(2021). The Politics of Diversity in Music Education. Music Education Research. Ahead of Print.

ABSTRACT This study deals with the meaning that musicians and non-musicians attach to two contemporary railway noise compositions as conveyed through verbal and audio-graphic responses. The purpose of this mixed-method study was twofold: (1) to examine similarities and differences between musicians and non-musicians in their responses to contemporary train-noise music; (2) to explore the effect of

ABSTRACT The purpose of this case study was to examine the perspectives of three Black instrumental music students related to their experiences attending a predominantly white summer music camp for high school students in the United States. Analysed through a conceptual model of culturally responsive teaching in music, data sources included semi-structured interviews with individual participants, a

ABSTRACT This article argues that coloniality is an ongoing feature of university music education in Nigeria. It uses a multiple colonialisms framework in exploring Nigerian higher music education systems as historical and contemporary sites of colonialism within which Nigerian universities engage in music knowledge generation to reach this conclusion. It relies on information gleaned from scholarly

ABSTRACT Entrepreneurship mostly occurs in business studies after general education. This study considers how the informant, Anna, first identified herself as a young music hobbyist, then as a musician and music teacher, and finally as an entrepreneur in music. The main question driving this narrative study is, ‘How might identity formation processes as a musician and a music teacher influence identity

ABSTRACT Our study examines the impact of student performance level, student gender and content matter on the verbal strategies (literal language, technical instruction and images and metaphors) teachers use in guitar masterclasses. After recording and transcribing 60 guitar masterclasses, of which 40 were selected for the final sample, we operationalised the variables as follows: independent judges

ABSTRACT Our study explored how adolescents’ experiences and musical preferences might relate to musical identity, and the likelihood of engaging in musical activities as adults. Participants were 170 first-year university students, both music majors and non-music majors. A questionnaire collected participants’ responses regarding beliefs about music, as well as self-reported ratings of musicality

ABSTRACT Sweden’s Art and Music Schools (SAMS) have assumed some responsibility for facilitating refugee children’s social inclusion. This article investigates how the inclusion of refugee children in SAMS is introduced by leaders as well as how the theme is constructed and addressed as a topic in policy documents (related to the national policy process for SAMS). Two data sets constitute the empirical

ABSTRACT Equity issues in the field of arts and culture play an important role when it comes to extracurricular activities in education. Students with special educational needs (SEN) seem not provided with equal access. Using nation-wide random samples of fourth- and fifth-graders courtesy of the German National Education Panel Study (NEPS), the main analysis compares the amount of extracurricular

ABSTRACT Learning how to actively theorise music is a complex process which is challenging to observe and describe for teachers, students and researchers. In this study, we explore the potential of a mixed-methods research design for understanding how theorising is developed and how the different methodological approaches used in the study can improve our understanding of precollege students’ experiences

ABSTRACT This article examines the perspectives and feelings of children in the first two years of a music workshop developed with pupils from a state school in northern Portugal. The study followed a participatory action research design, with data including field notes, two group interviews with the children, children’s artefacts, such as texts or paintings, and their musical compositions. The results

ABSTRACT The global COVID-19 pandemic has disrupted music education across the world, resulting in radical changes to the field of practice, accelerating a ‘turn’ toward online digital musical experiences. This digital ‘turn’ is likely to influence the future of music education in a variety of complex and inter-connected ways. In this special issue, we explore the implications of such a ‘turn’ for

ABSTRACT COVID-19 caused an essential confinament in order to limit its expansion. Globally, this led to a reconsideration of education processes. The study’s purpose is to analyse how compulsory education music teachers in Spain adapted. To gather the data, 335 teachers were surveyed. The participants preferred to continue teaching in most cases. However, this situation forced them into an adaptation

ABSTRACT Turino’s ([2008]. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press.) distinctions between live and recorded fields can act as an effective framework for furthering academic understandings of how music teaching and learning has been impacted by the shift to online musical practice due to COVID-19 pandemic restrictions. This study investigates the effect

ABSTRACT This holistic multiple-case study sought to examine how students’ learning changes when transitioning from face-to-face to online instrumental lessons in a one-to-one setting. Specifically, as this was a pilot research, it explored the students’ sight-reading, aural skills, lesson engagement, and motivation to practice. The participants interviewed in this study were ten young, London-based

