Among the literati and men of culture of Iran, it is not exaggerated to call Khayyam one of the vaguest figures. One might recognize him certainly and resolutely through his philosophical and scientific works; however, it was his Rubaiyat attributed to him which created many arguments. This paper studies Hakim Omar Khayyam’s Rubaiyat in English and Persian language feature and non-biographical movies; hence, biographical movies depicting factual or imaginary life of Khayyam or any serials, TV productions, documentaries, non- English, non- Persian movies are not included. The aim is to expound any relationships between the film and Rubaiyat; therefore, according to the type of the applied quatrain, movie genre, plot, some categories are propounded to classify the movies in which Khayyam’s quatrains are quoted such as Transiency-Death, Transiency-Carpe Diem, Heaven and Hell, and Determinism. Indeed, these categories can be applied to the theme of the movies or a single scene in which the stanza is quoted. 

中文翻译：

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电影中的 Khayyam 对 Rubaiyat 的研究

在伊朗文人墨客中，将海亚姆称为最模糊的人物之一并不为过。通过他的哲学和科学著作，人们可以肯定而坚决地认出他；然而，正是他的鲁拜集归因于他，这引起了许多争论。本文研究了哈基姆·奥马尔·海亚姆的《鲁拜集》在英语和波斯语中的特征和非传记电影；因此，不包括描绘海亚姆真实或虚构生活的传记电影或任何连续剧、电视作品、纪录片、非英语、非波斯语电影。目的是阐述电影与《鲁拜集》之间的任何关系；因此，根据所应用的四行诗的类型、电影类型、情节，提出了一些类别来对引用海亚姆四行诗的电影进行分类，例如瞬态-死亡、Transiency-Carpe Diem，天堂与地狱，以及决定论。事实上，这些类别可以应用于电影的主题或引用该节的单个场景。