This article draws on John Locke’s theoretical conceptualisation of eavesdropping in examining the surgical, representational, and communicative practices of plastic surgeon and celebrity, Dr. Michael Salzhauer (aka Dr. Miami). I draw in part on literature in surveillance and visual studies to critically examine the visual and auditory features of Dr. Miami’s Snapchat stories, which, like reality television, are disseminated to audiences for their consumption. Through a critical visual analysis, I examine how the combination of social media (i.e., Snapchat) and visually documenting surgical practices has helped resurrect the Anatomical Theatres of the 13th to 18th centuries in digital forms through eavesdropping. Five themes emerged from the analysis: Resurrecting the Anatomical Theatre, Cosmetic Theatres, Technologically Mediated Gazes, Clinical Anatomical Objectification (CAO) and Anaesthetic Coma: Digitally Eavesdropping.

本文借鉴了约翰·洛克关于窃听的理论概念，对整形外科医生和名人迈克尔·萨尔茨豪尔博士（又名迈阿密博士）的外科手术、代表性和交流实践进行了研究。我部分借鉴了监视和视觉研究方面的文献，批判性地研究了迈阿密博士的 Snapchat 故事的视觉和听觉特征，这些故事就像真人秀电视一样，传播给观众供其消费。通过批判性的视觉分析，我研究了社交媒体（即 Snapchat）和视觉记录手术实践的结合如何通过窃听以数字形式帮助复活13 至 18 世纪的解剖剧院。分析得出五个主题：复活解剖剧场、美容剧场、技术介导的凝视、临床解剖客观化（CAO）和麻醉昏迷：数字窃听。