S.A. Mednick (1962) proposed a theory of creativity suggesting that highly creative individuals can produce more word associations to a stimulus than less creative individuals. Numerous studies have supported this theory using the Remote Associates Test (RAT) as the measure of creativity. Additionally, some studies have suggested that high‐frequency words elicit more word associations overall than

Conspiracy theories are narratives, they tell mostly fictional stories. In that sense, conspiracy theories are creative productions similar to other productions involving narratives, such as poems, films, or stories. However, contrary to these productions regularly studied in the field of creativity, conspiracy theories remain unexplored in this field. The present contribution proposes to consider

Transcranial random noise stimulation (tRNS) increases performance in some perceptual tasks. However, little is known about its effect on creativity. Although dorsolateral prefrontal cortex (DLPFC) has been postulated as an important cortical area related to creativity, the relative role of left and right DLPFC is still unclear. We aimed to compare the effect of anodal left/cathodal right (L + R−)

Drawing upon the stage model of innovation and the ability–motivation–opportunity (AMO) framework, we hypothesize the mediating role of top management team (TMT) creativity and the moderating roles of external social capital and environmental uncertainty in the relationship between TMT creative team environment and a firm’s administrative innovation. We collected multisource data from 136 TMTs and

World‐class science requires inspiration, so how can we spark creativity in the modern university environment? Creativity does not come automatically: in the modern age, factors from electronic devices to time pressure can stifle creative thought. Yet, to solve the major problems of the future, it will be essential to stimulate creativity in scientific research and teaching. Here, we bring together

We developed a Creative Thinking Counseling Teaching Program (CTCTP) for Grade 7 students using the self‐concept of the counseling curriculum as the primary development axis and investigated how this program influences creativity, creative tendency, and self‐concept. We adopted a non‐equivalent control group pre‐test–post‐test quasi‐experimental design. Of 133 participants, the experimental group (67

The current study aimed to investigate whether board games could be used to improve creative potential. Games have proven to be effective learning tools, and some studies have indicated positive links between creativity and other types of games, namely video games and role‐playing games. However, less is known regarding board games’ potential benefits on creativity. This exploratory study compared

The current study addresses gaps in our understanding of the relationship between creative cognition, intelligence (IQ), and executive functioning (EF). Undergraduate students completed an IQ test, verbal and figural divergent thinking (DT) tests, and a self‐assessment of EF, across four study sessions. Participant data (N = 199) were analyzed using linear regression and PROCESS moderation models.

The different definitions of creativity that have been proposed by researchers have developed out of what are called explicit theories of creativity, on the basis of logical and semantic arguments, independently of empirical data. The present paper focuses on two such definitions, the standard definition (M.A. Runco & G.J. Jaeger, 2012), which defines a creative product as one that is novel and valuable

Fluency tasks are among the most common item formats for the assessment of certain cognitive abilities, such as verbal fluency or divergent thinking. A typical approach to the psychometric modeling of such tasks (e.g., Intelligence, 2016, 57, 25) is the Rasch Poisson Counts Model (RPCM; Probabilistic models for some intelligence and attainment tests. Copenhagen: Danish Institute for Educational Research

Divergent thinking, the ability to generate multiple ideas from different perspectives, is considered a central component of the creative thinking process. While context, personality traits, and cognitive control abilities have individually been shown to have large effects on divergent thinking, their interrelationship is yet to be elucidated. In 83 healthy participants (Males = 42%), we investigated

Although recent studies have attempted to clarify the daily dynamics between moods and creativity, relatively limited studies have explored how daily positive and negative activating moods influence changes in daily creativity (i.e., controlling for the effects of prior daily creativity) in real organizations. Furthermore, although the importance of the physical working environment has been highlighted

This study examines the relationship between the relational mode of leadership (i.e., inclusive leadership) and innovative work behavior with the mediating role of creative self‐efficacy. Data were collected from employees of small and medium textile enterprises in Pakistan. Results show that there is a positive relationship between inclusive leadership and innovative work behavior. While aligned with

Research is currently witnessing more investigations into malevolent creativity—creativity that is used to intentionally harm others. Inspired by previous methods to measure malevolent creativity, in the present study, we introduce a real‐world behavioral task designed to capture individuals’ capacity for using creativity for the purpose of attaining malevolent goals in response to everyday, provocative

Creativity and well‐being are popular subjects in psychological and organizational studies. The recent literature presented mixed perspectives about the nature of the relationship between the two. Whereas the mad‐genius hypothesis, which was often explored among eminently creative individuals, seems to imply a negative relationship between the two, trends in the field of creativity, such as everyday

