In 1920, the Czech avant-group Devětsil, led by Karel Teige, put forth a leftist program that embraced a multimedial and transnational approach to art and poetry. This vision was articulated through the group's homegrown -ism, “Poetism,” which incorporated principles of Constructivism and Dada. While Poetism's affinities with the former is well-documented, this article introduces more fully Devětsil's engagement with Dada, in print and through performance and dance. It also positions such manifestations not merely as a reflection of Dada tendencies occurring elsewhere, but also as a useful category for thinking in new ways about some of Devětsil's own artistic production and theoretical formulations as related to Poetism. Through a consideration of theoretical texts and artistic production, platformed in Czech avant-garde print, this article both adds to our understanding of the ways in which Poetism was conceived and enacted, and makes explicit Devětsil's intersections with a more global Dada construct.

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Devětsil 和达达：战争间捷克前卫的游戏诗学

1920 年，由 Karel Teige 领导的捷克前卫团体 Devětsil 提出了一项左翼计划，该计划采用多媒体和跨国方法来处理艺术和诗歌。这一愿景是通过该团体的本土主义“诗主义”来表达的，它结合了建构主义和达达主义的原则。虽然诗歌与前者的密切关系有据可查，但本文更全面地介绍了 Devětsil 与达达的接触，包括印刷、表演和舞蹈。它还将这些表现形式定位为不仅是对其他地方出现的达达主义倾向的反映，而且还是一个有用的类别，可以以新的方式思考 Devětsil 自己的一些艺术创作和与诗学相关的理论构想。通过对理论文本和艺术创作的思考，以捷克前卫印刷为平台，