Abstract
Peer review underpins the integrity of the scientific archive and has done so for over 350 years. Over the past ten years or so, this integrity has come under pressure due to the introduction of predatory publishers and journals. Papers in predatory journals have, typically, not gone through robust peer review, if any at all. If these papers enter the scientific archive, its integrity will deteriorate. Moreover, legitimate journals will cite papers from predatory journals, which further dilutes the integrity of the scientific archive. The scholarly community has struggled to address the problems brought about by predatory publishers and journals. In this paper, we propose an approach, which draws on the fine art world. They use the concept of a catalogue raisonné to list all the validated work by a given artist and, by extension, identify fakes. A scholarly version will have some differences to the art discipline, but the central idea is the same. A publisher is analyzed, through a peer reviewed paper. This catalogue can be used by authors, and other stakeholders (e.g. librarians, promotion panels and hiring committees), to make more informed decisions.
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Kendall, G. Drawing Inspiration from the World of Fine Art in the Battle Against Predatory Publishing. Pub Res Q 38, 693–707 (2022). https://doi.org/10.1007/s12109-022-09913-1
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DOI: https://doi.org/10.1007/s12109-022-09913-1