ABSTRACT As of February 2020, 2119 people of all ages attended early childhood music or music therapy, played and sang in ensembles, or took lessons at two Community Music Schools. On March 13, both facilities closed due to the COVID-19 outbreak, and all activities shifted online. The purpose of this instrumental case study was to examine practical and relational experiences and perspectives regarding

ABSTRACT This article aims to present how music teachers in Sweden used the facebook group Musiklärarna in the first two months of the COVID-19 pandemic (March andApril, 2020) to cope with challenges related to teaching music. The study is based on Biesta’s perspective on the teacher profession. With the consent of the participants, we have analysed the 303 posts (and their comments) that directly

ABSTRACT The global pandemic crisis has significantly affected music educators around the world. In Australia, higher education institutes and schools had to swiftly move from face-to-face teaching to online classes. The authors draw on narrative reflection to show key challenges and opportunities that have affected their teaching in Melbourne. Author one (Dawn) works in initial teacher education programmes

ABSTRACT The spread of COVID-19 rapidly altered the way music teachers deliver instruction. Now instead of interacting face to face with their students in a classroom setting, instructors often have to teach their students remotely. This sudden transition from in-person to remote learning presents numerous challenges that require a rethinking of established teaching practices. Peer mentoring, for example

ABSTRACT Across the globe, many countries are at a nexus of multiple crises. The COVID-19 pandemic, structural racism, the climate crisis, and a severe economic downturn have all converged. These crises have wreaked havoc on minoritized communities in particular. This moment requires imagination to write a different future – to not return to the status quo. Imagination becomes crucial for fathoming

ABSTRACT In this third and final paper from the Delphi study One Direction, we report on participants’ responses to four secondary school music curriculum scenarios. These scenarios present four possible directions for a C21 secondary school music curriculum. The scenarios were devised from a combination of ideas derived from the data from the earlier stages of the study (McPhail, G., and J. McNeill

ABSTRACT The purpose of this research was to explore how five White preservice teachers described working with predominantly Black student populations in city school music classrooms. Participants with prior K-12 school music experience in primarily White public and private school settings were assigned to student teaching placements in a city school district in the United States. Using critical race

ABSTRACT During an investigation into learning in professional orchestral performance, space and place was observed to be important to the musicians’ development of orchestral practices. Emplacement is advanced here as a useful concept to explain this spatial aspect of orchestral performance knowledge. Originating in sensory ethnographic research, emplacement refers to the process of construing cultural

ABSTRACT This article presents the results of a survey among rectors of schools of music and performing arts in Norway. The aim was to map the schools’ offerings in terms of musical genres and related instruments and ensembles, and to determine how the availability of different genres was distributed demographically and geographically. A questionnaire including structured and open-ended questions was

ABSTRACT There has been a growing realisation in social justice literature that there are barriers to music teaching and learning, privileging certain musics and certain people. Recent writings suggest that practice-near perspectives may provide valuable insights into the particularities and complexities of social (in)justice within music education. Despite that, the use of action research and autoethnography

ABSTRACT Motivation is a crucial aspect of learning, particularly in the field of music. For decades, motivation for learning music has been a much-discussed subject, and yet its influence still remains a convoluted issue. This study systematically analyses peer-reviewed English language studies, according to PRISMA guidelines, in order to understand how children’s and adolescents’ motivation to learn

(2021). Music education for social change: constructing an activist music education. Music Education Research: Vol. 23, No. 1, pp. 125-127.

ABSTRACT The present paper reports data from an original qualitative study that investigates how music students reacted to novel remote teaching strategies that emerged during the COVID-19 pandemic. A population of twenty learners enrolled at an Italian conservatory responded to an open-ended survey, verbalising their recent learning experiences concerning three complementary aspects of their everyday

ABSTRACT Experiential learning is one of the main characteristics found in the new Cypriot curriculum. The aim of this paper is to investigate teachers’ implementation of experiential learning in their music classrooms and their students’ perceptions of the new Cypriot music curriculum in relation to experiential learning. Interviews with eight music teachers and eight focus groups with a total of

ABSTRACT Experiential learning is one of the main characteristics found in the new Cypriot curriculum. The aim of this paper is to investigate teachers’ implementation of experiential learning in their music classrooms and their students’ perceptions of the new Cypriot music curriculum in relation to experiential learning. Interviews with eight music teachers and eight focus groups with a total of

