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Collecting music in the streaming age

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Abstract

In recent years, music consumption has shifted towards streaming applications which offer users access to vast amount of music without needing to download or own it. While streaming technology also allows users to create music collections, maintaining a collection is optional as for the first time in music consuming history users can reliably listen to music outside their collections. To study the impacts of streaming on people’s music consumption, we interviewed ten streaming music application users who are strongly interested in music. Our results indicate that when using streaming applications, our participants tended to neglect collecting songs they liked. They explained this by pointing out that they can always search for those songs again, but the older interviewees confessed that their memory often fails them. Participants also complained that music is currently less exciting for them because the abundance of songs with little cost has cheapened their subjective evaluation of music. Participants experienced no clear boundaries to their streaming music collections, with one of them stating that his musical identity had become more fluid than it was before he started streaming. We discuss the tradeoffs between exploring of new music and exploiting collections and psychology literature that explains why selection to create collections is difficult when the choice of possible musical options is excessive and why neglect of selection can result in reduced listening satisfaction.

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Change history

  • 28 July 2021

    The section headings Personal information management, Music consumption, Music collections before the streaming era and Music collection during the streaming era must be under the Related Work section.

Notes

  1. See https://newsroom.spotify.com/2020-11-02/amplifying-artist-input-in-your-personalized-recommendations/

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We thank our participants for their time and insights.

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Correspondence to Ofer Bergman.

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Bergman, O., Whittaker, S. & Tish, G. Collecting music in the streaming age. Pers Ubiquit Comput 26, 121–129 (2022). https://doi.org/10.1007/s00779-021-01593-6

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