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The Female Voice in Low budget, independent cinema of Australia: Strange Colours, The Second & Hot Mess
Studies in Australasian Cinema Pub Date : 2021-11-01 , DOI: 10.1080/17503175.2021.1993651
Phoebe Hart 1 , Marilyn Leder 2
Affiliation  

ABSTRACT

This study investigates the impediments that Australian, female, independent filmmakers face in bringing female-centred stories onto the screen. In 2016, the federal screen funding agency Screen Australia launched Gender Matters to better understand the many barriers facing women filmmakers and create opportunities for female screen creatives to gain equity in the screen industries. But how have this impacted and improved conditions for female filmmakers? The authors of this current study are female screenwriters, directors and producers who have experienced and witnessed the many difficulties women face in the Australian screen industry. The article comprises case studies of recent, successful, female, independent feature filmmakers, the AACTA Award nominated creators of Strange Colours, The Second and Hot Mess. The research explores emergent themes and recommendations based on interviews with the filmmakers. They observe that while some impediments in the low budget, independent sector continue, others have subsided and a considerable number of promising developments are emerging. Screen Australia’s Gender Matters and other initiatives by State-based screen agencies have encouraged this progress, but changes in the global socio-cultural discourse have also been influential.



中文翻译:

澳大利亚低预算独立电影中的女声:奇怪的颜色,第二个和热的混乱

摘要

这项研究调查了澳大利亚女性独立电影制作人在将以女性为中心的故事搬上银幕时所面临的障碍。2016 年,联邦银幕资助机构 Screen Australia 启动了性别问题,以更好地了解女性电影制作人面临的许多障碍,并为女性银幕创意人创造机会在银幕行业获得股权。但这如何影响和改善女性电影制作人的条件呢?本研究的作者是女性编剧、导演和制片人,她们经历并目睹了女性在澳大利亚电影业面临的许多困难。这篇文章包括最近成功的女性独立故事片制片人的案例研究,AACTA 奖提名的奇异色彩、第二和热的混乱的创作者。该研究基于对电影制作人的采访探索了新兴的主题和建议。他们观察到,虽然低预算、独立部门中的一些障碍仍在继续,但其他障碍已经消退,并且出现了大量有希望的发展。Screen Australia 的 Gender Matters 和其他州级电影机构的倡议鼓励了这一进展,但全球社会文化话语的变化也产生了影响。

更新日期:2021-11-01
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