ABSTRACT Vocal training is a specialist, multidisciplinary subject area that helps individuals to develop the behaviours and skills to utilise their voices effectively, properly and pleasantly based on abstract narration. Vocal trainers use abstract concepts in order to make corrective interventions during vocal training, and aim to create associations through imagery. This qualitative study aims to

ABSTRACT During an investigation into learning in professional orchestral performance, space and place was observed to be important to the musicians’ development of orchestral practices. Emplacement is advanced here as a useful concept to explain this spatial aspect of orchestral performance knowledge. Originating in sensory ethnographic research, emplacement refers to the process of construing cultural

ABSTRACT This article presents the results of a survey among rectors of schools of music and performing arts in Norway. The aim was to map the schools’ offerings in terms of musical genres and related instruments and ensembles, and to determine how the availability of different genres was distributed demographically and geographically. A questionnaire including structured and open-ended questions was

ABSTRACT Since the school year 2006/2007 in Croatian primary schools the music teaching programme has been an open model. According to the open model, listening to music is the default activity, while other activities are selected by the teachers. The teaching area of listening to music in pupils develops the ability of auditory concentration, hearing specifications, analysis of the listened work and

(2020). An ecology of musical livelihoods. Music Education Research: Vol. 22, Special Issue : An ecology of musical livelihoods: from higher education training and beyond, Edited by Donna Weston, pp. 491-494.

ABSTRACT When discussing any livelihood, a key consideration is monetary support. This is of particular concern for music livelihoods, as many art music organisations rely on external sources of funding. As both public and private funding levels are influenced by myriad factors and thus often change, this case study has been undertaken to investigate and document the current funding environment for

ABSTRACT Neoliberal education policies – viewing students’ life as human capital, economic investment for the labour market and consumer power – may increase students’ workload in higher education. In this mixed methods study, we examined music students’ experiences of workload in Finland and the United Kingdom in connection with stress and livelihoods. We used Bayesian mixed effects ordinal probit

ABSTRACT A survey of 80 graduates of an Australian popular music degree revealed that graduates had a deep understanding of the value of soft skills to their employability and musical livelihoods. Soft skills are defined here as interpersonal and intrapersonal transferrable skills such as effective collaboration and communication, as opposed to the hard skills related to the technical requirements

ABSTRACT The focus on graduate employability for Creative Industries has tended to overlook the significance of the education sector as a destination. This article makes a case for the educational logic of music careers considered as an example of the developmental agenda embedded in the concept of ‘culture’. It further supports this account by looking at longitudinal graduate destination data in both

ABSTRACT The complex realities of musicians’ portfolio careers highlight the need for research on musicians’ wellbeing. Musicians may include community work within their portfolio such as the facilitation of singing groups for health and wellbeing. Until recently, research on these groups has focused primarily on health and wellbeing outcomes for group participants with little discussion of these factors

ABSTRACT Investigations pertaining to career trajectories and vocational identities of professional classical Australian singers are uncharted and lack specific empirical evidence. Rarely do studies explain the professional singers’ experiences and the processes they undertook to reach goals, to comprehend their deep identification with the craft, and acknowledge the specific market conditions which

ABSTRACT This study presents an investigation into the multiple and often marginalised ways of being, knowing, educating, and performing the complex identity of migrant musicianship. It examines the lived experiences of migrant musicians in South East Queensland and is based on the premise that cultural diversity as experienced through music creates value in ways that are complex, particularly in the

ABSTRACT While it could be argued that musicians have been long conditioned to the current Volatile, Uncertain, Complex and Ambiguous (VUCA) global environment, it appears the recent challenges are testing even the most resilient and adaptable, causing one to question future professional sustainability. The methodological practice of Strategic Foresight and the use of Hajkowicz’s Global Megatrends

ABSTRACT As information and communication technologies (ICT) have been rapidly developed, the computers and internet are widely used in many fields. The purpose of this study was to examine music teachers’ experiences and perceptions of blended learning in elementary music classes. Using a multiple case study method, I observed four elementary music teachers in different schools located in Seoul, South

ABSTRACT This study aims to explore the long-term impacts of primary music education in a progressive school in Tokyo where cooperative learning, democratic decision making, and mutual sharing of interests and purposes by students form the pedagogical basis. Establishing a causal relationship between music learning and its impact in later life is a challenging task, due to many confounding factors

