Narrativity and audiovisual performance

Main Article Content

Ana Carvalho
Instituto Universitário da Maia, Centro de Investigação em Artes e Comunicação, Centro de Investigação em Tecnologias e Estudos Intermédia
https://orcid.org/0000-0002-6522-5345
Célia Vieira
Instituto Universitário da Maia, Centro de Investigação em Artes e Comunicação, Centro de Investigação em Tecnologias e Estudos Intermédia
https://orcid.org/0000-0002-1181-0725

Abstract

 In this paper, we intend to reflect on how audiovisual performance forces us to rethink the concept of narrativity. After a brief review on the fundamentals of narrative theory and audiovisual performance, we will analyse three cases that illustrate different manifestations of narrativity in audiovisual performance.

Keywords: Narrativity, Audiovisual performance

Downloads

Download data is not yet available.

References

ADAM, Jean-Michel (1997). Les Textes: Types et Prototypes. Récit, Description, Argumentation, Explication et Dialogue. Paris: Nathan.

BABO, Maria Augusta (2017). «Considerações sobre a máquina narrativa», in Narrativa e Media: géneros, figuras e contextos. Coimbra: Imprensa da Universidade de Coimbra. disponível em http://hdl.handle.net/10316.2/41344

BAKHTINE, Mikhail (2006). Esthétique et Théorie du Roman, Paris, Gallimard,

BAL, Mieke (ed.) (2004). Narrative Theory. Critical Concepts in Literary and Cultural Studies. The Netherlands: University of Amsterdam.

BARTHES, Roland (1987). A Aventura Semiológica, Lisboa, Edições 70

CARVALHO, A.; LUND, C. (Eds.) (2015). The Audiovisual Breakthrough. Berlin: Fluctuating Images.

CARVALHO, Rodrigo (s/d). «Rodrigo Carvalho: Sound + Visual + Movement», entrevista com Ana Carvalho, in http://digicult.it/news/rodrigo-carvalho-suono-visual-movimento/ , in 28.01.2019.

CHATMAN, Seymour (1978). Story and Discourse. Narrative Structure in Fiction and Film, Ithaca/London: Cornell University Press.

GENETTE, Gérard (1995). Discurso da Narrativa, Lisboa: Veja.

MAKELA, Mia (2006). The practice of Live Cinema [Master thesis]. Helsinki University of Art and Design. in: http://www.miamakela.net/TEXT/text_PracticeOfLiveCinema.pdf , in 03.10.2018.

MORAN, P. (Ed.) (2015). Cinemas Transversais. São Paulo : Iluminuras.

MUMFORD, Paul (2009). «Visual Music - Forms and possibilities». In Cornelia Lund and Holger Lund (Eds.), Audio.Visual: On Visual Music and Related Media, Stuttgart: Arnoldsche Art Publishers.

PRINCE, Gérald (1982). Narratology. The Form and Functioning of Narrative, Berlin/ NY/ Amsterdam: Mouton.

PROPP, Vladimir (2003). Morfologia do Conto, Lisboa, Veja.

REIS, Carlos e LOPES, Ana Cristina (1990). Dicionário de Narratologia, 2ª ed., Coimbra, Livraria Almedina.

SALTER, Chris (2010). Entangled – Technology and the transformation of performance. Massachussets: MIT Press.

SCHACHER, Jan (2008). «Live Audio-Visual Performance as a Cinematic Practice», in Arie Altena & Boris Debackere (editors). Sonic Acts XII The Cinematic Experience. Amsterdam: Published by Sonic Acts Press / Paradiso.

SILVA, Vítor Manuel Aguiar e (1997). Teoria da Literatura, Coimbra: Almedina.