About the authors
is Full Professor of American Studies and Intermediality at the University of Graz, Austria, and Director of the Centre for Intermediality Studies in Graz (CIMIG). Earlier, she taught at the universities of Mainz, Paderborn, and Regensburg, and at the University of California, Davis. Her publications and research interests include American literature and culture (predominantly from the eighteenth through the 21st centuries), adaptation and intermedial relations (as in From Fiction to Libretto: Irving, Hawthorne, and James as Opera, 2005, and in the edited volume Adaptation and American Studies, 2011), life writing across media (as in Intermediality, Life Writing, and American Studies, 2018, co-edited with Ina Bergmann), intermedial hip hop culture, climate change drama, US American and Canadian theater and performance, African American literature and culture, and the poet laureate traditions in the US and in Canada. She has also published widely on Vladimir Nabokov’s works and is co-editor of the Nabokov Online Journal.
is a postdoc in American Studies at the University of Vienna, Austria, and currently serves as board member of the Austrian Association for American Studies (AAAS). Before coming to Vienna, he worked as a research and teaching assistant at the universities of Graz and Salzburg. He holds a PhD in American Studies from the University of Vienna (2015), and his dissertation was awarded the 2016 Fulbright Prize in American Studies (Austria) and was honored as the “runner-up” for the 2017 Obama Dissertation Prize (Germany). His monograph Performing America Abroad: Transnational Cultural Politics in the Age of Neoliberal Capitalism was published in 2018. In his ongoing postdoc project, “Revolutionary Laughter,” he is concerned with the relationship of humor and the public sphere in late-eighteenth-century America. In this context, he is currently co-editing (with Ralph J. Poole) a volume on Gender and Comedy in the Age of the American Revolution.
is Professor of English Literature at the University of Graz, Austria. Her publications include Edward Bond: Dialog und Sprachgestus (1999), Migration and Fiction: Narratives of Migration in Contemporary Canadian Literature (co-edited with Martin Löschnigg, 2009), and The Contemporary Canadian Short Story in English (2014). She has published articles on Canadian authors such as Mavis Gallant, Di Brandt, and Alice Munro and on subjects such as the short story cycle, African literature, Jane Austen, epistolary fiction, eco literature, and modern drama. Her most recent edited books are The Epistolary Renaissance: A Critical Approach to Contemporary Letter Narratives in Anglophone Fiction (2018, with Rebekka Schuh), The Anglo-Canadian Novel in the Twenty-First Century (2019, with Martin Löschnigg), and Green Matters: Ecocultural Functions of Literature (2019, with Melanie Braunecker). Currently, she is preparing a monograph on the Canadian short story for a Routledge book series on Canadian literature for graduate/undergraduate audiences.
Works Cited
Angelaki, Vicky. Social and Political Theatre in 21st-Century Britain: Staging Crisis. London: Bloomsbury, 2017. Print.Search in Google Scholar
Arons, Wendy, and Theresa J. May, eds. Readings in Performance and Ecology. Basingstoke: Palgrave Macmillan, 2012. Print.10.1057/9781137011695Search in Google Scholar
Badiou, Alain. “Thinking the Event.” Philosophy in the Present. By Alain Badiou and Slavoj Žižek. Trans. Peter Thomas and Alberto Toscano. London: Polity Press, 2009. 1–48. Print.Search in Google Scholar
