This essay explores the everyday experience of time within the frame of captivity. Through a series of photographs jointly produced by the incarcerated men at Rapa Nui’s carceral facility—the so-called happiest prison in the world—and me, I describe how the quotidian constraints of a captured present are themselves eventful and how this can critically compromise one’s continuity in time. From the reflections of the imprisoned persons on the link between photographs and the narration of time, the photo essay argues that the photographs, as bodies beyond images, can act as perspectival hinges in which an encounter may occur, making the narration of time an affective possibility where experience can be held in common. Finally, it concludes by highlighting how time, just as it can be managed, bent, and distorted, can also go completely out of control, compromising the present in unforeseeable and sometimes devastating ways that bring forth the centrality of the unevenness of time in an unequal world.

中文翻译：

---

被困在场，或监禁的俘虏(d) 影响

这篇文章探讨了在囚禁框架内的日常时间体验。通过在 Rapa Nui 监狱——所谓的世界上最幸福的监狱——的被监禁者和我共同拍摄的一系列照片，我描述了被捕获的礼物的日常限制本身是如何发生的，以及这如何严重损害一个人的时间上的连续性。从被囚者对照片与时间叙述之间联系的反思出发，照片论文认为照片作为超越影像的身体，可以充当可能发生相遇的透视铰链，使时间叙述成为一种情感。经验可以共享的可能性。最后，它强调时间是如何被管理、弯曲和扭曲的，它也可能完全失控，