Abstract

While the discipline of landscape architecture is regarded as engaging closely with time, the temporal span that it works within is, more often than not, very narrow. In this article, I draw on three concepts of time that allow experiential engagement with the material and immaterial agencies of an Arctic coastal site to emerge. Conceptually, I refer to descriptive insights from literary figures on time and coastal landscapes along with landscape theorists. As an initial site reading, I apply, explore and review these concepts via a time-centred analysis of a frozen shore. In-situ techniques using photography and fieldnote taking are used to identify different temporalities. I proceed to modelmaking in a studio setting to further explore the processes, states and conditions that were observed on site. I propose that the application of these time concepts provides a framework for landscape architects to articulate observations and understanding of temporal encounters within and beyond this Arctic coast.

摘要

虽然风景园林学科被认为与时间密切相关，但其工作的时间跨度往往非常狭窄。在本文中，我借鉴了三个时间概念，它们允许与北极沿海地区的物质和非物质机构进行体验性接触。从概念上讲，我指的是文学人物对时间和海岸景观以及景观理论家的描述性见解。作为最初的网站阅读，我通过对冰冻海岸的以时间为中心的分析来应用、探索和回顾这些概念。原位使用摄影和实地记录的技术被用来识别不同的时间。我继续在工作室环境中进行模型制作，以进一步探索现场观察到的过程、状态和条件。我建议这些时间概念的应用为景观设计师提供了一个框架，以表达对北极海岸内外的时间相遇的观察和理解。