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Characterizing prototypical musical instrument timbres with Timbre Trait Profiles Musicae Scientiae (IF 1.93) Pub Date : 2021-03-31 Lindsey Reymore
This paper offers a series of characterizations of prototypical musical timbres, called Timbre Trait Profiles, for 34 musical instruments common in Western orchestras and wind ensembles. These profiles represent the results of a study in which 243 musician participants imagined the sounds of various instruments and used the 20-dimensional model of musical instrument timbre qualia proposed by Reymore
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Changes in the Social Fabric of Victims of the Armed Conflict in Colombia Based on an Analysis of Their Sound Environments Musicae Scientiae (IF 1.93) Pub Date : 2021-03-26 Andrea Rodríguez-Sánchez, Alberto Cabedo-Mas
The objective of this study was to analyse the changes in social fabric caused by the armed conflict in Colombia among people who had been the victims of forced displacement and who, when arriving in the new places, participate in a musical-social programme. The study was conducted using testimonies from interviews and in the form of sound postcards, an ethnographic research tool. Twenty-one interviews
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The Dynamics of Musical Participation Musicae Scientiae (IF 1.93) Pub Date : 2021-03-19 Andrea Schiavio, Pieter-Jan Maes, Dylan van der Schyff
In this paper we argue that our comprehension of musical participation—the complex network of interactive dynamics involved in collaborative musical experience—can benefit from an analysis inspired by the existing frameworks of dynamical systems theory and coordination dynamics. These approaches can offer novel theoretical tools to help music researchers describe a number of central aspects of joint
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Assessing teachers’ perspectives on giving music lessons remotely during the COVID-19 lockdown period Musicae Scientiae (IF 1.93) Pub Date : 2021-03-08 Michele Biasutti, Roberta Antonini Philippe, Andrea Schiavio
The recent COVID-19 health emergency has forced many music teachers to adopt remote teaching methods. The present paper investigates the practices and strategies used by conservatory-level music teachers to give lessons online in different European countries and the USA. Data from an exploratory qualitative study were collected using semi-structured interviews covering aspects such as curriculum design
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The Impact of Biographical Information About a Composer on Emotional Responses to Their Music Musicae Scientiae (IF 1.93) Pub Date : 2021-03-04 Frederic Kiernan, Amanda E. Krause, Jane W. Davidson
This study investigated whether reading biographical information about the composer Jan Dismas Zelenka (1679–1745) before listening to his music would influence listeners’ self-reported emotional responses. The study involved 179 participants who completed an online listening exercise in which they read either a negative or a neutral biography of Zelenka, or no biography, before listening to two short
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Individual Differences in Autism Traits, Personality, and Emotional Responsiveness to Music in the General Population Musicae Scientiae (IF 1.93) Pub Date : 2021-01-30 Shalini Sivathasan, Gwenaëlle Philibert-Lignières, Eve-Marie Quintin
Little is known about the relationship between the personality and the emotional experiences of people with broader autism phenotype (BAP) or autistic traits. Given that music is a powerful vehicle for conveying emotions and that several studies show that people with and without autism spectrum disorder (ASD) typically respond to music in similar ways, the present study examines the relationship between
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Everyday Crying Over Music: A Survey Musicae Scientiae (IF 1.93) Pub Date : 2021-01-12 Waldie E. Hanser, Ruth E. Mark, Ad J. J. M. Vingerhoets
Human emotional weeping, or crying, occurs in response to a wide array of antecedents. Although music is often mentioned specifically as a stimulus that may make individuals cry, few studies have systematically explored the characteristics of these crying episodes. The present study examines crying over music. Participants (N = 2778; 1716 women) completed a survey asking about the last time they cried
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Musical Features that Aid Sleep Musicae Scientiae (IF 1.93) Pub Date : 2020-12-23 Gaelen Thomas Dickson, Emery Schubert
