-22, February, 2025.
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Shane Denson (2023). Post-Cinematic Bodies Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Emma Dussouchaud-Esclamadon
Film-Philosophy, Volume 28, Issue 3, Page 624-626, October, 2024.
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Matthew Rukgaber (2022). Nietzsche in Hollywood: Images of the Übermensch in Early American Cinema Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Paolo Stellino
Film-Philosophy, Volume 28, Issue 3, Page 620-623, October, 2024.
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Steven DeLay (ed.) (2023). Life Above the Clouds: Philosophy in the Films of Terrence Malick Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Martin Woessner
Film-Philosophy, Volume 28, Issue 3, Page 616-619, October, 2024.
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Francesco Sticchi (2021). Mapping Precarity in Contemporary Cinema and Television: Chronotopes of Anxiety, Depression, Expulsion/Extinction Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Tim Lindemann
Film-Philosophy, Volume 28, Issue 3, Page 612-615, October, 2024.
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The Pleasure of Self-erasure: Malabou, (Sexual) Anarchy and Agnès Varda’s Sans toit ni loi Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Monique Rooney
Film-Philosophy, Volume 28, Issue 3, Page 586-611, October, 2024.
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Derivative Desires and Plastic Pedagogies: Malabou, Psychoanalysis and The Big Short Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Scott Krzych
Film-Philosophy, Volume 28, Issue 3, Page 561-585, October, 2024.
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Malabou, Medicine and Film: Screening Brain Injury, Organ Transplantation and Plasticity in Katell Quillévéré's Heal the Living Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Benjamin Dalton
Film-Philosophy, Volume 28, Issue 3, Page 534-560, October, 2024.
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Feminist Epigenet(h)ics: Maternal Waters, Gestational Forms and Mitochondrial Eves in Lucile Hadžihalilović’s Evolution Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Katie Goss
Film-Philosophy, Volume 28, Issue 3, Page 504-533, October, 2024.
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What Is the Work of Animation? The Plasticity of Time in the Fourth-Dimensional Image Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Cassandra Guan
Film-Philosophy, Volume 28, Issue 3, Page 477-503, October, 2024.
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Voir venir the New Wave: Plasticity in Jacques Rivette’s Film Criticism Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Marco Grosoli
Film-Philosophy, Volume 28, Issue 3, Page 454-476, October, 2024.
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Malabou's Cineplastics and Contemporary French Film: Jacques Audiard, Céline Sciamma and Mia Hansen-Løve Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Martin O’Shaughnessy
Film-Philosophy, Volume 28, Issue 3, Page 428-453, October, 2024.
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Introduction: Catherine Malabou, Plasticity and Film Film-Philosophy (IF 0.4) Pub Date : 2024-09-25 Benjamin Dalton, Ben Tyrer
Film-Philosophy, Volume 28, Issue 3, Page 413-427, October, 2024.
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Chelsea Birks (2021). Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Augustin
Film-Philosophy, Volume 28, Issue 2, Page 409-412, June, 2024.
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Daniel Mourenza (2020). Walter Benjamin and the Aesthetics of Film Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Hyojin Yoon
Film-Philosophy, Volume 28, Issue 2, Page 405-408, June, 2024.
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David Martin-Jones (2022). Columbo: Paying Attention 24/7 Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Timna Rauch
Film-Philosophy, Volume 28, Issue 2, Page 400-404, June, 2024.
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Chiara Quaranta (2023). Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Francesco Sticchi
Film-Philosophy, Volume 28, Issue 2, Page 395-399, June, 2024.
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The Filter and the Viewer: On Audience Discretion in Film Noir Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Steven G. Smith
Film-Philosophy, Volume 28, Issue 2, Page 375-394, June, 2024.
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Home Movies as Reliquaries of Memory: A Phenomenological Perspective Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Lourdes Esqueda Verano
Film-Philosophy, Volume 28, Issue 2, Page 350-374, June, 2024.
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Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 David A. Gerstner
Film-Philosophy, Volume 28, Issue 2, Page 322-349, June, 2024.
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Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet's Vox Lux Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Alice Pember
Film-Philosophy, Volume 28, Issue 2, Page 294-321, June, 2024.
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Every Wholly Other: Postsecular Pluralism in Isabel Rocamora's Faith Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Mark Cauchi
Film-Philosophy, Volume 28, Issue 2, Page 269-293, June, 2024.
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Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Samira Makki
Film-Philosophy, Volume 28, Issue 2, Page 248-268, June, 2024.
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Nietzschean Themes in Béla Tarr's The Turin Horse Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Paolo Stellino
Film-Philosophy, Volume 28, Issue 2, Page 226-247, June, 2024.
