Created in 1984 by the French artists ORLAN, Frédéric Develay and Frédéric Martin and shown for the first time at the Centre Pompidou during the exhibition Les Immatériaux (28 March to 15 July 1985), the telematic magazine Art Accès has marked the history of the art on Minitel, the French Videotex system in use between 1980 and 2012. For ORLAN and Frédéric Develay, Art Accès was a way both to propose an artistic and cultural alternative to a purely utilitarian and mercantile content, but also to explore the possibilities of a ‘poor’ medium. Working within the framework of the magazine, ORLAN and Frédéric Develay invited visual artists, but also poets and musicians to use videotex, to transgress it in all possible ways and thus to make an original work that is made by this medium and for this medium. Although the French Minitel network ended in 2012 and the magazine has long since disappeared, there are still traces, fragments or documents that allow us to reconstruct its history. This essay proposes an initial study of this telematic experience and of some of its most emblematic creations.

中文翻译：

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法国远程信息处理杂志 Art Accès (1984–1987)

由法国艺术家 ORLAN、Frédéric Develay 和 Frédéric Martin 于 1984 年创作，并在Les Immatériaux展览（1985 年 3 月 28 日至 7 月 15 日）期间首次在蓬皮杜中心展出，远程信息处理杂志Art Accès标志着艺术的历史1980 年至 2012 年间使用的法国 Videotex 系统 Minitel。对于 ORLAN 和 Frédéric Develay，Art Accès是一种既可以为纯粹的功利主义和商业内容提出一种艺术和文化替代方案的方式，也可以探索一种“贫穷”媒介的可能性。在该杂志的框架内，ORLAN 和 Frédéric Develay 邀请视觉艺术家、诗人和音乐家使用可可视文本，以所有可能的方式超越它，从而制作出由这种媒体制作并为这种媒体制作的原创作品。尽管法国 Minitel 网络于 2012 年结束，杂志也早已销声匿迹，但仍有一些痕迹、片段或文件可以让我们重构它的历史。本文提议对这种远程信息处理体验及其一些最具象征意义的创作进行初步研究。