Bauman, Zygmunt, and Carlo Bordoni. State of Crisis. Cambridge: Polity Press, 2014. Print.Search in Google Scholar
Berlant, Lauren. Cruel Optimism. Durham: Duke UP, 2011. Print. 10.1515/9780822394716Search in Google Scholar
Bilodeau, Chantal. “In Search of a New Aesthetic.” HowlRound: Theatre Commons. 19 Apr. 2015. Web. 29 Dec. 2019. <https://howlround.com/search-new-aesthetic>. Search in Google Scholar
Bottoms, Stephen J. The Theatre of Sam Shepard: States of Crisis. Cambridge: Cambridge UP, 1998. Print.10.1017/CBO9780511586255Search in Google Scholar
Carrington, Damian. “Why The Guardian Is Changing the Language It Uses about the Environment.” The Guardian, 17 May 2019. Web. 29 Dec. 2019. <https://www.theguardian.com/environment/2019/may/17/why-the-guardian-is-changing-the-language-it-uses-about-the-environment>. Search in Google Scholar
Cilano, Cara, and Elizabeth DeLoughrey. “Against Authenticity: Global Knowledges and Postcolonial Ecocriticism.” ISLE 14.1 (2007): 71–87. Web. 16 Feb. 2015. <https://doi.org/10.1093/isle/14.1.71>. Search in Google Scholar
Cordero, Rodrigo. Crisis and Critique: The Fragile Foundations of Social Life. London: Routledge, 2016. Print.10.4324/9781315753904Search in Google Scholar
“Crisis.” Oxford English Dictionary. 2nd ed. Vol. 4. Oxford: Clarendon Press, 1989. 27. Print. Search in Google Scholar
DeLoughrey, Elizabeth, and George B. Handley, eds. Postcolonial Ecologies: Literatures of the Environment. New York: Oxford UP, 2011. Print.10.1093/acprof:osobl/9780195394429.001.0001Search in Google Scholar
Ehrenberg, Alain. The Weariness of the Self: Diagnosing the History of Depression in the Contemporary Age. Trans. David Homel et al. Montreal: McGill-Queen’s UP, 2010. Print.Search in Google Scholar
Goddard, Lynette. Contemporary Black British Playwrights: Margins to Mainstream. Houndmills: Palgrave Macmillan, 2015. Print.10.1007/978-1-137-50629-0Search in Google Scholar
Huerta, Jorge. “The Legacy of Luis Valdez and El Teatro Campesino.” HowlRound: Theatre Commons. 5 Dec. 2015. Web. 29 Dec. 2019. <https://howlround.com/legacy-luis-valdez-and-el-teatro-campesino>. Search in Google Scholar
Huggan, Graham, and Hellen Tiffin. Postcolonial Ecocriticism: Literature, Animals, Environment. London: Routledge, 2010. Print.Search in Google Scholar
Janiak, Lily. “Time Sensitive.” HowlRound: Theatre Commons. 3 July 2013. Web. 29 Dec. 2019. <https://howlround.com/time-sensitive>.Search in Google Scholar
Jeffers, Alison. Refugees, Theatre and Crisis: Performing Global Identities. Houndmills: Palgrave Macmillan, 2012. Print.10.1057/9780230354821Search in Google Scholar
Juntunen, Jacob. “Making the Radical Palatable: The Normal Heart and the AIDS Crisis.” HowlRound: Theatre Commons. 5 Nov. 2012. Web. 29 Dec. 2019. <https://howlround.com/making-radical-palatable>.Search in Google Scholar
Kaklamanidou, Betty, and Ana Corbalán, eds. Contemporary European Cinema: Crisis Narratives and Narratives in Crisis. London and New York: Routledge, 2019. Print. Search in Google Scholar
Lorey, Isabell. State of Insecurity: Government of the Precarious. Trans. Aileen Derieg. London: Verso, 2015. Print. Search in Google Scholar
Malpede, Karen. “The Necessity of a New Green Federal Theatre Project.” HowlRound: Theatre Commons. 30 July 2019. Web. 29 Dec. 2019. <https://howlround.com/necessity-new-green-federal-theatre-project>. Search in Google Scholar
Merhi, Mona. “Staging The Document at the Avignon Festival.” HowlRound: Theatre Commons. 23 Jan. 2019. Web. 29 Dec. 2019. <https://howlround.com/staging-document-avignon-festival>. Search in Google Scholar