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Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Elżbieta Ostrowska
Film-Philosophy, Volume 28, Issue 2, Page 202-225, June, 2024.
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New Materialist Freedom in Chloé Zhao's Nomadland Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Randy Laist
Film-Philosophy, Volume 28, Issue 2, Page 181-201, June, 2024.
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When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty Film-Philosophy (IF 0.4) Pub Date : 2024-04-22 Julian Hanich
Film-Philosophy, Volume 28, Issue 2, Page 153-180, June, 2024.
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Genevieve Yue (2021). Girl Head: Feminism and Film Materiality Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Laura Staab
Film-Philosophy, Volume 28, Issue 1, Page 148-151, February, 2024.
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Eugenie Brinkema (2022). Life-Destroying Diagrams Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Archie Wolfman
Film-Philosophy, Volume 28, Issue 1, Page 144-147, February, 2024.
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Padraic Killeen (2022). The Dark Interval: Film Noir, Iconography, and Affect Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 William B. Covey
Film-Philosophy, Volume 28, Issue 1, Page 140-143, February, 2024.
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Kelli Fuery (2022). Ambiguous Cinema: From Simone de Beauvoir to Feminist Film Phenomenology Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Kate Ince
Film-Philosophy, Volume 28, Issue 1, Page 136-139, February, 2024.
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Matilda Mroz (2020). Framing the Holocaust in Polish Aftermath Cinema: Posthumous Materiality and Unwanted Knowledge Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Emily-Rose Baker
Film-Philosophy, Volume 28, Issue 1, Page 131-135, February, 2024.
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Response to Critical Views of Phenomenology of Film Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Shawn Loht
Film-Philosophy, Volume 28, Issue 1, Page 113-130, February, 2024.
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A Mud Doctor Checking Out the Earth Underneath: Ruminations on Malick’s Days of Heaven and Loht’s Phenomenology of Film Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Jason M. Wirth
Film-Philosophy, Volume 28, Issue 1, Page 98-112, February, 2024.
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Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 John Rhym
Film-Philosophy, Volume 28, Issue 1, Page 79-97, February, 2024.
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Dasein and the Question of the Heterogenous Film Viewer: A Commentary on Loht’s Heideggerian Phenomenology of Film Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Annie Sandrussi
Film-Philosophy, Volume 28, Issue 1, Page 62-78, February, 2024.
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Reflexive Wonderings: Prospects and Parameters of a Heideggerian Approach to Film as Philosophy Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Martin P. Rossouw
Film-Philosophy, Volume 28, Issue 1, Page 47-61, February, 2024.
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In the Mood for Heideggerian Boredom? Film Viewership as Being-in-the-World Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Chiara Quaranta
Film-Philosophy, Volume 28, Issue 1, Page 31-46, February, 2024.
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An Ambiguous World of Film: Cinematic Immersion beyond Early Heidegger Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Ludo de Roo
Film-Philosophy, Volume 28, Issue 1, Page 11-30, February, 2024.
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Introduction: Heidegger and the Phenomenology of Film Film-Philosophy (IF 0.4) Pub Date : 2024-01-09 Robert Sinnerbrink
Film-Philosophy, Volume 28, Issue 1, Page 1-10, February, 2024.
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Vittorio Gallese and Michele Guerra (2020) The Empathic Screen: Cinema and Neuroscience Film-Philosophy (IF 0.4) Pub Date : 2023-10-11 Tirna Chatterjee
Film-Philosophy, Volume 27, Issue 3, Page 592-595, October, 2023.
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Mary Ann Doane (2021) Bigger Than Life: The Close-up and Scale in the Cinema Film-Philosophy (IF 0.4) Pub Date : 2023-10-11 Alicia Byrnes
Film-Philosophy, Volume 27, Issue 3, Page 587-591, October, 2023.
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Alyssa DeBlasio (2019) The Filmmaker’s Philosopher: Merab Mamardashvili and Russian Cinema Film-Philosophy (IF 0.4) Pub Date : 2023-10-11 Ilia Ryzhenko
Film-Philosophy, Volume 27, Issue 3, Page 583-586, October, 2023.
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Martin P. Rossouw (2021) Transformational Ethics of Film: Thinking the Cinemakeover in the Film-Philosophy Debate Film-Philosophy (IF 0.4) Pub Date : 2023-10-11 Colin Davis
Film-Philosophy, Volume 27, Issue 3, Page 579-582, October, 2023.
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The Monstrous Mark of Cinema: Mulholland Drive, Spherology, and the “Virtual Space” of Filmic Fiction Film-Philosophy (IF 0.4) Pub Date : 2023-10-11 James Dutton
Film-Philosophy, Volume 27, Issue 3, Page 553-578, October, 2023.