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We Will Remember That We Came Together in Protest and Mutual Aid
Published online by Cambridge University Press: 23 August 2021
Extract
The year of COVID-19 social distancing is a reminder that people can and will gather in person in mass acts of resistance and community care, even in a pandemic. This year highlights how theatres, theatre skills, and theatrical techniques can be a key part of community building and dissent. The examples of the Twin Cities in summer 2020; Portland, Oregon, in 2020–1; and France in spring-summer 2021 showcase the potential for theatre artists to use their skills and spaces to support protest work. I highlight these three examples due to my personal connections (I am from the Twin Cities; live in Portland and serve as a legal observer during the Protests; and, in my scholarship, specialize in French theatre and protest), due to the scale of these actions, and in order to amplify the pandemic protest and performance work happening in these places. Together, the efforts of Twin Cities, Portland, and French activists and artists showcase how, against a backdrop of mourning and anxiety, the pandemic has been a time of invigoration in mass protest, mutual aid, and coming together to try to build better worlds.
- Type
- Special Section: Notes from the Field: Remembering Times of Crisis
- Information
- Copyright
- Copyright © The Authors, 2021. Published by Cambridge University Press on behalf of American Society for Theatre Research, Inc.
References
Endnotes
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2 New Dawn Theatre Company, “A Breath for George—Twin Cities–Wide Outdoor Screening Honors the Life of George Floyd,” www.newdawntheatre.org/, accessed 7 April 2021.
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4 BareBones Outdoor Puppetry and Performance Spectacles, “Offerings Backstory,” https://barebonespuppets.org/offerings-backstory/, accessed 7 April 2021.
5 BareBones; New Dawn.
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20 Vaughan, “Minneapolis Theater Community Uses Stagecraft Skills.”
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