According to much of the extant research, the conferral of high‐status serves as an invaluable muse for creativity. That is, the research has suggested that high‐status affords individuals the confidence, freedom, and leeway necessary to bolster creative performance. However, this assertion is premised on the view that status hierarchies are stable and thereby the conferral of high‐status is irrevocable

The idea of a “creativity crisis” is widely accepted in the creativity and education literature. Its popular interpretation as a decline in creativity across generations originates from Kim’s (2011) influential analysis of the re‐norming data in the Torrance Tests of Creative Thinking (TTCT). The present work offers a critical review and reappraises the findings of Kim (2011), while incorporating new

What good is charitable giving for the giver? While previous research has examined ways of increasing charitable donations of money and their associated emotional benefits, extant studies have overlooked the cognitive consequences of giving for the giver. The present research examines the causal relationship between charitable donation of money and giver creativity. Data from a laboratory experiment

We systematically review the concept and main characteristics of everyday creativity. First, we highlight the fact that a comprehensive definition of everyday creativity is still missing. The evidence reveals that the lack of a single approach for assessing everyday creative outcomes has led to an ambiguous understanding of this concept. Therefore, we propose a complementary perspective to define everyday

In the large literature on creativity and mental illness, relatively few studies have explored anhedonia—impairments in anticipating, seeking, and experiencing rewards. This project explored self‐reported creativity in a sample of adults who differed in depressive anhedonia, determined via face‐to‐face structured clinical interviews. Participants completed measures of everyday creativity (engaging

The current study aimed to investigate whether age, gender, and testing environment may have an effect on children’s creativity in a real‐life setting. Participants included 111 children aged from seven to eleven years. They were given one verbal (Guilford’s Alternative Uses Task) and one figural (Test for Creative Thinking–Drawing Production) creative thinking task either in their everyday classroom

Qualitative research on creativity often highlights the role of accidents in creative process, but there is little research that takes these as its main topic. Perhaps because a model that relies on accidents undermines the meaningfulness of creativity; perhaps because the phenomenon itself is too complex to underwrite an entire research program. This paper suggests the framework of serendipity to

Many studies mention the social valorization of creative individuals. However, previous works show contrasting results concerning both this valorization and the links between creativity and the two dimensions of social judgment (individuals’ warmth and competence). Consequently, we implemented two paradigms classically used when examining the normative features of individuals' traits such as creativity

The present study investigates how emerging/young and established/expert artists create artwork, paying special attention to modifications in the art‐making process. Here, “process modification” is the means by which artists generate new artistic concepts by modifying elements of their previous artwork. To examine whether emerging artists use such modifications in the same manner as experts, we interviewed

In the current investigation, research studies (n = 30) conducted from 1965 to 2018 were synthesized to examine the mathematics achievement–creativity relationship and the range of factors that could have moderated this relationship. The meta‐analysis included sample size of 11,418 and revealed that there was an overall moderate and statistically significant (r = 0.47, p < .05) positive correlation

When individuals engage in divergent thinking, they vary on their Elaboration, or the degree to which they explain and embellish their responses. Although Elaboration has been considered relevant to creativity research for decades, its measurement has remained under‐developed. Here, we leverage technical and methodological perspectives from the text‐mining literature to posit four methods for quantifying

Past research has demonstrated that the hierarchical value structures of creative individuals differ systematically from their less creative counterparts. However, earlier studies used a global creativity score, which is inconsistent with both creativity’s movement toward a domain‐specific viewpoint, and Lebedeva et al.’s 2019 study suggests the relationship between values and the frequency of creative

The present study examines effort in narrative creative writing (operationalized as time‐on‐task) using a new assessment approach, the storyboard task. Participants (N = 125) completed alternate forms of the storyboard task in two sessions five weeks apart. They also completed measures of divergent thinking and self‐reported ideational behavior. Time‐on‐task, story length, and rated creativity scores

Do adolescents remember imaginary companions (ICs) from early childhood? Researchers interviewed 46 adolescent participants in a prospective longitudinal study about their ICs from early childhood (age 5½). The existence of one or more ICs was documented in early childhood for 48% of children (G. Trionfi & E. Reese, 2009). At age 16, most adolescents had forgotten their early childhood ICs: Only 5

Professional and amateur artists seek inspiration from viewing the works of others to enhance their creativity. This paper focuses on inspiration for artistic creation through art viewing by reviewing psychology studies on what types of artwork promote individuals’ inspiration for creation (inspiring artwork) and how they experience inspiration through their art appreciation (the appreciation process)