Background: Music is thought to be beneficial as a sleep aid. However, little research has explicitly investigated the specific characteristics of music that aid sleep and some researchers assume that music described as generically sedative (slow, with low rhythmic activity) is necessarily conducive to sleep, without directly interrogating this assumption. This study aimed to ascertain the features
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Induced Empathy Moderates Emotional Responses to Expressive Qualities in Music Musicae Scientiae (IF 1.93) Pub Date : 2020-12-21 Katherine O’Neill, Hauke Egermann
Recent research has explored the role of empathy in the context of music listening. Here, through an empathy priming paradigm, situational empathy was shown to act as a causal mechanism in inducing emotion, although the way empathy was primed had low levels of ecological validity. We therefore conducted an online experiment to explore the extent to which information about a composer’s expressive intentions
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Coordinating Free Improvisation: An Integrative Framework for the Study of Collective Improvisation Musicae Scientiae (IF 1.93) Pub Date : 2020-12-10 Pierre Saint-Germier, Clément Canonne
Understanding how musicians can coordinate their musical actions when they improvise together remains an important theoretical and empirical challenge. In this article, we suggest a broad theoretical framework, compatible with up-to-date research on joint action, which can account for coordination in collective improvisation, especially in the hard case of so-called collective free improvisation. This
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Associations Between Music Training and the Dynamics of Writing Music by Hand Musicae Scientiae (IF 1.93) Pub Date : 2020-12-07 Aurélien Bertiaux, François Gabrielli, Mathieu Giraud, Florence Levé
Learning to write music in the staff notation used in Western classical music is part of a musician’s training. However, writing music by hand is rarely taught formally, and many musicians are not aware of the characteristics of their musical handwriting. As with any symbolic expression, musical handwriting is related to the underlying cognition of the musical structures being depicted. Trained musicians
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Video feedback and the choice of strategies of college-level guitarists during individual practice Musicae Scientiae (IF 1.93) Pub Date : 2020-11-18 Mathieu Boucher, Andrea Creech, Francis Dubé
Developing musicians are expected to accumulate many hours of self-regulated practice to attain expertise on a musical instrument. The ability to choose appropriate strategies based on the internal and external feedback obtained while performing in the absence of the teacher’s support constitutes an important aspect of self-regulated practice. Nevertheless, performing and simultaneously monitoring
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The role of personality and self-efficacy in music students’ health-promoting behaviours Musicae Scientiae (IF 1.93) Pub Date : 2020-11-08 Susanna Cohen, Clorinda Panebianco
Evidence of the high prevalence of physical and psychological problems among professional and student classical musicians has led to investigations of music students’ health-promoting behaviours. These have indicated lower levels of engagement in health-promoting behaviours among music students compared to non-music students and resulted in the recent introduction of health education courses in a number
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Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience Musicae Scientiae (IF 1.93) Pub Date : 2020-10-10 Kirk N. Olsen, Merrick Powell, Aydin Anic, Robert J. Vallerand, William Forde Thompson
Extreme metal and rap music with violent themes are sometimes blamed for eliciting antisocial behaviours, but growing evidence suggests that music with violent themes can have positive emotional, cognitive, and social consequences for fans. We addressed this apparent paradox by comparing how fans of violent and non-violent music respond emotionally to music. We also characterised the psychosocial functions
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Embodiment in Composition: 4E Theoretical Considerations and Empirical Evidence from a Case Study Musicae Scientiae (IF 1.93) Pub Date : 2020-10-10 Ulla Pohjannoro
The purpose of this study was to theorise on a composer’s corporeality from the point of view of the embodied, enacted, embedded, and extended cognition paradigm, in the light of empirical data that cover the compositional process of creating one particular piece of music. The data include related manuscripts and the composer’s verbal account of those manuscripts. Composition is seen as an interactive
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Music-Colour Synaesthesia: A Sensorimotor Account Musicae Scientiae (IF 1.93) Pub Date : 2020-10-02 Caroline Curwen
