ABSTRACT

The changing urban texture of Istanbul saw the construction of qualified houses, especially in the summer house districts, during the rise of modernist architecture after the 1950s. The İzzet Şefizade Villa built in 1961 in Fenerbahçe, a popular summer destination, is an undocumented example of the synthesis between modern architecture and art with its wall mosaic made by Ferruh Başağa (1914–2010), an important representative of Turkish abstract art. Despite its technical, aesthetic and social value, the building was found under earthquake risk and demolished in 2018 rather than being reinforced, and a new public center was built. This article discusses the loss of the building from the perspectives of urban transformation and conservation, the synthesis of architecture and art, and urban memory. As a rare and informative example, it shows that it is possible to save art works or architectural elements which are afforded no protection by law or ordinances.

摘要

在 1950 年代后现代主义建筑兴起期间，伊斯坦布尔不断变化的城市肌理见证了合格房屋的建造，特别是在避暑别墅区。İzzet Şefizade 别墅建于 1961 年，位于费内巴切 (Fenerbahçe)，是一个受欢迎的夏季目的地，它是现代建筑与艺术之间综合的一个无证例子，其墙壁马赛克由土耳其抽象艺术的重要代表 Ferruh Başağa (1914-2010) 制作。尽管具有技术、美学和社会价值，但该建筑在地震风险下被发现并于 2018 年被拆除而不是被加固，并建造了一个新的公共中心。本文从城市改造与保护、建筑与艺术的综合、城市记忆等角度探讨建筑的失落。作为一个罕见且内容丰富的例子，