Hostname: page-component-76fb5796d-22dnz Total loading time: 0 Render date: 2024-04-26T06:32:32.854Z Has data issue: false hasContentIssue false

Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation

Review products

Waleed F.Mahdi. Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press, 2020). Pp. 328; $29.95 paper. ISBN 9780815636816.

PeterLimbrick. Arab Modernism as World Cinema: The Films of Moumen Smihi (University of California Press, 2020). Pp. 301; $34.95 paper. ISBN 9780520330573

Published online by Cambridge University Press:  07 July 2021

Viviane Saglier*
Affiliation:
McGill University

Extract

What can film studies bring to the study of Arab culture, politics, and history? The past ten years have seen an increase in historical, theoretical, and methodological exchanges between Middle East studies and film and media studies. The sub-field of “Arab film studies” (Ginsberg and Lippard 2020, viii) has emerged as one possible intersection of these two fields of inquiry. This is illustrated by two recent book series, the Cinema and Media Cultures in the Middle East series at Peter Lang Publishing (edited by Terri Ginsberg and Chris Lippard) and the Palgrave Studies in Arab Cinema series at Palgrave Macmillan (edited by Nezar Andary and Samirah Alkassim). Waleed Mahdi's Arab Americans in Film (2020) and Peter Limbrick's Arab Modernism as World Cinema: The Films of Moumen Smihi (2020) consolidate these exchanges across ethnic studies, area studies, political sciences, (art) history, and film and media studies. While Mahdi primarily positions himself from within ethnic studies and Limbrick is first a film scholar, both have published in reference journals in film studies, Middle East studies, and cultural studies.

Type
Film Review Essay
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of Middle East Studies Association of North America, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited in the Review Essay

Armbrust, Walter, ed. Mass Mediations in the Middle East and Beyond. University of California Press, 2000.Google Scholar
Chahine, Youssef. Al-Akhar/The Other, 1999.Google Scholar
Dickinson, Kay. Arab Cinema Travels: Transnational Syria, Palestine, Dubai, and Beyond. BFI, 2016.CrossRefGoogle Scholar
Ezra, Elizabeth, and Rowden, Terry, eds. Transnational Cinema: The Film Reader. Routledge, 2006.Google Scholar
Galal, Nader. Hallo Amrika, 2000.Google Scholar
Ginsberg, Terri and Lippard, Chris. “Introduction.Cinema of the Arab World: Contemporary Directions in Theory and Practice. Palgrave Macmillan, 2020, pp. viixxv.CrossRefGoogle Scholar
Gordon, Joel. Revolutionary Melodrama: Popular Film and Civic Identities in Nasser's Egypt. MEDOC, 2002.Google Scholar
Khatib, Lina. Filming the Modern Middle East: Politics in the Cinemas of Hollywood and the Arab World. IB Tauris, 2006.CrossRefGoogle Scholar
Limbrick, Peter. Arab Modernism as World Cinema: The Films of Moumen Smihi, University of California Press, 2020.CrossRefGoogle Scholar
Mahdi, Waleed F. Arab Americans in Film. Syracuse University Press, 2020.CrossRefGoogle Scholar
Marks, Laura U. Enfoldment and Infinity: An Islamic Genealogy of New Media Art. MIT Press, 2011.Google Scholar
Naficy, Hamid. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton University Press, 2001.CrossRefGoogle Scholar
Nagib, Lúcia, Perriam, Chris, and Dudrah, Rajinder. Theorizing World Cinema. I.B. Tauris, 2012.CrossRefGoogle Scholar
Said, Edward. Orientalism. Penguin Classics, 1978.Google Scholar
Shafik, Viola. Popular Egyptian Cinema: Gender, Class, and Nation. American University of Cairo Press, 2007.CrossRefGoogle Scholar
Shaheen, Jack. Reel Bad Arabs: How Hollywood Vilifies a People. Olive Branch Press, 2001.Google Scholar
Stone, Rob, Cooke, Paul, Dennison, Stephanie and Mann, Alex Marlowe, eds. The Routledge Companion to World Cinema. Routledge, 2017.CrossRefGoogle Scholar