Abstract The article aims to analyse the tableau vivant in social media culture by emphasizing its intermedial relation to technical visual media, particularly digital photography and film. By focusing on the living picture’s specific mimetic qualities, the study traces back the tableau vivant’s history in a media archaeological perspective primarily regarding photography. It explores the current revival of the tableau vivant within social media. The article examines living pictures and the aspect of self-staging, relevant to contemporary digital culture. The tableau vivant develops between two polarities: a primarily analytical approach that allows a profound exploration of a particular artwork and the performative aspects of self-staging.

中文翻译：

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Tableau Vivant 和社交媒体文化

摘要 本文旨在分析社交媒体文化中的生动画面，强调其与技术视觉媒体，尤其是数码摄影和电影的中介关系。通过关注活生生的图片的特定模仿品质，该研究从主要与摄影有关的媒体考古学角度追溯了生活画面的历史。它探讨了社交媒体中生动的画面当前的复兴。这篇文章探讨了与当代数字文化相关的活生生的图片和自我展示的方面。生动的画面在两个极性之间发展：一种主要是分析方法，允许对特定艺术品进行深入探索，以及自我舞台的表演方面。