This research explores the figurative culture that flourished in Sicily during the 12th and 13th centuries, focusing on the interplay between artifacts of different types, materials, techniques and uses. Paintings, sculptures and objects that share a common visual language are analyzed with the aim of highlighting recurring motifs, mutual influences and related sources. The main focus is on the decorative apparatus of the Sacramentary Ms. 52 (Madrid, Biblioteca Nacional de España), one of the most famous illuminated manuscripts from Sicily. The date, origin and patronage of this luxurious liturgical book have been the subject of intense scholarly debate. In order to shed light on these controversial issues, this study re-examines the various hypotheses considered by scholars, taking into account the historical events that affected Sicily from the end of the Norman to the beginning of the Swabian era. This analysis also shows how the decoration of the manuscript fits into the wider dynamics of cultural exchange that characterized Sicily and the Mediterranean during this transitional period.

中文翻译：

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12 至 13 世纪西西里岛的艺术、艺术品和手稿：地中海十字路口的互动与交流

这项研究探索了 12 世纪和 13 世纪在西西里岛盛行的具象文化，重点关注不同类型、材料、技术和用途的人工制品之间的相互作用。分析具有共同视觉语言的绘画、雕塑和物体，目的是突出重复出现的主题、相互影响和相关来源。主要焦点是 Sacramentary Ms. 52（马德里，西班牙国家图书馆）的装饰器具，这是西西里最著名的彩绘手稿之一。这本豪华的礼仪书籍的日期、来源和赞助一直是激烈的学术争论的主题。为了阐明这些有争议的问题，本研究重新检验了学者们考虑的各种假设，考虑到从诺曼底时代到斯瓦比亚时代初期影响西西里岛的历史事件。该分析还展示了手稿的装饰如何适应这一过渡时期西西里岛和地中海特有的更广泛的文化交流动态。