Hostname: page-component-76fb5796d-vvkck Total loading time: 0 Render date: 2024-04-25T09:19:00.309Z Has data issue: false hasContentIssue false

RENEGADES: DIGITAL DANCE CULTURES FROM DUBSMASH TO TIKTOK by Trevor Boffone. 2021. New York: Oxford University Press. 167 pp., 11 halftones. $29.95 paper. ISBN: 9780197577684.

Published online by Cambridge University Press:  23 May 2022

Adrienne Gibbons Oehlers*
Affiliation:
The Ohio State University

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Dance Studies Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bench, Harmony, and Elswit, Kate. 2018–2021. Dunham's Data: Katherine Dunham and Digital Methods for Dance Historical Inquiry. With Jimenez-Mavillard, Antonio, Uzor, Tia-Monique, and Amin, Takiyah Nur. Accessed January 7, 2022. https://www.dunhamsdata.org/#block-webform.Google Scholar
Harlig, Alexandra. 2019. “Social Texts, Social Audiences, Social Worlds: The Circulation of Popular Dance on YouTube.” PhD diss., The Ohio State University: Columbus.Google Scholar
Harlig, Alexandra, Abidin, Crystal, Boffone, Trevor, Bowker, Kelly, Eloi, Colette, Krayenbuhl, Pamela, and Oh, Chuyun. 2021. “TikTok and Short-Form Screendance Before and After Covid.” International Journal of Screendance 12. Accessed November 6, 2021. http://dx.doi.org/10.18061/ijsd.v12i0.8348.CrossRefGoogle Scholar