This article presents a sensorimotor account of music-colour synaesthesia, proposing a radically different perspective than is commonly provided. Recent empirical and theoretical work in music cognition moves away from cognitivist accounts, rejects representationalism and embraces an embodied standpoint. It has been shown that some forms of synaesthesia may be elicited from a concept alone and are
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Making the Unfamiliar Familiar: The Effect of Exposure on Ratings of Unfamiliar Musical Chords Musicae Scientiae (IF 1.93) Pub Date : 2020-08-27 Eline A. Smit, Andrew J. Milne, Roger T. Dean, Gabrielle Weidemann
Affective responses to music have been shown to be influenced by the psychoacoustic features of the acoustic signal, learned associations between musical features and emotions, and familiarity with a musical system through exposure. The present article reports two experiments investigating whether short-term exposure has an effect on valence and consonance ratings of unfamiliar musical chords from
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In Defence of the Familiar: Understanding Conservatism in Concert Selection Amongst Classical Music Audiences Musicae Scientiae (IF 1.93) Pub Date : 2020-08-24 Sarah M. Price
Since the establishment of a classical music canon in the 19th century, classical music culture has historically been focused on a stable set of masterpieces by genius composers predominantly from the classical and romantic periods. A small number of composers continue to dominate programming to this day. Many classical music organisations are keen to programme music beyond this narrow repertoire and
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Processes and Experiences of Creative Cognition in Seven Western Classical Composers Musicae Scientiae (IF 1.93) Pub Date : 2020-08-08 Andrea Schiavio, Nikki Moran, Dylan van der Schyff, Michele Biasutti, Richard Parncutt
In a qualitative study, we explored the range of reflections and experiences involved in the composition of score-based music by administering a 15-item, open-ended, questionnaire to seven professional composers from Europe and North America. Adopting a grounded theory approach, we organized six different codes emerging from our data into two higher-order categories (the act of composing and establishing
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Quality of network support for the deliberate practice of popular musicians Musicae Scientiae (IF 1.93) Pub Date : 2020-07-25 Manuel Längler, Markus Nivala, Jasperina Brouwer, Hans Gruber
To become an expert in music, an individual goes through different phases of deliberately practising domain-specific activities with the support of actors within his or her network. These network actors are often referred to in the research literature as “persons in the shadow,” because they are for the most part unnoticeable to an audience. Systematic research on popular music does not touch upon
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The Influence of Music Training on Motoric Inhibition in German Preschool Children Musicae Scientiae (IF 1.93) Pub Date : 2020-07-23 Franziska Degé, Hanne Patscheke, Gudrun Schwarzer
The aim of our experiment was to investigate the effect of a music training program on motoric inhibition in German preschoolers. Studies have shown that in children, music lessons and inhibition are associated, and that music training might have the potential to improve inhibition. Improving executive functions is particularly useful in young children as they are highly relevant for success in school
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Pitch Syntax as an Evolutionary Prelingual Innovation Musicae Scientiae (IF 1.93) Pub Date : 2020-07-20 Piotr Podlipniak
Pitch syntax is an important part of musical syntax. It is a complex hierarchical system that involves generative production and perception based on pitch. Because hierarchical systems are also present in language grammar, the processing of a pitch hierarchy is predominantly explained by the activity of cognitive mechanisms that are not solely specific to music. However, in contrast to the processing
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Mindfulness for musicians: A mixed methods study investigating the effects of 8-week mindfulness courses on music students at a leading conservatoire Musicae Scientiae (IF 1.93) Pub Date : 2020-07-20 Anne-Marie Louise Czajkowski, Alinka Elizabeth Greasley, Michael Allis
Mindfulness courses are beneficial in clinical domains for anxiety and depression and are becoming more prevalent as interventions in education. However, little is known about what effects mindfulness might have on musicians. In an exploratory study, 25 music students, who completed one of four 8-week MBSR/MBCT mindfulness courses adapted for musicians at the Guildhall School of Music and Drama, completed
