The Holocaust is a living trauma in the individual and collective body. Studies show that this trauma threatens to be reawakened when a new and traumatic experience, such as illness, emerges. The two traumas bring to the fore the experiences of death, pain, bodily injury, fear of losing control, and social rejection. This article examines the manifestation of this phenomenon in art through the works of three Jewish artists with autobiographical connections to the Holocaust who experienced breast cancer: the late Holocaust survivor Alina Szapocznikow, Israeli artist Anat Massad and English artist Lorna Brunstein, daughters of survivors. All three matured alongside the rise and development of feminist art, and their works address subjects such as femininity and race and tell their stories through their bodies and the traumas of breast cancer and the Holocaust, transmitting memory, working through trauma, and making their voices heard.

中文翻译：

---

作为记忆的身体：女性艺术中的乳腺癌和大屠杀

大屠杀是对个人和集体身体的活生生的创伤。研究表明，当一种新的创伤性经历（例如疾病）出现时，这种创伤可能会被重新唤醒。这两种创伤突出了死亡、痛苦、身体伤害、害怕失去控制和社会排斥的经历。本文通过三位与大屠杀有自传关系且经历过乳腺癌的犹太艺术家的作品来审视这一现象在艺术中的表现：已故的大屠杀幸存者阿丽娜·绍波兹妮科、以色列艺术家阿纳特·马萨德和英国艺术家洛娜·布伦斯坦，她们都是幸存者的女儿。这三者都随着女权主义艺术的兴起和发展而成熟，