For the last three years I have been making walks with my canine companion as part of an Arts and Humanities Research Council funded fine art practice-based PhD at Nottingham Trent University, UK, which considers walking art as a shared human–canine practice. In this paper I reflect upon the doings of deep canine topography as a practice, with particular attention to the ethical questions raised. In the short meditation on the ethics of human animal artistic collaboration that follows, I will wander through the complex web of human–canine kinship, explored through art practice. Joining us on our walk through this tricky landscape are Rosi Braidotti, Jack Halberstam, Dona Haraway, Ron Broglio, Gilles Deleuze and Felix Guattari, and a host of other actors whose concepts and theories provide a rich source of ethical discussion, which fellow artists might find helpful.

中文翻译：

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深犬地形图：圈养僵尸还是自由流动的关系体？

在过去的三年里，作为艺术与人文研究委员会资助的英国诺丁汉特伦特大学美术实践博士的一部分，我一直和我的犬类伙伴一起散步，该大学认为步行艺术是一种人类与犬类的共同实践。在这篇论文中，我反思了作为一种实践的深犬地形学的做法，特别关注提出的伦理问题。在接下来对人类动物艺术合作伦理的简短沉思中，我将漫步在复杂的人犬亲缘关系网中，通过艺术实践进行探索。Rosi Braidotti、Jack Halberstam、Dona Haraway、Ron Broglio、Gilles Deleuze 和 Felix Guattari 以及许多其他演员，他们的概念和理论提供了丰富的伦理讨论来源，与我们一起走过这片棘手的风景线，