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Using Psycholinguistic Inquiry and Content Analysis to Investigate Emotions in Memories of Musical Experiences Musicae Scientiae (IF 1.93) Pub Date : 2020-07-14 Olivia Swedberg Yinger, D. Gregory Springer
Psycholinguistic inquiry can provide insight into the way the words people use reflect psychological states, including emotional states. There is limited research on the use of Linguistic Inquiry and Word Count (LIWC) software to investigate the psycholinguistic properties of emotional memories related to music. The purpose of this study was to test the extent to which LIWC can be used in the analysis
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The Benefits of Participation in a Choir and an Exercise Group on Older Adults’ Wellbeing in a Naturalistic Setting Musicae Scientiae (IF 1.93) Pub Date : 2020-06-14 Susan Maury, Nikki Rickard
As populations age, it is critical to understand how psycho-social wellbeing supports successful ageing. The health sector is increasingly asking how best to improve social connection and affective state because of their positive influence on overall health. Choral participation has been proposed as a particularly effective way to improve socio-emotional wellbeing, due to benefits of music exposure
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Lifetime Musical Training and Cognitive Performance in a Memory Clinic Population: A Cross-Sectional Study Musicae Scientiae (IF 1.93) Pub Date : 2020-06-05 Daisy Fancourt, Katharina Geschke, Andreas Fellgiebel, Alexandra Wuttke-Linnemann
Background:Music training has been found to be beneficial for young and healthy participants but the associations between musical training and the cognitive functioning of elderly participants have...
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Voicelikeness as Discursive Strategy: An Instrumental Masterclass Case Study Musicae Scientiae (IF 1.93) Pub Date : 2020-06-01 Kristine Anne Healy, Graham R. Gibbs
To play a musical instrument in the way that one would sing is a goal that has been shared and documented by performers of Western classical music for several centuries. It is still common to hear ...
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Affective Responses to European Art Music by Israeli Arabs and Israeli Jews: A Cross-Ethnic Study Musicae Scientiae (IF 1.93) Pub Date : 2020-05-29 Eitan Ornoy
Most cross-cultural research on music and emotions is targeted at examining participants’ ability to perceive the emotional intent of the music or the musician. Fewer studies, however, have investi...
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Prevalence and Predictors of Music Performance Anxiety in Adolescent Learners: Contributions of Individual, Task-Related and Environmental Factors Musicae Scientiae (IF 1.93) Pub Date : 2020-05-26 Ioulia Papageorgi
Currently, no formal music performance anxiety (MPA) prevalence rates exist for children and adolescent musicians. Factors contributing to distinct MPA experiences (maladaptive versus adaptive) are...
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Music-Based Discharge, Healthy Music Use, and Unhealthy Music Use Explain Adaptive and Maladaptive Coping Strategies in Adults Hospitalized with Cancer: A Cross-Sectional Investigation Musicae Scientiae (IF 1.93) Pub Date : 2020-05-22 Michael J Silverman
Background:Although people self-administer music for affect enhancement and self-regulation, there is a dearth of empirical inquiry investigating whether music-based regulatory factors and healthy ...
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Book Review: Carl Stumpf, Tone Psychology: Volume I, The Sensation of Successive Single Tones Musicae Scientiae (IF 1.93) Pub Date : 2020-05-07 Robert O Gjerdingen
Members of Kaiser Wilhelm’s Imperial Board of Education had serious concerns about the growing fame of Kluge Hans (Clever Hans), a horse that was able, by tapping a foreleg, to solve problems like “What is three plus one?” How could a horse perform arithmetic better than some of the Kaiser’s own subjects? Calls arose for a formal inquiry, and so government ministers sought a famous, widely respected
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Cultural Logics and Modes of Consumption: Unraveling the Multiplicity of Symbolic Distinctions Among Concert Audiences Musicae Scientiae (IF 1.93) Pub Date : 2020-03-31 Mart Willekens, Stijn Daenekindt
In this study, we examined how audiences for different types of concerts structure their musical preferences according to specific cultural logics and how this relates to the motives for going to t...
