How we perceptually organize a visual stimulus depends not only on the stimulus itself, but also on the temporal and spatial context in which the stimulus is presented and on the individual processing the stimulus and context. Earlier research found both attractive and repulsive context effects in perception: tendencies to organize visual input similarly to preceding context stimuli (i.e., hysteresis

It is widely accepted that face perception relies on holistic processing. However, this holistic advantage is not always found in the processing of the own face. Our study aimed to explore the role of holistic and featural processing in the identification of the own face, using three standard, but largely independent measures of holistic face processing: the face inversion task, the composite face

To reduce the spread of COVID-19, mask wearing has become ubiquitous in much of the world. We studied the extent to which masks impair emotion recognition and dampen the perceived intensity of facial expressions by naturalistically inducing positive, neutral, and negative emotions in individuals while they were masked and unmasked. Two groups of online participants rated the emotional intensity of

We investigated whether morality associated with faces is perceptible even under less optimal visual conditions such as crowding. A facial image was paired with a sentence describing an immoral act or a neutral act. Participants imagined the person performing the actions described in the sentence during the learning phase. Then, in the crowding phase, the target face was briefly presented in the left

Wearing face masks in public has become the norm in many countries post-2020. Although mask-wearing is effective in controlling infection, it has the negative side effect of occluding the mask wearer’s facial expressions. The purpose of this study was to investigate the effects of wearing transparent masks on the perception of facial expressions. Participants were required to categorize the perceived

Some researchers argue that holistic processing is unique to face recognition supported by the face inversion effect. However, findings such as the body inversion effect challenge the face processing-specificity hypothesis, thus supporting the expertise hypothesis. Few studies have explored a possible hand inversion effect which could involve special processing similar to the face and body. We conducted

Reportedly, some chromatic adaptations have extremely short temporal properties, while others have rather long ones. We aimed to dynamically measure the transition of a neutral point as an aftereffect during chromatic adaptation to understand the temporal characteristics of chromatic adaptation. The peripheral retina was exposed to a yellow light to progress color adaptation, while the transition of

An ecological approach to binocular vision was already demonstrated in Wheatstone's initial stereograms and was explicitly called for by J. J. Gibson, but detailed analysis and experimentation supporting this approach has been more recent. This paper discusses several aspects of this more recent research on environmentally occurring spatial layouts that can influence binocular vision. These include

One of the unresolved questions in multisensory research is that of automaticity of consistent associations between sensory features from different modalities (e.g. high visual locations associated with high sound pitch). We addressed this issue by examining a possible role of selective attention in the audiovisual correspondence effect. We orthogonally manipulated loudness and pitch, directing participants’

This study focuses on the analysis of the cross-modal effects between sight (color) and smell (fragrance). While most previous researches have studied the harmony of color and fragrance using small-field colors such as patches and display stimuli, this study analyzes harmony in lighting environments. In our experiments, we focused on the finding that emotional states manifest themselves in responses

There has long been interest in the nature of the relationship(s) between hue and pitch or, in other words, between colour and musical/pure tones, stretching back at least as far as Newton, Goethe, Helmholtz, and beyond. In this narrative historical review, we take a closer look at the motivations that have lain behind the various assertions that have been made in the literature concerning the analogies

In Western music and in music of other cultures, minor chords, modes and intervals evoke sadness. It has been proposed that this emotional interpretation of melodic intervals (the distance between two pitches, expressed in semitones) is common to music and vocal expressions. Here, we asked expert musicians to transcribe into music scores spontaneous vocalizations of pre-verbal infants to test the hypothesis

Perceptual science is important to understand how humans and other animals perceive and experience scenes, objects and events. So, it is the essential science to predict how we construct reality and our Umwelt. We learn from perceptual phenomena that we only need a minimal amount of information to create rich worlds of imagination and perception. As such, perception is the perfect analogue to what

Since the Renaissance, different line types have been distinguished by artists and art theorists. However, it took another hundreds of years until the British artist William Hogarth attributed different degrees of beauty to them. Particularly, in his book “The Analysis of Beauty” (1753) he depicted seven waving lines, declared line number 4 as the most beautiful, and called it the “line of beauty”

Crossmodal correspondences refer to the fact that certain domains of features in different sensory modalities are associated with each other. Here, we investigated the crossmodal correspondences between speech sounds and visual shapes. Specifically, we tested whether the classification dimensions of English vowels (front–central–back) and consonants (voiced–voiceless, sonorant–obstruent, and stop–continuant)

