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The Ancient Greek Utopia of C. A. Ehrensvärd’s Drawings of His Life Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-03-20 Ville Hakanen
The late-eighteenth-century Swedish intellectual C. A. Ehrensvärd visualised his life and relationships in drawings that often represent their modern protagonists as ideal figures from classical ar...
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The Divine Role of the Diadem in Rubens’s Marie de’ Medici Cycle Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-03-04 Kristina af Klinteberg
In the 24 paintings for the French Queen Marie de’ Medici, painted by Peter Paul Rubens 1622−1625, historic facts are depicted in the shape of mythological gods and symbols resulting in allegorical...
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Kyrkliga kulturarv i en ny tid. Samlade studier och reflektioner Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-02-28 Lena Liepe
Published in Konsthistorisk tidskrift/Journal of Art History (Ahead of Print, 2024)
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The Flesh of History – Re-Enlivening the History of Textile Industries Through the Work of Kristina Müntzing Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-01-19 Erika Larsson
Swedish artist Kristina Müntzing physically engages with archives of textile industries through manipulating, enlarging, fragmenting and re-constructing (re-weaving) photographs that she finds, as ...
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Seeing Red: Menstrual Art and Political Portraiture in the Trump Era Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-01-19 Camilla Mørk Røstvik
In the middle of the 2015 United States presidential election race, artist Sarah Levy made a portrait of candidate Donald Trump with her menstrual blood. The work referenced Trump’s comments about ...
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An intellectual biography on Felix Horb, a Viennese émigré and art historian in Stockholm Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-01-19 Charlotta Krispinsson
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 4, 2023)
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Spiritual transcendence and androgyny within Swedish and Finnish transnational Symbolism Konsthistorisk tidskrift/Journal of Art History Pub Date : 2024-01-19 Marja Lahelma
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 4, 2023)
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An Era in Jinling: Game Interactive Heritage Digital Art Exhibition Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-12-26 Zhiqiang Yang, Xiangyun Shi, Wangming Hu, Gulong Wang, Tao Peng
The ‘An Era in Jinling’ Heritage Digital Art Exhibition, which focuses on the interactive virtual reality game environment created by the audience's experience, is an immersive digital art exhibiti...
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Från Flux till Fest, Den internationella konsten i Lunds konsthall 1965-1967 Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-09-06 Thomas Millroth
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 3, 2023)
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Instruments of Devotion in Close Bodily Contact – Jewellery, Costume Details and Other Personal Belongings in Relation to Late Medieval Piety Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-08-24 Stina Fallberg Sundmark
Late medieval personal belongings such as jewellery, costume details, weapons and tools are sometimes provided with direct and indirect prayers for help and protection, images of Christ and saints ...
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Menneske og drømmemaskine. Posthumane myteskabelser om AI hos Amalie Smith Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-08-13 Joachim Aagaard Friis
In the present article, I analyse the process of making the artwork Machine Learning I II III (2018) by Danish artist Amalie Smith to examine how it conceptualizes a posthuman myth about computer v...
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Portrait Exchange Between Stockholm and Vienna and the Formation of Gustav III’s Round Salon at Gripsholm Castle Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-08-13 Michael Yonan
This article analyzes the origins of an important artistic commission in eighteenth-century Sweden, the so-called Round Salon (Runda Salongen) at Gripsholm Castle, a room decorated with portraits o...
