abstract:The appearance of the character of a femme fatale in Egyptian cinema in the mid-1950s is deeply intertwined with the new social and moral imprint made by the Nasserist regime. At a time when women's participation in the public sphere was regulated, the portrayal of the evil woman was intended to define how the good woman should behave as well as the terrible fate in store for those who dared to flout the limits. This evil woman was embodied in the character of the Oriental dancer who was to be seen, from that time on, as a fallen woman. This article aims to discuss the mutation of the character of the dancer from a bint al balad (lit. "girl of the country") to a femme fatale by analyzing three films starring two icons of the time, Hind Rustum and Tahia Carioca.

中文翻译：

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埃及电影中致命女性的创造

摘要：1950 年代中期埃及电影中蛇蝎美人的出现与纳赛尔政权新的社会和道德烙印深深地交织在一起。在女性参与公共领域受到规范的时代，对恶女的刻画意在定义好女人应该如何表现，以及那些敢于挑战极限的人将面临的可怕命运。这个邪恶的女人体现在东方舞者的性格中，从那时起，她就是一个堕落的女人。本文旨在通过分析由当时两位偶像 Hind Rustum 和 Tahia Carioca 主演的三部电影，讨论舞者的性格从 bint al balad（字面意思是“乡村女孩”）转变为蛇蝎美人。