In computer-mediated communication, emoticons are conventionally rendered in yellow. Previous studies demonstrated that colors evoke certain affective meanings, and face color modulates perceived emotion. We investigated whether color variation affects the recognition of emoticon expressions. Japanese participants were presented with emoticons depicting four basic emotions (Happy, Sad, Angry, Surprised)

Recent studies claim that estimating the magnitude of the spatial and temporal aspects of one's self-motion shows similar characteristics, suggesting shared processing mechanisms between these two dimensions. While the estimation of other magnitude dimensions, such as size, number, and duration, exhibits negative aftereffects after prolonged exposure to the stimulus, it remains to be elucidated whether

Many objects in our visual environment will appear to us either as a consequence of “intelligent” design—the purposeful action of an animal mind—or as a consequence of self-organization in response to nature's forces—for example, wind or gravity. Here, the origin of this distinction is studied by collecting human judgements about skeletal representations of objects, that reduce objects to their basic

Adaptive control (e.g., conflict adaptation) refers to dynamic adjustments of cognitive control processes in goal-directed behavior, which can be influenced by incentive rewards. Recently, accumulating evidence has shown that adaptive control processes can operate in the absence of conscious awareness, raising the question as to whether reward can affect unconsciously triggered adaptive control processes

The notion of harmony was first developed in the context of metaphysics before being applied to the domain of music. However, in recent centuries, the term has often been used to describe especially pleasing combinations of colors by those working in the visual arts too. Similarly, the harmonization of flavors is nowadays often invoked as one of the guiding principles underpinning the deliberate pairing

The visual system can recover 3D information from many different types of visual information, e.g., contour-drawings. How well can people navigate in a real dynamic environment with contour-drawings? This question was addressed by developing an AR-device that could show a contour-drawing of a real scene in an immersive manner and by conducting an observational field study in which the two authors navigated

Vision of the body without task cues enhances tactile discrimination performance. This effect has been investigated only with static visual information, although our body usually moves, and dynamic visual and bodily information provides ownership (SoO) and agency (SoA) sensations to body parts. We investigated whether vision of body movements could enhance tactile discrimination performance. Participants

This paper reports on the deterioration in sound-localization accuracy during listeners’ head and body movements. We investigated the sound-localization accuracy during passive body rotations at speeds in the range of 0.625–5 °/s. Participants were asked to determine whether a 30-ms noise stimuli emerged relative to their subjective-straight-ahead reference. Results indicated that the sound-localization

Visual perception involves spatially and temporally coordinated variations in diverse physical systems: environmental surfaces and symbols, optical images, electro-chemical activity in neural networks, muscles, and bodily movements—each with a distinctly different material structure and energy. The fundamental problem in the theory of perception is to characterize the information that enables both

Attention contains three functional network subcomponents of alerting, orienting, and executive control. The attention network test (ANT) is usually used to measure the efficiency of three attention subcomponents. Previous researches have focused on examining the unimodal attention with visual or auditory ANT paradigms. However, it is still unclear how an auditory stimulus influences the visual attention

Retinal painting, anorthoscopic perception and amodal completion are terms to describe visual phenomena that highlight the spatiotemporal integrative mechanisms that underlie primate vision. Although commonly studied using simplified lab-friendly stimuli presented on a computer screen, this is a report of observations made in a novel real-world context that highlight the rich contributions the mechanisms

People associate information with different senses but the mechanism by which this happens is unclear. Such associations are thought to arise from innate structural associations in the brain, statistical associations in the environment, via shared affective content, or through language. A developmental perspective on crossmodal associations can help determine which explanations are more likely for

The concept of optic flow, a global pattern of visual motion that is both caused by and signals self-motion, is canonically ascribed to James Gibson's 1950 book “The Perception of the Visual World.” There have, however, been several other developments of this concept, chiefly by Gwilym Grindley and Edward Calvert. Based on rarely referenced scientific literature and archival research, this article

Recognizing familiar faces requires a comparison of the incoming perceptual information with mental face representations stored in memory. Mounting evidence indicates that these representations adapt quickly to recently perceived facial changes. This becomes apparent in face adaptation studies where exposure to a strongly manipulated face alters the perception of subsequent face stimuli: original,

