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Production perspectives of heavy metal record producers

Published online by Cambridge University Press:  11 October 2019

Niall Thomas
Affiliation:
University of Winchester, Sparkford Road, Winchester SO22 4NR, UK E-mail: niall.thomas@winchester.ac.uk
Andrew King
Affiliation:
University of Hull, Cottingham Road, Hull HU5 7RX, UK E-mail: a.king@hull.ac.uk

Abstract

The study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented, the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing heavy metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis, particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded heavy metal music, and how developing technology has influenced the production of the genre.

Type
Articles
Copyright
Copyright © Cambridge University Press 2019 

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