This study provides insight into the role of expertise in the process of team creativity. Existing process models, that is, the random variation model and the creative synthesis model, either fail to treat team as an independent creative entity or neglect the differentiation in the voice of individual members in team creative process. In contrast, this study recognizes the role of expertise in shaping

Creative behavior can be inhibited by fixation and so reducing fixation is a focus of much creativity research. One of the most common methods of tackling fixation is to warn people of fixation risks and instruct them to avoid constrained problem framing and solution search. However, such treatments are often ineffective. One possible explanation for this is that people typically believe that they

Human creativity finds in artistic practices one of its most admirable forms. Most of the studies about artistic practices have used qualitative approaches, focusing on the conceptual structures conveyed by the artwork. Few studies have used quantitative approaches with the potential to be generalized. This study has focused on developing a quantitative methodology to characterize an artist’s behavioral

The consensual assessment technique (CAT) is a reliable and valid method to measure (product) creativity and often considered the gold standard of creativity assessment. The reliability measure traditionally applied in CAT studies—inter‐rater reliability—cannot capture time‐sampling error, which is a particular relevant source of error for specific applications of the CAT. Therefore, the present study

Divergent thinking (DT) is considered as an indicator of creative potential and a predictor of creative achievement. Furthermore, it is also conceptualized as an indicator of cognitive reserve (CR) in healthy elderly. CR refers to a functional benefit that can potentially offer protection against brain pathologies and is thereby considered a protective factor against cognitive decline. Creativity researchers

This study seeks to uncover the benefits of participating in the act of cooking. The study was conducted in two phases at a mid‐sized private university on the East Coast: First was a phenomenological inquiry (n = 8), followed by a survey (n = 420). Measures included the Ryff scales of psychological well‐being and a survey of cooking attitudes and behaviors. Four distinct qualitative themes were identified

The relationship between conscientiousness and creativity remains equivocal. This is surprising because conscientiousness is a good predictor of job performance across most criteria and occupations. In this longitudinal study, I found support for the achievement striving and the dependability aspects of conscientiousness affecting team member creativity in different ways. Specifically, the achievement

The current exploratory study was designed to examine whether an expert‐generated rating of the creativity of a product and of its darkness‐brightness would both be influenced by the mood of the participants who had created that product. Positive and negative moods of the participants were induced by watching an emotional video, followed by appropriate instrumental music. Our participants were students

The present research investigated personality profiles in early and middle adolescents (N = 168) and compared the emerged profiles by creative ideation, motivational autonomy, and self‐efficacy in self‐regulation. Cluster analyses revealed three profiles: Resilients, Flexibles, and Averages. The personality types described in the literature were only partially replicable. Resilients had low scores

Drawing upon social information processing theory, the study examined how ethical leadership shapes creative performance. Specifically, we tested a theoretical model integrating the sequential roles of psychological safety and creative self‐efficacy. A two‐waved sample of 512 supervisor‐subordinate dyads from frontline employees of three service industries located in Ghana was administered. The results

This article is an ontological investigation of the term creativity, to suggest a model that infuses key philosophical and critical perspectives. This article proposes that creativity has three modes of existence or ways of being in the world: the Visceral (embodiments), the Ideational (mind and conceptual), and the Observational (appreciation, critical, and evaluative). We view creativity synergistically

Creativity is considered to be an embodied concept, where internal psychological and external behavioral processes are intertwined. Creativity enhancement programs often target the cognitive side of this bi‐dimensionality leaving the impact of motor interventions underexplored. To address this gap in the literature, we tested the effectiveness of two motor programs on motor creativity and divergent

This article introduces the Creative Actions Scale (CAS), a Spanish self‐report assessment of individual differences in creative actions. The CAS consists of independent scales that assess the frequency of engagement in everyday creative actions across seven domains: Literature, Plastic Arts and Crafts, Science and Technology, Scenic Arts, Music, Social Participation, and Everyday Creativity. The sample

The equal odds baseline is a parsimonious model that describes the relationship between quantity and quality of output in scientific creativity. Specifically, it is posited that quality is a linear function of quantity, and therefore, strong positive correlations between these two variables are expected. Strong positive correlations also play a crucial role in a recurring issue in divergent thinking

Drawing on self‐determination theory (SDT; E.L. Deci & R.M. Ryan, 1985, 2000) and using corporate samples (N = 284; 63% Male; Mean Age = 34, SD = 6.09) from high‐tech firms in China, this empirical study explored the path model from satisfaction of the basic psychological needs for autonomy, competence, and relatedness, through autonomous motivation to employees' innovative work behavior (“IWB”; J

