New Literary History

Abstract:

What does it mean for humanity to inhabit a techno-planetary system in which it is not central? This essay will address a facet of this question by exploring the aesthetics of drone warfare. The drone features in my reading as a metonym for a techno-human continuum in which the human as an autonomous subject with interiority and capacity for ethical action appears as eminently dispensable. Aesthetic forms not only are informed by but also shape a mode of perception by means of which we apprehend the world. What happens to such apprehension when both the mode of perception and subjecthood defy human-centered assumptions about aesthetic form? How does one novelize the scalar complexity of distributed vision beyond the human? When decisions about life and death are ceded to a machinic vision, do questions of moral agency and responsibility recede into a posthuman realm or do they gain even more urgency? The essay pivots around questions such as these.