Numerous motifs inspired by the tea ceremony and the teahouse form part of Japanese aesthetics. That teahouses are vital as archetypes in modern Japanese architecture is therefore not surprising. This article focuses on the ways in which the architectural type of the teahouse was discovered and interpreted in the modern context, mainly by Sutemi Horiguchi. It summarises Horiguchi’s approach to the teahouse in three main points: relating the modern concept of non-urbanity to the teahouse; accepting the openness and secular life; and replacing the concept of kiwari with geometry. Based on the work of Horiguchi and his successors, the article shows that Japanese architects’ interpretations of the teahouse became more abstract. As one of the archetypes in Japanese architecture, the teahouse today reflects the preferences and ideals of the modern Japanese.

中文翻译：

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日本茶馆的现代诠释，以 Sutemi Horiguchi 为例进行说明

受茶道和茶馆启发的众多图案构成了日本美学的一部分。因此，茶馆作为现代日本建筑的原型至关重要，这不足为奇。本文重点介绍茶馆建筑类型在现代语境中的发现和解读方式，主要由堀口修美先生所著。它将堀口对茶馆的态度总结为三个要点：将现代的非城市性概念与茶馆联系起来；接受开放和世俗生活；并用几何代替kiwari的概念。基于堀口及其继任者的工作，文章表明日本建筑师对茶馆的解释变得更加抽象。作为日本建筑的原型之一，