Two studies investigated the effects of cognitive and school environmental factors on adolescents' creative performance. The first study tested the effects of expected evaluation and cognitive style on creativity among 89 high school students. The second study tested the effects of evaluation type and cognitive style on creativity among 92 high school students. Study 1 found main effects of expected

Functional fixedness involves difficulty with conceptualizing creative object uses. When it obstructs problem‐solving, individuals must reframe their approach. We examined how different training techniques—chunk decomposition (i.e., considering an object’s basic parts and physical properties) and constraint relaxation (i.e., considering an object’s different functions)—might rely upon different routes

This study aims to examine the impact of affective states and affective shifts on ideation and evaluation of creativity. Affects were induced by a two‐stage imagination procedure of recalling autobiographical experiences. Three periods of divergent thinking were measured to represent the participants’ creative ideation at different times. Creative evaluation was measured by estimating the originality

Under conditions of rapid changes in working life, there is an urgent need to examine the nature of creativity and learning in organizations. The aim of this study was to investigate the nature of self‐directed learning (SDL) practices in creative activity in technology‐based work. We focus on both individual and collective practices but also on the importance of organizational culture. The data consist

In a national study of employees across industries (N = 14,645), we examined the role of supervisor emotionally intelligent behavior for employee opportunity to grow, their affect at work, and creativity/innovation at work. Employees reported on their supervisors' emotionally intelligent behavior (perceiving, using, understanding, and managing emotions), and self‐reported about their job experiences

There is increasing recognition of the importance of creativity for social development. The purpose of this study was to investigate whether there were differences among Brazilian and Portuguese women recognized for their creative excellence in relation to the psychological and environmental factors that might impact their achievements. The sample was composed of 33 women; 18 who were socially recognized

In a dynamic labor market, it is important to help people combine information and generate creative solutions to cope with complex career challenges. In the present research, we apply the theory of information structure to creative career idea generation and hypothesize that flat information structures—that is, structures in which the information is disorganized—are more conducive to creativity than

Integrating the dynamic self‐regulatory framework with the motivational self‐regulation perspective, we theorize and test how and when creative self‐efficacy increases individual creativity at the within‐person level. Conceptualizing creative process engagement as a self‐regulation effort, we theorize that creative process engagement mediates the within‐person effect of creative self‐efficacy on individual

Danek and Salvi (The Journal of Creative Behavior, 1–3, 2018) provide a sound overview of research on the relationship between feelings of aha and the accuracy of problem‐solving solutions. However, there are reasons to be cautious in concluding that a characteristic of insightful solutions is their superior accuracy. A relationship between correct solutions and aha experiences clearly exists in the

This study explored the relationship between social media (SM) use and creativity. The data collected from 407 participants included indicators such as time spent using SM, frequency of SM use, purposes for using SM, and the nature of SM use. The data involved two aspects of creativity: ideational behavior and creative activity and accomplishment. Correlational analyses indicate that SM use is positively

The primary objective of this study was to contribute to the growing research discipline investigating the effects of physical exercise on divergent thinking creativity performance. Thirty‐two students participated in this two‐visit, within‐subject intervention. Individuals consented to participate in two randomized, and counterbalanced, experimental conditions, consisting of 15 min of active treadmill

This study investigated the impact of mild shifts in affective tone (i.e., pleasant vs. unpleasant) and arousal (i.e., high vs. low) on three creative processes. Undergraduates read short stories designed to induce affective shifts and then were asked to generate solutions to a complex business problem. Shifts in affective tone and arousal interacted to influence idea generation and implementation

One common self‐assessment of creativity is the Kaufman Domains of Creativity Scale (K‐DOCS). This article provides support for a Turkish translation of the instrument, offering exploratory and confirmatory factor analysis to determine whether the factors were consistent across cultures. The participants consisted of two groups. The first group consisted of 1,260 undergraduate students (912 females

The relationship between creativity and temperament has been well documented in studies with professional artists. This also pertains to affective temperaments which constitute the vulnerability to affective disorders. However, less is known about the contribution of particular temperaments to specific components of creativity, for example, ideational fluency, or originality of thinking. The aim of

This convergent mixed methods study examined the triangulation of self‐rated, quasi‐expert‐rated and verbalized creativity in students enrolled in a year‐long photography program. The quantitative data included self‐report scales in creativity, and ratings of creativity in students’ photography. The qualitative data included student interviews reflecting on their photographs and verbalizing their beliefs