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Literature Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-07-30 Dan Karlholm
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 3, 2023)
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Interpreting Art Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-06-16 Charlotta Krispinsson
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 3, 2023)
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Colonial Objects in Early Modern Sweden and Beyond. From the Kunstkammer to Current Museum Crisis Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-30 Siv Rasmussen
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 2, 2023)
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Becoming Artists: Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880s Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-29 Martin Olin
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 3, 2023)
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Mobility, materiality, and memory: Silas Sandgreen and the construction of Kalaallit cartography in the 1920s Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-27 Isabelle Gapp, Bart Pushaw
Summary In 1925, Silas Sandgreen sent a map to the Library of Congress in Washington, D.C. Instead of ink on paper, Sandgreen’s map featured strands of sinew binding painted driftwood islands to an animal hide, articulating the islands Kitsissut and Imerissoq of Disko Bay off the western shore of Kalaallit Nunaat. In the near century since its completion, the map’s materials have become indexical of
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Institutional Acknowledgements: Introduction to the Special Issue ‘The Art of Nordic Colonialism’ Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-22 Mathias Danbolt, Bart Pushaw
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 2, 2023)
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Traveling Images: On Carl Rasmussen’s “Greenland Paintings” Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-18 Anna Vestergaard Jørgensen
Abstract In 1870–71, the Danish painter Jens Erik Carl Rasmussen traveled to Kalaallit Nunaat (Greenland). Not much is known about the visit, yet his travels to Nuuk and Maniitsoq provided the artist with visual material for his paintings for more than twenty years afterwards. One outcome of Rasmussen’s travel was the work Midnight Atmosphere by the Coast of Greenland. The Danish Royal Gallery acquired
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Oskar Nordell, Arenaboom: En arkitekturstudie av idrottsarenor i Sverige under 2000-talets första decennier Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-10 Mattias Kärrholm
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 1, 2023)
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Patronage, Collecting, and Critique. Athanasius Raczyński's Encounter with the Artistic Circles of Copenhagen Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-08 Martyna Łukasiewicz, Michał Mencfel
Summary In this essay, an analysis is offered of Athanasius Raczyński (1788-1874), a Polish aristocrat in Prussian diplomatic service and an outstanding art connoisseur and collector, as well as his comprehensive activity in the field of art during his stay in Copenhagen from 1830 to1834. This activity included purchasing works by Danish painters, lending paintings from his collection for exhibitions
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Photography and the Organic Nonhuman: Photographic Art with Light, Chlorophyll, Yeasts, and Bacteria Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-05-04 Jane Vuorinen
ABSTRACT The concept of nonhuman in relation to photography has recently been mostly theorized through technology, while organic nonhuman agents and processes at work in photography have received less attention. In this article, works by three contemporary Finnish artists who incorporate organic materials and processes into photography are analyzed to renegotiate the borders between photography, bioart
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Correction Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-28
Published in Konsthistorisk tidskrift/Journal of Art History (Ahead of Print, 2023)
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Arresting Actors: A Sámi Drum and its Complex Relations Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-19 Monica Grini
ABSTRACT The article centres around a well-known artefact in Sámi history, the more than 300-year-old drum that once belonged to Poala Ánde/Anders Poulsen, that has recently been returned to Sápmi after a long restitution process. Sámi drums were deemed sorcerers’ devices and routinely confiscated and destroyed during seventeenth century Danish autocracy; their users prosecuted and sometimes executed
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Primary Colors for the Fourth World: The Nonfigurative Sovereignty of Synnøve Persen and Frederik “Kunngi” Kristensen Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-19 David W. Norman
Summary This essay examines the anti-colonial conditions under which two artists gravitated toward radically reduced form. In 1977, Synnøve Persen (b. 1950) designed a tricolor screen print that inspired an iconic flag. The flag was hoisted at barricades along the Áltá river where water defenders blockaded the site of a planned hydroelectric dam and demanded recognition for the Sámi people’s ancestral
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Anna Bortolozzi, Italian Architectural Drawings from the Cronstedt Collection, Nationalmuseum Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-06 Kristoffer Neville
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 1, 2023)
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Performing Protest in Singapore: Performance Tactics in Brother Cane and Don’t Give Money to the Arts Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-04-05 Wei Hao Goh
Abstract In the early hours of 1 January 1994, Josef Ng concluded his 25-minute performance artwork Brother Cane (1994) by snipping his pubic hair. The performance created a public furore, resulting in the cessation of public funding towards performance artworks for ten years. Undeterred by the backlash, Tang Da Wu created and performed Don’t Give Money to the Arts (1995) to protest the no-funding
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Horst Bredekamp, Michelangelo Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-02-01 Hans-Olof Boström
