Modifying auditory perception with prisms? Aftereffects of prism adaptation on a wide auditory spectrum in musicians and nonmusicians

Highlights

• Pseudoneglect exists in the auditory frequency representation.

• Prism adaptation affects the representation of higher frequencies.

• Pseudoneglect and prism adaptation aftereffects are independent of musical expertise.

Abstract

Prism adaptation consists of pointing to visual targets while wearing prisms that shift the visual field laterally. The aftereffects are not restricted to sensorimotor level but extend to spatial cognition. There is a link between spatial representation and auditory frequency, with an association of low frequencies on the left side and high frequencies on the right side of space. The present study aimed first at evaluating the representation of auditory frequencies on a wide range of frequencies in musicians and nonmusicians. We used the ‘auditory interval bisection judgment’ within three auditory intervals. The results showed a pseudoneglect behavior in pretest in musicians and nonmusicians for high frequency intervals, reflecting a perceptual bias of the subjective interval center toward lower frequencies. The second aim of the present study was to evaluate the aftereffects of prism adaptation on an expanded auditory spectrum. The results showed aftereffects of adaptation to a leftward optical deviation for high frequency intervals in musicians and nonmusicians. Adaptation to a leftward optical deviation affects the auditory perception on an extended auditory spectrum, by shifting the subjective interval center toward high frequencies. The present study provides innovative data about representation of auditory perception and its modulation by prism adaptation.