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Affective Priming With Musical Chords is Influenced by Pitch Numerosity Musicae Scientiae (IF 1.93) Pub Date : 2020-03-19 Imre Lahdelma, James Armitage, Tuomas Eerola
Previous studies using an affective priming paradigm have shown that valenced chords (e.g., consonant–positive; dissonant–negative) facilitate the evaluation of similarly valenced target words. The role of numerosity (the total number of pitches in a chord) and timbre has not yet been systematically investigated in previous priming studies using consonant/dissonant chords. An experiment was conducted
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The Influence of Different Levels of Musical Fit on the Efficiency of Audio-Visual Advertising Musicae Scientiae (IF 1.93) Pub Date : 2020-03-19 Ann-Kristin Herget, Priska Breves, Holger Schramm
Music acts as a prominent element of advertising, but its simple presence does not automatically improve the effects of advertising. The concept of musical fit was developed more than 25 years ago ...
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Authoritative discourse in advanced studio lessons Musicae Scientiae (IF 1.93) Pub Date : 2020-01-23 Kim Burwell
The purpose of this paper is to explore authoritative discourses in advanced studio lessons. Authoritative approaches have been described variously as systematic instruction, direct teaching and te...
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Enjoying Sad Music: A Test of the Prolactin Theory Musicae Scientiae (IF 1.93) Pub Date : 2019-12-25 Olivia Ladinig, Charles Brooks, Niels Chr. Hansen, Katelyn Horn, David Huron
Philosophers have long wrestled with the apparent paradox of the enjoyment of negative emotional portrayals in the arts. An example of this apparent paradox is the enjoyment among some listeners of...
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Active Music Making Facilitates Prosocial Behaviour in 18-month-old Children Musicae Scientiae (IF 1.93) Pub Date : 2019-12-23 Verena Buren, Franziska Degé, Gudrun Schwarzer
Whenever we celebrate in a group, music and dance are usually part of it. Music making is a highly social activity and even listening to recorded music in a group still gives us a sense of feeling ...
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Flow Research in Music Contexts: A Systematic Literature Review Musicae Scientiae (IF 1.93) Pub Date : 2019-09-30 Leonard Tan, Hui Xing Sin
The purpose of this study was to review flow research in music contexts from 1975 until the first quarter of 2019. Specifically, frequencies/percentages were calculated for (a) output in five-year ...
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Personalising music for more effective mood induction: Exploring activation, underlying mechanisms, emotional intelligence, and motives in mood regulation Musicae Scientiae (IF 1.93) Pub Date : 2019-09-25 Juliane Völker
The present studies investigated the effects of personal (i.e., self-selected) music and music pre-selected by the researcher on the induction of sadness and joy while taking into consideration the...
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A Three-Dimensional Model for Evaluating Individual Differences in Tempo and Tempo Variation in Musical Performance Musicae Scientiae (IF 1.93) Pub Date : 2019-09-09 Danny Quan Zhou, Dorottya Fabian
People differ from each other, and this includes performers of music. The study of individual differences is well established in many social science disciplines but has been largely neglected in mu...
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Events versus time in the perception of nonadjacent key relationships Musicae Scientiae (IF 1.93) Pub Date : 2019-08-07 Joanna Spyra, Matthew Stodolak, Matthew Woolhouse
Increasing the duration of an intervening key has a negative effect on memory for the original, nonadjacent key. Evidence suggests the recollection of a key only remains for 20 seconds after modula...
