Reviewed Publication:
Lara Shalson. Theatre & Protest. London: Palgrave, 2017, v + 89 pp., £6.57 (paperback).
Works Cited
Bogad, Larry. Tactical Performance: The Theory and Practice of Serious Play. London: Routledge, 2015. Print.Search in Google Scholar
Boyle, M. Shane. “The Criminalization of Dissent: Protest Violence, Activist Performance, and the Curious Case of the VolxTheaterKarawane at the 2001 G-8 Summit.” TDR: The Drama Review 55.4 (2011): 113–127. Print. 10.1162/DRAM_a_00126Search in Google Scholar
Delgado, Maria M., and Caridad Svich, ed. Theatre in Crisis? Performance Manifestoes for a New Century. Manchester: Manchester UP, 2002. Print.Search in Google Scholar
Duncombe, Stephen. The Cultural Resistance Reader. London: Verso, 2002. Print.Search in Google Scholar
Elam, Harry J. “Editorial Comment: Theatre and Activism.” Theatre Journal 55.4 (2003). Web. 15 Mar. 2020. <www.jstor.org/stable/25069331>. Search in Google Scholar
Hutchison, Yvette. South African Performance and Archives of Memory. Manchester: Manchester UP, 2013. Print. Search in Google Scholar
Kelleher, Joe. Theatre & Politics. London: Palgrave, 2009. Print.10.1007/978-0-230-36465-3Search in Google Scholar
Knowles, Ric. Theatre & Interculturalism. London: Palgrave, 2010. Print.10.1007/978-1-137-01424-5Search in Google Scholar
McAvinchey, Caoimhe. Theatre & Prison. London: Palgrave, 2011. Print. 10.1007/978-0-230-34468-6Search in Google Scholar
McGuinness, Caoimhe M. “Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space.” Contemporary Theatre Review 26.2 (2016): 211–226. Print.10.1080/10486801.2016.1143820Search in Google Scholar
Nyong’o, Tavia. “The Scene of Occupation.” TDR: The Drama Review 56.4 (2012): 136–149. Print. 10.1162/DRAM_a_00219Search in Google Scholar
Reed, T.V. The Art of Protest: Culture and Activism from the Civil Rights Movement to the Streets of Seattle. Minneapolis: U of Minnesota P, 2005. Print.Search in Google Scholar
Routledge, Paul. “Dawn of the Debt: Tactical Performance, Humour and the Practice of Alter-Geopolitics.” Political Geography 68 (2019): 146–153. Print. 10.1016/j.polgeo.2018.09.010Search in Google Scholar
Schneider, Rebecca. “Protest Now and Again.” TDR: The Drama Review 54.2 (2010): 7–11. Print. 10.1162/dram.2010.54.2.7Search in Google Scholar
Taylor, Diana. “‘You are Here’: The DNA of Performance.” TDR: The Drama Review 46.1 (2002): 149–169. Print.10.1162/105420402753555912Search in Google Scholar
Thiong’o, Ngugi wa. Penpoints, Gunpoints, and Dreams. Oxford: Clarendon Press, 1996. Print. Search in Google Scholar
White, Micah. The End of Protest: A New Playbook for Revolution. Toronto: Alfred A. Knopf, 2016. Print. Search in Google Scholar
Young, Harvey. Theatre & Race. London: Palgrave, 2013. Print. 10.1007/978-0-230-39097-3Search in Google Scholar
© 2021 Walter de Gruyter GmbH, Berlin/Boston