ABSTRACT

This article questions how contemplative contemporary cinema “sexualize” the landscapes. Through the filmography of four directors, Abbas Kiarostami, Apichatpong Weerasethakul, Lars von Trier and Bruno Dumont, the relationships between nature and human body are highlighted. Furthermore, based on the “eroticism” notion developed by Georges Bataille, our study tries to emphasize how these relationships turn out to be synonymous with bliss but at the same time with terror.

中文翻译：

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当代沉思电影中的风景情色

摘要

本文质疑沉思的当代电影如何“性感化”风景。通过阿巴斯·基亚罗斯塔米、阿彼察邦·韦拉斯哈古、拉尔斯·冯·提尔和布鲁诺·杜蒙四位导演的电影，自然与人体之间的关系得以凸显。此外，基于 Georges Bataille 提出的“色情”概念，我们的研究试图强调这些关系如何成为幸福的同义词，但同时又是恐怖的代名词。