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Aesthetic empowerment through music Musicae Scientiae (IF 1.93) Pub Date : 2019-07-20 Elvira Brattico, Ulrika Varankaitė
This article describes how aesthetic enjoyment accompanying musical activities can empower individuals in health and disease. First, we explain the biological determinants of music enjoyment and how they can be studied. In doing so, we distinguish between core sensory pleasure and conscious liking, and we illustrate their respective contributions to aesthetic appreciation and expressive interaction
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Interpersonal entrainment in Indian instrumental music performance: Synchronization and movement coordination relate to tempo, dynamics, metrical and cadential structure Musicae Scientiae (IF 1.93) Pub Date : 2019-07-20 Martin Clayton, Kelly Jakubowski, Tuomas Eerola
Two complementary aspects of interpersonal entrainment – synchronization and movement coordination – are explored in North Indian classical instrumental music, in the auditory and visual domains respectively. Sensorimotor synchronization (SMS) is explored by analysing pairwise asynchronies between the event onsets of instrumental soloists and their tabla accompanists, and the variability of asynchrony
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The experience of flow during sensorimotor synchronization to musical rhythms Musicae Scientiae (IF 1.93) Pub Date : 2019-07-20 Jan Stupacher
Sensorimotor integration tasks, such as body movements in time with music, can foster the experience of flow – a pleasurable state of full engagement and concentration occurring during a seemingly effortless and automatic activity. As it can be argued that both music and flow are embodied phenomena, perception-action coupling might be the core of the intimate relationship between flow and music. The
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The effect of (a)synchronous music on runners’ lower leg impact loading Musicae Scientiae (IF 1.93) Pub Date : 2019-07-20 Valerio Lorenzoni, Tijl De Bie, Thierry Marchant, Edith Van Dyck, Marc Leman
Running with musical accompaniment is becoming increasingly popular and several pieces of software have been developed that match the music tempo to the exerciser’s running cadence, that is, foot strikes per minute. Synchronizing music with running cadence has been shown to affect several aspects of performance output and perception. The purpose of this study was to investigate the effect of synchronous
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An investigation of empathy in male and female fans of aggressive music Musicae Scientiae (IF 1.93) Pub Date : 2019-07-18 Aimy Slade, Kirk N. Olsen, William Forde Thompson
Concerns have been raised that persistent exposure to violent media can lead to negative outcomes such as reduced empathy for the plight of others. The present study investigated whether fans of ag...
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Underdog Status Yields Support for Musicians Musicae Scientiae (IF 1.93) Pub Date : 2019-07-18 Kenneth S. Michniewicz, Laura L. Edelman
Prior research suggests that underdogs elicit from others an increased affiliation (e.g., liking, identification) as well as an increased desire for success (e.g., support). In the present study, w...
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An Examination of Differential Item Functioning in a Rubric to Assess Solo Music Performance Musicae Scientiae (IF 1.93) Pub Date : 2019-07-05 Brian C. Wesolowski
The purpose of this study was to examine differential item functioning (DIF) in a rubric used to assess middle-school solo and ensemble performances. This study was guided by the following research...
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Wellness Among University-level Music Students: A Study of the Predictors of Subjective Vitality Musicae Scientiae (IF 1.93) Pub Date : 2019-07-04 Peter Miksza, Paul Evans, Gary E. McPherson
For many music students, the transition to university-level studies can be a time characterized by high levels of stress as they adjust to academic standards and the challenges of demanding perform...
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The audience as artist? The audience’s experience of participatory music Musicae Scientiae (IF 1.93) Pub Date : 2019-04-26 Jutta Toelle, John A Sloboda
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts to integrate participatory ele...
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It’s only rock ‘n roll (but I like it): Chord perception and rock’s liberal harmonic palette Musicae Scientiae (IF 1.93) Pub Date : 2019-04-26 Lincoln G Craton, Jane Hyo Jin Lee, Peter M Krahe
Both music-theoretic accounts and corpus analyses indicate that rock routinely employs chords that deviate from the norms of common-practice music. Yet we know little about how listeners experience...
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Taste and familiarity affect the experience of groove in popular music Musicae Scientiae (IF 1.93) Pub Date : 2019-04-15 Olivier Senn, Toni Amadeus Bechtold, Florian Hoesl, Lorenz Kilchenmann
Groove is a common experience in music listeners, often described as an enjoyable impulse to move in synchrony with the music. Research has suggested that the groove experience is influenced by lis...
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Flow and music performance anxiety: The influence of contextual and background variables Musicae Scientiae (IF 1.93) Pub Date : 2019-04-02 Susanna Cohen, Ehud Bodner
Recent studies have provided empirical support for the suggestion that there is an antithetical relationship between music performance anxiety (MPA) and flow, and that this antithetical relationshi...