Following superior parietal lobule and intraparietal sulcus (SPL-IPS) damage, optic ataxia patients underestimate the distance of objects in the ataxic visual field such that they produce hypometric pointing errors. The metrics of these pointing errors relative to visual target eccentricity fit the cortical magnification of central vision. The SPL-IPS would therefore implement an active “peripheral

The present study aims to explore the influence of masculine/feminine changes on the attractiveness evaluation of one's own face, and examine the relationship of this attractiveness evaluation and the similarities between masculine/feminine faces and original faces. A picture was taken from each participant and considered as his or her original self-face, and a male or female face with an average attractiveness

Perspective space has been introduced as a computational model of visual space. The model is based on geometric features of visual space. The model has proven to describe a range of phenomena related to the visual perception of distance and size. Until now, the model lacks a mathematical description that holds for complete 3D space. Starting from a previously derived equation for perceived distance

Individual differences in colour perception, as evidenced by the popular debate of “The Dress” picture, have garnered additional interest with the popularisation of additional, similar photographs. We investigated which colorimetric characteristics were responsible for individual differences in colour perception. All objects of the controversial photographs are composed of two representative colours

Binocular rivalry has a longer descriptive history than stereoscopic depth perception both of which were transformed by Wheatstone's invention of the stereoscope. Thereafter, artistic interest in binocular vision has been largely confined to stereopsis. A brief survey of research on binocular contour rivalry is followed by anaglyphic examples of its expression as art. Rivalling patterns can be photographs

Weber's law states that our ability to detect changes in stimulus attributes decreases linearly with their magnitude. This principle holds true for many attributes across sensory modalities but appears to be violated in grasping. One explanation for the failure to observe Weber's law in grasping is that its effect is masked by biomechanical constraints of the hand. We tested this hypothesis using a

Fashion stylists advise clothing colours according to personal categories that depend on skin, hair and eye colour. These categories are not defined scientifically, and advised colours are inconsistent. Such caveats may explain the lack of formal tests of clothing colour aesthetics. We assessed whether observers preferred clothing colours that are linked to variation in melanin levels among White women

Gibson formulated an approach to goal-directed behavior using prospective information in the context of visually guided locomotion and manual behavior. The former was Gibson's paradigm case, but it is the rapidity of targeted reaching that has provided the special challenge for stable control. Recent treatments of visually guided reaching assume that internal forward models are required to generate

A previous study reported the unique finding that people tapping a beat pattern with the right hand produce larger negative synchronization error than when tapping with the left hand or other effectors, in contrast to previous studies that have shown that the hands tap patterns simultaneously without any synchronization errors. We examined whether the inter-hand difference in synchronization error

Faces undergo massive changes over time and life events. We need a mental representation which is flexible enough to cope with the existing visual varieties, but which is also stable enough to be the basis for valid recognition. Two main theoretical frameworks exist to describe facial representations: prototype models assuming one central item comprising all visual experiences of a face, and exemplar

The visual system represents textural image regions as simple statistics that are useful for the rapid perception of scenes and surfaces. What images ‘textures’ are, however, has so far mostly been subjectively defined. The present study investigated the empirical conditions under which natural images are processed as texture. We first show that ‘texturality’ – i.e., whether or not an image is perceived

In the early 19th century, William H. Wollaston impressed the Royal Society of London with engravings of portraits. He manipulated facial features, such as the nose, and thereby dramatically changed the perceived gaze direction, although the eye region with iris and eye socket had remained unaltered. This Wollaston illusion can be thought of as head orientation attracting perceived gaze direction when

In his extensive writing about pictures, James J. Gibson offered perspective formulae for square tiles projecting trapezoids onto a picture plane, foreshortening to zero height with distance. I reverse the claim: as distance decreases, the trapezoids increase to infinite height, in marginal distortion, or forelengthening. I also reverse the direction of projection. Usually considered to be incoming

Serial dependence effects have been observed using a variety of stimuli and tasks, revealing that the recent past can bias current percepts, leading to increased similarity between two. The aim of this study is to determine whether this temporal integration occurs in egocentric or allocentric coordinates. We asked participants to perform an orientation reproduction task using grating stimuli while

In urban environments, humans often encounter other people that may engage one in interaction. How do humans perceive such invitations to interact at a glance? We briefly presented participants with pictures of actors carrying out one of 11 behaviors (e.g., waving or looking at a phone) at four camera-actor distances. Participants were asked to describe what they might do in such a situation, how they

