Books Received
- Books Received
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Aronson, Arnold. The History and Theory of Environmental Scenography, 2nd ed. New York: Methuen, 2018.
Arshad, Yasmin. Imagining Cleopatra: Performing Gender and Power in Early Modern England. New York: Arden Shakespeare, 2019.
Boyd, Amanda Weldy. Staging Memory and Materiality in Eighteenth-Century Theatrical Biography. New York: Anthem, 2018.
Bredeson, Kate. Occupying the Stage: The Theatre of May ’68. Evanston, IL: Northwestern University Press, 2018.
Conti, Meredith. Playing Sick: Performances of Illness in the Age of Victorian Medicine. New York: Routledge, 2019.
Damodaran, Sumangala. The Radical Impulse: Music in the Tradition of the Indian People’s Theatre Association. New Delhi: Tulika, 2017.
Ducomb, Christian. Haunted City: Three Centuries of Racial Impersonation in Philadelphia. Ann Arbor: University of Michigan Press, 2017.
Gibb, Andrew. Californios, Anglos, and the Performance of Oligarchy in the U.S. West. Carbondale: Southern Illinois University Press, 2018.
Goodman, Jessica. Goldoni in Paris: La Gloire et le Malentendu. Oxford: Oxford University Press, 2017.
Gurnes, Musa. Mixed Faith and Shared Feeling: Theater in Post-Reformation London. Philadelphia: University of Pennsylvania Press, 2018.
Houlihan, Barry. Navigating Ireland’s Theatre Archive: Theory, Practice, Performance. Oxford: Peter Lang, 2019.
Johnson, Jake. Mormons, Musical Theater, and Belonging in America. Urbana: University of Illinois Press, 2019.
Lemon, Rebecca. Addiction and Devotion in Early Modern England. Philadelphia: University of Pennsylvania Press, 2018.
Lonergan, Patrick. Irish Drama and Theatre since 1950. New York: Methuen, 2019.
Maley, Patrick. After August: Blues, August Wilson, and American Drama. Charlottesville: University of Virginia Press, 2019.
Marcus, Sharon. The Drama of Celebrity. Princeton: Princeton University Press, 2019.
McAvinchey, Caoimbe, Lucy Richardson, and Fabio Santos, eds. Phakma: Making Participatory Performance. New York: Bloomsbury, 2018.
McAvoy, Mary. Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century. Iowa City: University of Iowa Press, 2019.
Mielke, Laura L. Provocative Eloquence: Theatre, Violence, and Antislavery Speech in the Antebellum United States. Ann Arbor: University of Michigan Press, 2019.
Robert, Yann. Dramatic Justice: Trial by Theatre in the Age of the French Revolution. Philadelphia: University of Pennsylvania Press, 2019.
Rodgers, Amy J. A Monster with a Thousand Hands: The Discursive Spectator in Early Modern England. Philadelphia: University of Pennsylvania Press, 2018.
Shandell, Jonathan. The American Negro Theatre and the Long Civil Rights Era. Iowa City: University of Iowa Press, 2018.
Tomlin, Liz. Political Dramaturgies and Theatre Spectatorship: Provocations for Change. New York: Methuen, 2019.
Walsh, Fintan, ed. Theatres of Contagion: Transmitting Early Modern to Contemporary Performance. New York: Methuen, 2020.
Wood, Bethany. Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen. Iowa City: University of Iowa Press, 2019.