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Effects of metrical dissonance and expertise on perceived emotion in Schumann’s Carnaval Musicae Scientiae (IF 1.93) Pub Date : 2019-03-25 Jessica Sommer, Kimberly Simmons, Daphne Tan
Numerous studies have investigated the effects of pitch structures on perceived emotion in music, but the emotional effects of rhythm and meter have received far less attention. In the experiment r...
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Expressing melodic grouping discontinuities: Evidence from violinists’ rubato and motion Musicae Scientiae (IF 1.93) Pub Date : 2019-03-21 Madeline Huberth, Stacey Davis, Takako Fujioka
Within phrases, melodies can be perceived as continuous or discontinuous. Large pitch intervals tend to promote the perception of melodic discontinuity, though surrounding pitch contexts can promote or diminish this percept. The present study investigated if performers express discontinuities in rubato and motion. In Experiment 1, audio and motion capture recordings were made of six violinists performing
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Seeing a drummer’s performance modulates the subjective experience of groove while listening to popular music drum patterns Musicae Scientiae (IF 1.93) Pub Date : 2019-02-01 Daniel Lloyd Eaves, Noola Griffiths, Emily Burridge, Thomas McBain, Natalie Butcher
Spontaneous rhythmical movements, like foot-tapping and head-bobbing, often emerge when people listen to music, promoting the enjoyable sensation of ‘being in the groove’. Here we report the first experiment to investigate if seeing the music maker modulates this experience. Across trials we manipulated groove level in the audio beats (high vs low), and manipulated the match between the audio beats
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Study addiction among musicians: Measurement, and relationship with personality, social anxiety, performance, and psychosocial functioning Musicae Scientiae (IF 1.93) Pub Date : 2019-01-09 Rafał Lawendowski, Piotr Bereznowski, Wiktor K. Wróbel, Michał Kierzkowski, Paweł A. Atroszko
Adverse health-related consequences of perfectionistic over-involvement in work are well-documented among professional musicians. The aim of this study was to investigate a recently developed concept of “study addiction” among students of music academies. Study addiction has been defined within the framework of theory and research on work addiction as a potential behavioral addiction. A cross-sectional
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A snippet in a snippet: Development of the Matryoshka principle for the construction of very short musical stimuli (plinks) Musicae Scientiae (IF 1.93) Pub Date : 2019-01-04 Felix Christian Thiesen, Reinhard Kopiez, Christoph Reuter, Isabella Czedik-Eysenberg
For the past 140 years, numerous studies have been conducted to examine minimum durations of samples needed for the recognition of acoustic parameters such as pitch, timbre or vocal phonemes. Recent studies in this field are often based on short clips (plinks) of popular songs, using target variables such as titles and interpreters. These studies provide strong evidence that a wide range of intra-
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The effect of a rhythmic pulse on the heart rate: Little evidence for rhythmical ‘entrainment’ and ‘synchronization’ Musicae Scientiae (IF 1.93) Pub Date : 2018-12-18 Hanna Mütze, Reinhard Kopiez, Anna Wolf
In this study, we investigate the influence of musical tempo on the heart rate. Previous studies showed ambiguous results. Two effects are considered: first, an adaption of the heart rate frequency to the tempo of a musical stimulus (‘entrainment’) and second, the phase synchronization between the stimulus-onset and the R-waves in the ECG (‘synchronization’). A regulatory feedback loop was programmed
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Examining musical sophistication: A replication and theoretical commentary on the Goldsmiths Musical Sophistication Index Musicae Scientiae (IF 1.93) Pub Date : 2018-11-14 David John Baker, Juan Ventura, Matthew Calamia, Daniel Shanahan, Emily M. Elliott
The difficulties associated with measuring the complex construct of musicianship have received considerable attention in the music psychology literature. Multiple measures exist for various constructs, yet the need for the careful replication and documentation of the use of these measures remains an area of critical importance. Here, we describe the replication of the Goldsmiths Musical Sophistication
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