“Mission.” HowlRound: Theatre Commons. Web. 12 Jan. 2020. <https://howlround.com/about>. Search in Google Scholar
Nagle, Mary Kathryn. “Native Voices on the American Stage: A Constitutional Crisis.” HowlRound: Theatre Commons. 22 Feb. 2015. Web. 29 Dec. 2019. <https://howlround.com/native-voices-american-stage>. Search in Google Scholar
Nguyen, Viet Thanh. “The Emergence of Asian American Literature as an Academic Field.” The Cambridge History of Asian American Literature. Ed. Rajini Srikanth and Min Hyoung Song. Cambridge: Cambridge UP, 2015. 289–305. Print.10.1017/CHO9781107284289.017Search in Google Scholar
Nixon, Rob. Slow Violence and the Environmentalism of the Poor. Cambridge: Harvard UP, 2011. Print.10.4159/harvard.9780674061194Search in Google Scholar
Postone, Moishe. “Thinking the Global Crisis.” South Atlantic Quarterly 111.2 (2012): 227–250. Print. 10.1215/00382876-1548194Search in Google Scholar
Rivera, Carlos. “Les Productions Ondinnok: On the Experience of Making Indigenous Theatre in Quebec, Canada/Les Productions Ondinnok: Sobre la Experiencia de Hacer Teatro Indígena en Quebec en Canadá.” HowlRound: Theatre Commons. 11 June 2017. Web. 29 Dec. 2019.<https://howlround.com/les-productions-ondinnok>. Search in Google Scholar
Rody, Caroline. “Between ‘I’ and ‘We’: Viet Thanh Nguyen’s Interethnic Multitudes.” PMLA 133.2 (2018): 396–405. Print.10.1632/pmla.2018.133.2.396Search in Google Scholar
Roos, Bonnie, and Alex Hunt, eds. Postcolonial Green: Environmental Politics and World Narratives. Charlottesville: U of Virginia P, 2010. Print. Search in Google Scholar
Ruffin, Kimberly N. Black on Earth: African American Ecoliterary Traditions. Athens: U of Georgia P, 2010. Print.Search in Google Scholar
Schlund-Vials, Cathy J. “Refugee Aesthetics: Cambodia, Laos, and the Hmong.” The Cambridge History of Asian American Literature. Ed. Rajini Srikanth and Min Hyoung Song. Cambridge: Cambridge UP, 2015. 484–500. Print.Search in Google Scholar
Slagle, Dillon. “The Aesthetic Evolution of Eco Theater.” HowlRound: Theatre Commons. 23 Nov. 2013. Web. 29 Dec. 2019. <https://howlround.com/aesthetic-evolution-eco-theater>.Search in Google Scholar
Susen, Simon. “Between Crisis and Critique: The Fragile Foundations of Social Life à la Rodrigo Cordero.” Distinktion: Journal of Social Theory 18.1 (2017): 95–124. Print.10.1080/1600910X.2017.1302354Search in Google Scholar
Torres-Tama, José. “Staging the Anti-Immigrant Hysteria.” HowlRound: Theatre Commons. 20 Dec. 2015. Web. 29 Dec. 2019. <https://howlround.com/staging-anti-immigrant-hysteria>. Search in Google Scholar
Vallaste, Minna. “A Call for Theatre That Depicts the Reality of Mediterranean Immigrants.” HowlRound: Theatre Commons. 5 Oct. 2015. Web. 29 Dec. 2019. <https://howlround.com/call-theatre-depicts-reality-mediterranean-immigrants>. Search in Google Scholar
Washington, Bryan. “An Interview with Viet Thanh Nguyen.” The AWL. 17 Oct. 2017. Web. 12 Jan. 2020. <https://www.theawl.com/2017/10/an-interview-with-viet-thanh-nguyen/>. Search in Google Scholar
Watt, Kenn. “Participatory Performance, Activism, and the Limits of Change.” HowlRound: Theatre Commons. 20 Apr. 2017. Web. 29 Dec. 2019. <https://howlround.com/participatory-performance-activism-and-limits-change>. Search in Google Scholar
Young-Ellis, Georgina. “Teatro Línea de Sombra Connects with Portland, Oregon and the Pacific Northwest.” HowlRound: Theatre Commons. 5 Aug. 2018. Web. 29 Dec. 2019. <https://howlround.com/teatro-linea-de-sombra-connects-portland-oregon-and-pacific-northwest>.Search in Google Scholar
© 2020 Walter de Gruyter GmbH, Berlin/Boston