New Literary History

Abstract:

I use the term “formalism” to name the tendency of compulsion to reduce experience, through repetition, to a simple shape, rhythm, and intensity. This essay shows how compulsion’s reduction of the self to just a few characteristics enables—even solicits—analogy across different contexts. Focusing on Othello, I consider several aspects of Shakespeare’s staging of compulsion: the two-way traffic between religious and secular domains; the splitting of the self, which often entails the projection of the self onto others; and the role of such splitting in the representation of racialized violence.