Skip to content
Licensed Unlicensed Requires Authentication Published by De Gruyter May 19, 2021

Howard Sherman, ed. The 24 Hour Plays Viral Monologues: New Monologues Created during the Coronavirus Pandemic. London: Methuen, 2020, xii + 158 pp., £13.49 (paperback), £10.79 (eBook [watermarked]).

  • Nassim Winnie Balestrini EMAIL logo

Reviewed Publication:

Howard Sherman, ed. The 24 Hour Plays Viral Monologues: New Monologues Created during the Coronavirus Pandemic. London: Methuen, 2020, xii + 158 pp., £13.49 (paperback), £10.79 (eBook [watermarked]).


Works Cited

Barton, Bruce. “Paradox as Process: Intermedial Anxiety and the Betrayals of Intimacy.” Theatre Journal 61.4 (2009): 575–601. Print.Search in Google Scholar

Bettis, Hilary. “Day 1.” YouTube, uploaded by The 24 Hour Plays, 14 Apr. 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=8cDtTDSMYmQ>. Search in Google Scholar

Blank, Jessica, and Erik Jensen. “Invincible.” Instagram, uploaded by 24hourplays, 1 Apr. 2020. Web. 24 Sept. 2020. <https://www.instagram.com/tv/B-anV2ZjE9l/?utm_source=ig_web_copy_link>. Search in Google Scholar

Denson, Shane, and Julia Leyda. “Perspectives on Post-Cinema: An Introduction.” Post-Cinema: Theorizing 21st-Century Film. Ed. Shane Denson and Julia Leyda. EPUB, Reframe Books, 2016. 1–18. Ebook. Search in Google Scholar

Dougherty, Joseph. “Favorite Episode.” YouTube, uploaded by The 24 Hour Plays, 20 Apr. 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=6sj6nOZe5dw>.Search in Google Scholar

Kirkpatrick, Nora. “In Case of Emergency.” YouTube, uploaded by The 24 Hour Plays, 21 May 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=pipRSOZ8ed0>. Search in Google Scholar

McKinley, Gabe. “State.” YouTube, uploaded by The 24 Hour Plays, 5 May 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=gpSkR1B12Sw>. Search in Google Scholar

Müller, Jürgen E. “Intermedialität digital: Konzepte, Konfigurationen, Konflikte.” Intermediale Inszenierungen im Zeitalter der Digitalisierung: Medientheoretische Analysen und ästhetische Konzepte. Ed. Andy Blättler et al. Bielefeld: transcript, 2010. 17–40. Print.Search in Google Scholar

Nannicelli, Ted. “Against Post-Cinema.” Post-What? Post-When? Thinking Moving Images Beyond the Post-Medium/Post-Cinema Condition. Special Issue of Cinéma & Cie: International Film Studies Journal 26/27 (2016): 33–44. Print.Search in Google Scholar

Peña, Christopher Oscar. “We Were Dazzling Once.” YouTube, uploaded by The 24 Hour Plays, 9 Apr. 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=At70z317FX0>. Search in Google Scholar

Richkind, Anya. “Mr. Davy’s Second Period Advanced Theater Now on Zoom.” YouTube, uploaded by The 24 Hour Plays, 21 Apr. 2020. Web. 16 Sept. 2020. <https://www.youtube.com/watch?v=3LXB1KV-OhU>.Search in Google Scholar

Schröter, Jens. “Das ur-intermediale Netzwerk und die (Neu-)Erfindung des Mediums im (digitalen) Modernismus: Ein Versuch.” Intermedialität Analog/Digital: Theorien – Methoden – Analysen. Ed. Jens Schröter and Joachim Paech. München: Fink, 2008. 579–601. Print. 10.30965/9783846743744Search in Google Scholar

Sherman, Howard. Preface. Viral Monologues: New Monologues Created during the Coronavirus Pandemic. London: Methuen, 2020. i–xii. Print.Search in Google Scholar

Wagner, Meike. “Of Other Bodies: The Intermedial Gaze in Theatre.” Intermediality in Theatre and Performance. Ed. Freda Chapple and Chiel Kattenbelt. Amsterdam: Rodopi, 2006. 125–136. Print.Search in Google Scholar

Published Online: 2021-05-19
Published in Print: 2021-05-06

© 2021 Walter de Gruyter GmbH, Berlin/Boston

Downloaded on 16.4.2024 from https://www.degruyter.com/document/doi/10.1515/jcde-2021-0011/html
Scroll to top button