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Making Queer Content Visible: Approaches and Assumptions of Australian Film and Television Stakeholders working with LGBTQ + Content
Media International Australia ( IF 2.441 ) Pub Date : 2022-02-01 , DOI: 10.1177/1329878x221077851
Rob Cover 1
Affiliation  

A concept of visibility frames much scholarship and public writing on LGBTQ + representation in film and television, and underpins diversity reporting and inclusivity measurement. Although visibility is often depicted as a social good, there is a growing critical interest in asking if there are different kinds of visibility, and how these might be differentially valued. This paper reports insights gained from interviews with Australian stakeholders involved in the production of screen entertainment with LGBTQ + content. The study found that stakeholders are motivated by to create texts that make LGBTQ + stories and characters visible. The range of approaches to visibility was, however, nuanced and diverse: some understood any LGBTQ + representation as valuable, while others discussed visibility in contexts of character depth, anti-stereotyping, and visibility tempered by concepts of human dignity. Although visibility is perceived diversely, it remains a significant lens by which creative artists involved in LGBTQ + texts understand their work.



中文翻译:

让酷儿内容可见:澳大利亚电影和电视利益相关者与 LGBTQ + 内容合作的方法和假设

可见性概念构成了许多关于 LGBTQ + 电影和电视表现的学术和公共写作,并支持多样性报告和包容性测量。尽管可见度经常被描述为一种社会公益,但人们越来越关注是否存在不同类型的可见度,以及如何对这些可见度进行不同的评价。本文报告了对参与制作具有 LGBTQ + 内容的屏幕娱乐的澳大利亚利益相关者的采访所获得的见解。研究发现,利益相关者的动机是创建使 LGBTQ + 故事和人物可见的文本。然而,可见性方法的范围是细致入微和多样化的:一些人认为任何 LGBTQ + 表示都是有价值的,而另一些人则讨论了在角色深度、反刻板印象的背景下的可见性,和可见性受到人类尊严概念的影响。尽管可见性被认为是多种多样的,但它仍然是参与 LGBTQ + 文本的创意艺术家理解他们作品的重要镜头。

更新日期:2022-02-01
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