ABSTRACT In Spain, teacher education is regulated on a national level in conjunction with the guidelines that organise general educational levels. Each regional teaching administration nevertheless has a considerable margin to modify those guidelines: universities have a significant influence on how their syllabus is specified. Taking into account the regulation of Early Childhood Education as a career

ABSTRACT Mental health is a crucial aspect of overall wellbeing, and anxiety and depression among graduate students have become grave concerns. This study aimed to determine whether listening to music can help graduate students to reduce their depression levels. For the experiment, 1,007 participants were selected from several universities in Guangxi, of which 56 completed the experiment. The participants

ABSTRACT The purpose of this instrumental case study was to explore music student teachers’ perceptions of their professional identities. Participants were five music student teachers from an institution in the United States. I used two frameworks to explore, analyse, and interpret participants’ perceptions. Data included interviews, field notes, and work products from student teacher seminar. Analysis

(2021). Winding it back: teaching to individual differences in music classroom and ensemble settings. Music Education Research: Vol. 23, No. 1, pp. 123-124.

ABSTRACT This study aims to establish whether music teachers feel isolated at the workplace or not because only one music teacher is part of teaching staff in a primary school by reasons linked to the limited school budget. A nonexperimental quantitative research design was utilised in this study because two psychological scales have been applied, considering a random cluster sample, which is understood

ABSTRACT This paper reports on the second stage of an international study exploring the future of secondary school music education. Within a discursive context that tends to regard music education as failing to meet the needs of many students, we instigated a three-step Delphi study to capture views from educators across the English-speaking world. Interviews with leading music education researchers

ABSTRACT This study focuses on listeners’ form perception as they encounter Western concert music. The general aim was to investigate college music students’ form perception as they listen to five long-range concert works of different styles, all analyzed by the author as having an overall ternary ABA’ arch-form. Five groups of college music students (N=126) listened respectively to five ternary arch-form

ABSTRACT Almost twenty years ago, the question of ‘How popular musicians learn’ (Green, [2002]. How popular musicians learn: A way ahead for music education. Hants, England: Ashgate Publishing Limited) catalyzed a paradigm shift in music education and music teacher education bringing informal teaching and learning strategies to the fore. In this article, the author argues that a new paradigm-shifting

ABSTRACT Music sight-reading is a valuable skill that eludes and frustrates many musicians. Techniques for teaching sight-reading are varied, with teachers mostly falling back on personal experience or simply hoping that, somehow, the penny will drop for the student. This study reports on a survey of the music learning and playing habits of expert and non-expert piano sight-readers. Pianists were categorised

ABSTRACT The purpose of this study was to investigate the relational changes between music performance anxiety (MPA), self-efficacy, performance quality, and behavioural anxiety in five adolescent piano students over a six-week intervention. Additionally, the study explored the effects of a positive self-review self-modelling intervention on adolescent musicians. Self-report measures, performance evaluations

ABSTRACT Music self-concept measurement tools are essential at all music educational levels in all contexts. Until now, the lack of a validated music self-concept questionnaire in Spanish-speaking countries has been noticeable. The aim of this study is to validate the Musical Self-Concept Questionnaire (CAMU) (Zubeldia, M. 2015. El autoconcepto musical, motivación y bienestar psicológico del alumnado

ABSTRACT This study is a qualitative insider-researcher investigation into aspects of social development that emerged through collaborative music practice with young people aged 16–25. The work took place in the Welsh capital, Cardiff, as part of a UK-national funded project facilitated by a major radio station. The data includes observations of rehearsals and other group activities both during, before

ABSTRACT The aim of this research was to give insight into the perceived impact of psychosocial, environmental and cultural conditions on playing-related discomfort/pain among tertiary string students. Participants, including 40 Bachelor of Music string majors at a music institution in Australia, completed questionnaire/interviews twice yearly for the duration of their programme. This article focuses

ABSTRACT This study examines group robotics’ impacts on elementary students’ attitudes toward music, attitudes toward group work, and music composition when they are composing music via a robotics platform in collaborative and cooperative groups. One hundred ninety-one students in fourth and fifth grades completed the music composing project over the course of fourteen weeks for one hour each week

ABSTRACT Reflective practice is seen as a method for professional growth and lasting learning outcomes, but what this means in the context of Higher Music Education (HME) has not received sufficient attention. This paper explores how reflection is ontologised and justified as part of performing musicians’ education. The data utilised derive from a comprehensive project investigating how processes of