Skip to main content
Log in

Gift as Devotion, Lesson as Tuition: Transactions Among Temple and Dance-Drama Drummers in Kerala

  • Published:
International Journal of Hindu Studies Aims and scope Submit manuscript

Abstract

This article juxtaposes a notion of “gift” as construction of submission and devotion with a concept of lesson as something to be purchased for a fixed fee, as both relate to drumming pedagogy in Kerala. It discusses how guru dakṣiṇa (a ritual marking the beginning of study and a ceremonial first performance) and a pattern of irregular and grandiose remuneration construct the student’s submission to his teacher, both in private contexts and in institutions. However, the system at a state arts institution partly undercuts this practice; here, students, especially non-Malayāḷis, pay monthly, semesterly, or annual fees to the institution. The impersonal nature of this arrangement contrasts with the intimacy inherent in patterns of remuneration in private contexts, yet at the same time guru dakṣiṇa and other traditional practices continue in the institution. Thus the institution features an uneasy coexistence between a notion of pedagogy as regular payment—something close to “commodity”—and one of construction of submission, mixed with intimacy and devotion.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

References

  • Allen, Matthew Harp. 1998. “Tales Tunes Tell: Deepening the Dialogue Between the ‘Classical’ and ‘Non-Classical’ in the Music of India.” Yearbook for Traditional Music 30: 22–52.

    Article  Google Scholar 

  • Alter, Andrew. 2000. “Institutional Music Education: Northern Area.” In Alison Arnold, ed., The Garland Encyclopedia of World Music. Volume 5: South Asia: The Indian Subcontinent, 442–48. New York: Garland Publishing.

  • Appadurai, Arjun. 1986. “Introduction: Commodities and the Politics of Value.” In Arjun Appadurai, ed., The Social Life of Things: Commodities in Cultural Perspective, 3–63. Cambridge: Cambridge University Press.

    Chapter  Google Scholar 

  • Aubert, Laurent. 2004. Les feux de la déesse: Rituels villageois du Kerala (Inde du Sud). Lausanne: Editions Payot.

    Google Scholar 

  • Babiracki, Carol M. 1991. “Tribal Music in the Study of Great and Little Traditions of Indian Music.” In Bruno Nettl and Philip V. Bohlman, eds., Comparative Musicology and the Anthropology of Music: Essays on the History of Ethnomusicology, 69–90. Chicago: University of Chicago Press.

    Google Scholar 

  • Benteler, Miriam. 2014. Shared Values: Hierarchy and Affinity in a Latin Catholic Community of South India. New Delhi: Manohar.

    Google Scholar 

  • Bloch, Maurice and Jonathan Parry. 1989. “Introduction: Money and the Morality of Exchange.” In J. Parry and M. Bloch, eds, Money and the Morality of Exchange, 1–32. Cambridge: Cambridge University Press.

    Google Scholar 

  • Dumont, Louis. 1980 [1966]. Homo Hierarchicus: The Caste System and Its Implications (trans. Mark Sainsbury, Louis Dumont, and Basia Gulati). Chicago: University of Chicago Press.

  • Freeman, John Richardson, Jr. 1991. “Purity and Violence: Sacred Power in the Teyyam Worship of Malabar.” Ph.D. dissertation, University of Pennsylvania, Philadelphia.

  • Graeber, David. 2011. Debt: The First 5,000 Years. Brooklyn: Melville.

    Google Scholar 

  • Gregory, C. A. 2015 [1982]. Gifts and Commodities. Chicago: University of Chicago Press.

  • Groesbeck, Rolf. 1995. “Pedagogy and Performance in Tāyampaka, a Genre of Temple Instrumental Music in Kerala, India.” Ph.D. dissertation, New York University.

  • Groesbeck, Rolf. 1999. “ ‘Classical Music,’ ‘Folk Music,’ and the Brahmanical Temple in Kerala, India.” Asian Music 30, 2: 87–112.

    Article  Google Scholar 

  • Groesbeck, Rolf and Joseph J. Palackal. 2000. “Kerala.” In Alison Arnold, ed., The Garland Encyclopedia of World Music. Volume 5: South Asia: The Indian Subcontinent, 929–51. New York: Garland Publishing.

  • Guillebaud, Christine. 2008. Le chant des serpents: musiciens itinérants du Kerala. Paris: CNRS Éditions.

    Google Scholar 

  • Jones, Betty True. 1983. “Kathakali Dance-Drama: An Historical Perspective.” In Bonnie C. Wade, ed., Performing Arts in India: Essays on Music, Dance, and Drama, 14–44. Berkeley: University of California, Center for South and Southeast Asian Studies.

    Google Scholar 

  • Killius, Rolf. 2006. Ritual Music and Hindu Rituals of Kerala. New Delhi: BR Rhythms.

    Google Scholar 

  • Kippen, James. 2008. “Working with the Masters.” In Gregory Barz and Timothy J. Cooley, eds., Shadows in the Field, 125–40. New York: Oxford University Press.

    Google Scholar 

  • Malinowski, Bronislaw. 1922. Argonauts of the Western Pacific: An Account of Native Enterprise and Adventure in the Archipelagoes of Melanesian New Guinea. London: George Routledge.