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 92, No. 1, 2023)
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Stumme Boten. Jacques de Gheyns schriftliche und zeichnerische Geste Konsthistorisk tidskrift/Journal of Art History Pub Date : 2023-01-23 Yannis Hadjinicolaou
Abstract This paper analyses a pen and brown ink drawing by Jacques de Gheyn II (circa 1565-1629), which is preserved in the Kupferstichkabinett in Berlin, in relation both to written and drawn gestures, explicating the connection between image and word. Through the bodily articulation of the artist as well as through the gestural presence of the figure (“Handeling” meaning manner and action) the sheet
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Singapore Art History as a History of Mobilities Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-11-23 Wei Hao Goh
ABSTRACT Moving away from the study of the history of art using place-bound and ‘rational' terms, this article examines how the different forms of mobilities practiced by Singaporean artists have shaped their artworks, practices and identities. This is achieved through a study of artists who practiced ‘unconventional’ forms of mobilities: Suzann Victor, an ‘unofficial exile’ who moved to Sydney due
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Die Kilianslegende des Veit Stoß in der Kirche der hl. Maria Magdalena in Münnerstadt Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-11-23 Józef Bremer, Paweł Taranczewski, Katharina Mann
Summary Veit Stoß (1445/50 – 1533) ist bekannt für seine Stein- und Holzskulpturen sowie für die Bemalung der Holzfiguren, von denen die des Krakauer Marienaltars (1476 – 1489) ein beson- ders eindrucksvolles Beispiel darstellen. Weniger bekannt sind hingegen seine Kupferstiche und Gemälde. Aus diesem Grund werden hier die einzigen erhaltenen Gemälde von Veit Stoß’ Hand ausführlich besprochen und im
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Göteborgs Konsthall – en hundraårig konsthistoria Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-11-10 Martin Sundberg
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 4, 2022)
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The condottiere prince – A visual rhetoric. Leonello d'Este, Sigismondo Malatesta, Alessandro Sforza, Federico da Montefeltro Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-10-19 Per Sigurd Tveitevåg Styve
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 4, 2022)
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La Manfrediana Methodus en Allemagne, au Danemark et en Bohême: réminiscences au-delà des confins caravagesques connus Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-09-28 Kitsirin Kitisakon
Summary Cet article est une mise au point des études sur la Manfrediana methodus. Populaire dans les années 1610 et 1620, la ‘méthode’ de Manfredi est surtout employée par les artistes étrangers, principalement néerlandais, venus à Rome, séduits par le caravagisme. Elle s’exportera ensuite vers d’autres pays, notamment aux Pays-Bas du Nord et du Sud et il est généralement considéré qu’elle s’éteint
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Monument, Memory, Museum. The Royal Palace of Stockholm in the Long Twentieth Century Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-09-28 Magnus Olausson
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 3, 2022)
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Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-08-24 Sophie Doutreligne
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 4, 2022)
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From Saintly Shrines to Cabinets of Curiosity – The Fate of Medieval Altarpieces in Post-Reformation Norway Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-07-14 Kristin Kausland
Summary This article follows the afterlife of two fragmented late medieval altarpieces in Norway, whose original function was for a long time obscured after years of private ownership. The study takes an object biography approach, where sections of documentary evidence are pieced together with technical findings and historical context to explore the altarpieces’ shifting functions during long, eventful
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Cover-title page Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-06-10
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 2, 2022)
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Editorial Board Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-06-10
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 2, 2022)
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ToC Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-06-10
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 2, 2022)
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Estetisk ingenjörskonst och konstens ekologisering: Richard Bergh, Människan och nutiden och Öyvind Fahlström Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-06-10 Erik Erlanson, Peter Henning
Summary The following article seeks to analyze the biopolitical interconnections between cultural policy and the arts during the Swedish 1900s. Of special relevance is the concept of “aesthetic engineering”, denoting the attempt to vitalise and activate the population through manipulation of the sensuous environment. In this context, the significance of the individual artwork can only be understood
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Cover-title page Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24
(2022). Cover-title page. Konsthistorisk tidskrift/Journal of Art History: Vol. 91, Fakes and forgeries, pp. i-i.
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Editorial Board Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24
(2022). Editorial Board. Konsthistorisk tidskrift/Journal of Art History: Vol. 91, Fakes and forgeries, pp. ii-ii.
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Toc Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24
(2022). Toc. Konsthistorisk tidskrift/Journal of Art History: Vol. 91, Fakes and forgeries, pp. iii-iii.
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Fakes matter – as a matter of fakes Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24 Alexandra Herlitz, Alexandra Fried
(2022). Fakes matter – as a matter of fakes. Konsthistorisk tidskrift/Journal of Art History: Vol. 91, Fakes and forgeries, pp. 1-6.