The matching of scents with music is both one of the most natural (or intuitive) of crossmodal correspondences and, at the same time, one of the least frequently explored combinations of senses in an entertainment and multisensory experiential design context. This narrative review highlights the various occasions over the last century or two when scents and sounds have coincided, and the various motivations

Many metallic visual stimuli, especially the so-called precious metals, have long had a rich symbolic meaning for humans. Intriguingly, however, while metallic is used to describe sensations associated with pretty much every sensory modality, the descriptor is normally positively valenced in the case of vision while typically being negatively valenced in the case of those metallic sensations that are

George Mather

A single experiment is reported that measured the apparent stereoscopic shapes of symmetric and asymmetric objects at different viewing distances. The symmetric stimuli were specifically designed to satisfy the minimal conditions for computing veridical shape from symmetry. That is to say, they depicted complex, bilaterally symmetric, plane-faced polyhedra whose symmetry planes were oriented at an

This study explored the interaction between visual metacognitive judgments about others and cues related to the workings of System 1 and System 2. We examined how intrinsic cues (i.e., saliency of a visual change) and experience cues (i.e., detection/blindness) affect people’s predictions about others’ change detection abilities. In Experiment 1, 60 participants were instructed to notice a subtle and

There has long been interest in both the tonic and phasic release of scent across a wide range of entertainment settings. While the presentation of semantically congruent scent has often been used in order to enhance people’s immersion in a particular context, other generally less successful attempts have involved the pulsed presentation of a range of scents tied to specific events/scenes. Scents have

Wearing face masks has become a usual practice in acute infection events inducing the problem of misinterpreting the emotions of others. Empirical evidence about face masks mainly relies on adult data, neglecting, for example, school kids who firmly are dependent on effective nonverbal communication. Here we offer insights from a joint school–university project. Data indicate that emotional reading

Earlier work on self-face processing has reported a bias in the processing of self-face result in faster response to self-face in comparison to other familiar and unfamiliar faces (termed as self-face advantage or SFA). Even though most studies agree that the SFA occurs due to an attentional bias, there is little agreement regarding the stage at which it occurs. While a large number of studies show

Chills experienced in response to music listening have been linked to both happiness and sadness expressed by music. To investigate these conflicting effects of valence on chills, we conducted a computational analysis on a corpus of 988 tracks previously reported to elicit chills, by comparing them with a control set of tracks matched by artist, duration, and popularity. We analysed track-level audio

The Colavita effect refers to the phenomenon wherein people tend to not respond to an auditory stimulus when a visual stimulus is simultaneously presented. Although previous studies have shown that endogenous modality attention influences the Colavita effect, whether the Colavita effect is influenced by endogenous spatial attention remains unknown. In the present study, we established endogenous spatial

Hermann von Helmholtz was born 200 years ago, but his influence on vision research is enduring. His legacy in vision is celebrated visually with anaglyphs that combine portraits of him with illustrations from his publications. Emphasis is directed principally to his Treatise on Physiological Optics. Among the optical instruments Helmholtz invented were the ophthalmoscope, ophthalmometer, and telestereoscope

J. J. Gibson's ground theory of space perception is contrasted with Descartes’ theory, which reduces all of space perception to the perception of distance and angular direction, relative to an abstract viewpoint. Instead, Gibson posits an embodied perceiver, grounded by gravity, in a stable layout of realistically textured, extended surfaces and more delimited objects supported by these surfaces. Gibson's

Here, we introduce and explore Scintillating Starbursts, a stimulus type made up of concentric star polygons that induce illusory scintillating rays or beams. We test experimentally which factors, such as contrast and number of vertices, modulate how observers experience this stimulus class. We explain how the illusion arises from the interplay of known visual processes, specifically central versus

Wearing a sanitary mask tended, in the main, to reduce the wearer’s sense of perceived facial attractiveness before the COVID-19 epidemic. This phenomenon, termed the sanitary-mask effect, was explained using a two-factor model involving the occlusion of cues used for the judgment of attractiveness and unhealthiness priming (e.g., presumed illness). However, these data were collected during the pre-COVID-19

Olfaction, the sense of smell, is characterized by a notable age-dependency such that aging individuals are more likely to have poor olfactory abilities. These impairments are considered to be mostly irreversible and as having potentially profound effects on quality of life and food behavior, as well as constituting warning signs of mortality, cognitive dysfunction, and dementia. Here, we review the

Corrigendum to “Smells Influence Perceived Pleasantness but Not Memorization of a Visual Virtual Environment”