Hostname: page-component-7c8c6479df-8mjnm Total loading time: 0 Render date: 2024-03-29T14:52:38.969Z Has data issue: false hasContentIssue false

THE MATRÍCULA DE TRIBUTOS: STYLISTIC AND MATERIAL OBSERVATIONS INTO ITS DATING AND ORIGINAL CONTEXT

Published online by Cambridge University Press:  11 August 2021

Jorge Gómez Tejada*
Affiliation:
Department of History of Art, College of Social Sciences and Humanities, Universidad San Francisco de Quito, Círculo de Cumbayá, Cumbayá 170157, Quito, Ecuador
*
E-mail correspondence to: jgomezt@usfq.edu.ec

Abstract

This essay considers the possibility that the Matrícula de Tributos was made from a collection of folios that incorporates material from several related documents, some from as early as the eve of the Spanish invasion in 1521, and others from as late as the 1560s. The diverse styles identifiable throughout the manuscript, as well as the many interventions of different kinds in its pages, support this claim. This article further asks whether the Matrícula de Tributos might be the last extant exemplar of a larger group of taxation-related documents that circulated through Mexico on the eve of the Spanish invasion and well into the second half of the sixteenth century. Finally, the essay considers the possibility of placing the Matrícula de Tributos within the context of documents that kept or presented a record of pre-Conquest tributary practices for purposes that may have been as diverse as presenting evidence of past tributary obligations or as a means to assert authority and other political claims among the surviving native elite.

Type
Research Article
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barlow, Robert 1949 The Extent of the Empire of the Colhua Mexica. University of California Press, Los Angeles.Google Scholar
Batalla Rosado, Juan José 2007 The Scribes Who Painted the Matrícula de Tributos and the Codex Mendoza. Ancient Mesoamerica 18:3151.CrossRefGoogle Scholar
Berdan, Frances 1980 Matrícula de Tributos. Akademische Druck-u. Verlagsanstalt, Graz, Austria.Google Scholar
Bleichmar, Daniela 2015 History in Pictures: Translating the Codex Mendoza. Art History 38:682701.CrossRefGoogle Scholar
Borah, Woodrow, and Cook, Sherburn 1963 The Aboriginal Population of Mexico on the Eve of the Spanish Conquest. University of California Press, Berkeley.Google Scholar
Brittenham, Claudia 2008 The Cacaxtla Painting Tradition: Art and Identity in Epiclassic Mexico. Ph.D. dissertation, Department of Art History, Yale University, New Haven.Google Scholar
Brittenham, Claudia 2020 The Representation of Taxation in the Codex Mendoza. In The Codex Mendoza, edited by Tejada, Jorge Gómez, chap. 7. USFQ Press, Quito.Google Scholar
Castañeda de la Paz, María 2011 Historia de una casa real: Origen y ocaso del linaje gobernante en México-Tenochtitlan. In Nuevo Mundo Mundos Nuevos, Debates. Electronic document, http://nuevomundo.revues.org/60624, accessed April 27, 2021.Google Scholar
Consejo de Indias 1923 Ordenes al Virrey Antonio de Mendoza, 1535, 1536. In Colección de documentos inéditos, pto. 2-2-1, r. 63. Tipográfica de la Revista de Archivos y Bibliotecas del Archivo de Indias, Seville.Google Scholar
Domenici, Davide 2020 The Painting Materials of the Codex Mendoza. In The Codex Mendoza, edited by Tejada, Jorge Gómez, chap. 2. USFQ Press, Quito.Google Scholar
Gibson, Charles 1971 Structure of the Aztec Empire. In Handbook of Middle American Indians, Vol. 10, edited by Ekholm, Gordon F. and Bernal, Ignacio, pp. 376394. University of Texas Press, Austin.Google Scholar
Gómez Tejada, Jorge 2012 Making the Codex Mendoza, Constructing the Codex Mendoza: A Reconsideration of a Sixteenth-Century Mexican Manuscript. Ph.D. dissertation, Department of Art History, Yale University, New Haven.Google Scholar
Gómez Tejada, Jorge 2019 Conquest, Growth and Evolution: Indigenist Discourse in the Codex Mendoza. In Mesoamerican Manuscripts: New Scientific Approaches and Interpretations, edited by Jansen, Maarten, Lladó-Buisán, Virginia M., and Snijders, Ludo, pp. 120133. Brill, Leiden and Boston.Google Scholar
Gómez Tejada, Jorge 2020 A History of the Codex Mendoza. In The Codex Mendoza, edited by Tejada, Jorge Gómez, chap. 1. USFQ Press, Quito.Google Scholar
Hamann, Byron 2018 Introduction to the Matrícula de Tributos. Electronic document, http://www.mesolore.org/tutorials/learn/17/Introduction-to-the-Matrcula-de-Tributos, accessed April 27, 2021.Google Scholar
Magaloni, Diana 2004 Images of the Beginning: The Painted Story of the Conquest of Mexico in Book XII of the Florentine Codex. Ph.D. dissertation, Department of Art History, Yale University, New Haven.Google Scholar
Magaloni, Diana 2012 Traces of the Creative Process: Pictorial Materials and Techniques in the Beinecke Map. In Painting a Map of Sixteenth-Century Mexico City: Land, Writing and Native Rule, edited by Miller, Mary E. and Mundy, Barbara E., pp. 7590. Yale University Press, New Haven, and the Beinecke Library, London.Google Scholar
Moreno, Roberto 1971 La Colección Boturini y las fuentes de la obra de Antonio de León y Gama. Estudios de Cultura Náhuatl 9:253270.Google Scholar
Mundy, Barbara 2020 The Codex Mendoza and the City of Mexico-Tenochtitlan. In The Codex Mendoza, edited by Tejada, Jorge Gómez, chap. 9. USFQ Press, Quito.Google Scholar
Robertson, Donald 1959 Manuscript Painting of the Early Colonial Period. Yale University Press, New Haven.Google Scholar
Scholes, France, and Adams, Eleanor 1957 Información sobre los tributos que los indios pagaban a Moctezuma. In Documentos para la Historia del Mexico Colonial. Porrúa, Mexico City.Google Scholar