ABSTRACT

Material culture is an extension of spatial–temporal perceptions and behaviour. The nature of the manner in which rhetorical material is woven into visual narrative become symbolic expressions of material assembly. Mikhail Bakhtin referred to such material assembly as “flesh” in the instance of the novel. In this article, I will extend Bakhtin's notion of “flesh” to film and demonstrate that Edward Hall's theory of mono-chronic and poly-chronic time apply to the materialisation of narrative flesh in the films discussed herein.

中文翻译：

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电影《两姐妹的故事》（2003 年）和《不速之客》（2009 年）中单时性和多时性物化之间的跨文化时间趋势

摘要

物质文化是时空感知和行为的延伸。将修辞材料融入视觉叙事的方式的本质成为材料组合的象征性表达。米哈伊尔·巴赫金 (Mikhail Bakhtin) 在小说中将这种物质组合称为“肉体”。在这篇文章中，我将把巴赫金的“肉体”概念扩展到电影，并证明爱德华霍尔的单时和多时时间理论适用于本文讨论的电影中叙事肉体的物质化。