    Google Scholar 

  • Manuel, Peter. 2015. “The Intermediate Sphere in North Indian Music Culture: Between and Beyond ‘Folk’ and ‘Classical’.” Ethnomusicology 59, 1: 82–115.

    Article  Google Scholar 

  • Marriott, McKim. 1976. “Hindu Transactions: Diversity Without Dualism.” In Bruce Kapferer, ed., Transaction and Meaning: Directions in the Anthropology of Exchange and Symbolic Behavior, 109–42. Philadelphia: Institute for the Study of Human Issues.

    Google Scholar 

  • Marriott, McKim. 1990. India Through Hindu Categories. New Delhi: Sage Publications.

    Google Scholar 

  • Mauss, Marcel. 1967 [1923–24]. The Gift: Forms and Functions of Exchange in Archaic Societies (trans. Ian Cunnison). New York: Norton.

  • Neff, Deborah. 1995. “Fertility and Power in Kerala Serpent Ritual (India).” Ph.D. dissertation, University of Wisconsin-Madison.

  • Neuman, Daniel M. 1980. The Life of Music in North India: The Organization of an Artistic Tradition. Detroit: Wayne State University Press.

    Google Scholar 

  • Parry, Jonathan. 1986. “The Gift, the Indian Gift and the ‘Indian Gift’.” Man (ns) 21, 3: 453–73.

    Article  Google Scholar 

  • Piliavsky, Anastasia. 2014. “Hierarchy Redux.” Paper delivered at the 13th European Association of Social Anthropologists Biennial Conference, Tallinn University, Estonia, July 31–August 3.

  • Powers, Harold S. 1980. “India, Subcontinent of: I The Region, Its Music and Music History. II Theory and Practice of Classical Music.” In Stanley Sadie, gen. ed., The New Grove Dictionary of Music and Musicians, 9: 69–141. London: Macmillan.

  • Qureshi, Regula. 2009. “Sīna ba Sīna or ‘From Father to Son’: Writing the Culture of Discipleship.” In Richard K. Wolf, ed., Theorizing the Local: Music, Practice, and Experience in South Asia and Beyond, 165–84. New York: Oxford University Press.

    Chapter  Google Scholar 

  • Raheja, Gloria Goodwin. 1988. The Poison in the Gift: Ritual, Prestation, and the Dominant Caste in a North Indian Village. Chicago: University of Chicago Press.

    Google Scholar 

  • Rajagopalan, L. S. 1967. “Thayambaka: Laya Vinyasa.” Journal of the Madras Music Academy 38: 83–102.

    Google Scholar 

  • Schippers, Huib. 2007. “The Guru Recontextualized? Perspectives on Learning North Indian Classical Music in Shifting Environments for Professional Training.” Asian Music 38, 1: 123–38.

    Article  Google Scholar 

  • Schofield, Katherine Butler. 2010. “Reviving the Golden Age Again: ‘Classicization,’ Hindusthani Music, and the Mughals.” Ethnomusicology 54, 3: 484–517.

    Article  Google Scholar 

  • Slawek, Stephen. 2000. “The Classical Master-Disciple Tradition.” In Alison Arnold, ed., The Garland Encyclopedia of World Music. Volume 5: South Asia: The Indian Subcontinent, 457–67. New York: Garland Publishing.

  • Stokes, Martin. 2002. “Marx, Money, and Musicians.” In Regula Burckhardt Qureshi, ed., Music and Marx: Ideas, Practice, Politics, 139–63. New York: Routledge.

  • Weidman, Amanda. 2012. “The Ethnographer as Apprentice: Embodying Socio-Musical Knowledge in South India.” Anthropology and Humanism 37, 2: 214–35.

    Article  Google Scholar 

  • Weiner, Annette B. 1992. Inalienable Possessions: The Paradox of Keeping-While-Giving. Berkeley: University of California Press.

    Book  Google Scholar 

  • Zarrilli, Phillip. 1984. The Kathakali Complex: Actor, Performance, Structure. New Delhi: Abhinav Publications.

    Google Scholar 

  • Zarrilli, Phillip B. 2000. Kathakali Dance-Drama: Where Gods and Demons Come to Play. London: Routledge.

    Google Scholar 

Download references

Acknowledgments

I would like to thank Anthony Cerulli and Miriam Benteler for allowing me to present an earlier version of this article on their panel “Give and Take: Gift Exchange in South Asia” at the 13th European Association of Social Anthropologists Biennial Conference, Tallinn University, Estonia, July 31–August 3, 2014. I also thank the panelists, many of the attendees at that panel, and this Journal’s two anonymous referees, for their trenchant comments and questions, which have helped improve this article considerably; obviously the faults are mine alone. Some of my research in Kerala was supported by a grant from the American Institute of Indian Studies and Malayalam study was supported by Foreign Language and Area Studies fellowships. I also wish to thank my friends, field consultants, research associates, and teachers in Kerala, especially V. V. Balaraman, V. Kaladharan, the faculty and administration of the Kerala Kalāmaṇḍalam, and the late L. S. Rajagopalan.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Rolf Groesbeck.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Groesbeck, R. Gift as Devotion, Lesson as Tuition: Transactions Among Temple and Dance-Drama Drummers in Kerala. Hindu Studies 22, 217–233 (2018). https://doi.org/10.1007/s11407-018-9233-5

Download citation

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s11407-018-9233-5

Keywords

Navigation