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‘Try it with the Tip of a Knife’: Looking Out for Fake Antiquities in Sixteenth-Century Italy Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24 Barbara Furlotti
Summary In 1565, the collector and art adviser Girolamo Garimberto congratulated Cesare Gonzaga on the recent acquisition of a series of ancient heads. In Garimberto’s words, what made this purchase so extraordinary was the “presence of an emperor [Geta] so rare, with his wife and two children, that, to tell the truth, this is an extremely rare and impossible occurrence, difficult to be arranged in
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Striving for Close Resemblance or Creative Improvements: On Painted Copies and Workshop Replicas from the Sixteenth and Seventeenth Century in Swedish Art History Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24 Charlotta Krispinsson
Summary This study examines painted copies from the sixteenth and seventeenth centuries to gain a richer understanding of the phenomenon of copies and of copying as a common artistic practice. The study findings suggest that copies painted in Sweden in the seventeenth century were, in general, free copies. In that century, the Swedish economy was booming, and a semi-regulated art market had developed
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Forging a Language of Lies: Truth, Falsehood and Making in Early Modern England Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-03-24 Simen K. Nielsen
Summary The English language contains a plethora of words denoting and connoting material production – designations of Man as maker: Making, creating, fashioning, forging, fabricating, producing, generating, manufacturing, and so on. This catalogue of relative synonyms has, however, radical historical and internal differences of valence and meaning and surrounds the Early Modern nomenclature of “making”
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The Sámi in Two Nordic Art Projects: Mattias Olofsson’s Stor-Stina and Jorma Puranen’s Imaginary Homecoming Konsthistorisk tidskrift/Journal of Art History Pub Date : 2022-02-22 Kristine Nielsen
Summary This paper examines how representations of the Sámi emerge in the art of two contemporary Nordic artists, Mattias Olofsson and Jorma Puranen. It compares Olofsson’s performances of Stor-Stina (1999-present) with Puranen’s Imaginary Homecoming (1991-97), showing how their projects convey and simultaneously attempt to dismantle a settler mentality. Through the comparison, the paper argues for
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The Portrait and the Colonial Imaginary. Photography between France and Africa, 1900–1939 Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-29 Åsa Bharathi Larsson
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 2, 2022)
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Cover-title page Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-20
(2021). Cover-title page. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 4, pp. (i)-(i).
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Editorial Board Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-20
(2021). Editorial Board. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 4, pp. (ii)-(ii).
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ToC Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-20
(2021). ToC. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 4, pp. (iii)-(iii).
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Art in Tights: Tableaux Vivants as Commercial Entertainment in Sweden and Finland, 1840–1860 Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-10-14 Leif Runefelt
Summary In the 1840s, Sweden and Finland were hit by a minor craze for living pictures or tableaux vivants as commercial entertainment. For the price of a ticket, the public could experience the staging, by live actors, of work of arts from antiquity and contemporary sculptors such as Canova and Thorvaldsen. Making strong claims of artistic value, based on the aesthetic theory of Winckelmann and the
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The Digital U-Turn in Art History Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-13 Anna Näslund Dahlgren, Amanda Wasielewski
Summary Over the past decade humanities researchers have increasingly come to embrace digital methods. Art historians, however, have often resisted engaging with these developments. In this article, we explore the driving factors behind art history's reticence toward the digital turn in the humanities. Reflecting on the historiographic trajectory of the emerging field of digital art history (DAH) versus
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Framträdanden: performativitetsteoretiska tolkningar av Tadeusz Kantors konstnärskap Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-12-05 Magdalena Holdar
Published in Konsthistorisk tidskrift/Journal of Art History (Vol. 91, No. 3, 2022)
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Cover-title page Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-10-21
(2021). Cover-title page. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 3, pp. i-i.
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Editorial Board Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-10-21
(2021). Editorial Board. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 3, pp. ii-ii.
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ToC Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-10-21
(2021). ToC. Konsthistorisk tidskrift/Journal of Art History: Vol. 90, No. 3, pp. iii-iii.
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Prince and Pretender: Marian Iconography and Devotion as Political Rhetoric in the Magnificat Window in Great Malvern Priory Church Konsthistorisk tidskrift/Journal of Art History Pub Date : 2021-10-15 John-Wilhelm Flattun
Summary This article argues that Tudor politics influenced the devotional iconography on display in the Magnificat window in Great Malvern Priory church in Worcestershire, England from 1501. The window proclaims Henry VII’s final victory over Yorkist pretenders to the throne in the years after Bosworth and communicates its position through images of the Virgin Mary. The article discusses how collective